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From Kevin Brownlow, cinema historian and discoverer of lost films, here is the first full-scale exploration of a vital and now almost forgotten chapter of American moviemaking: the response of early producers of the decades before World War I. All the issues that torment America today were rampant in the silent-film era: crime, poverty, alcohol, drugs, racial and ethnic prejudice, epidemics, and the controversies over birth control, abortion, and the death penalty. And there were others that persist today but were then even more explosive: sexual mores, government and police corruption, prison conditions, immigration, and strife between capital and labor. Although many early moviemakers ignored harsh realities, choosing to depict a society shielded by a “mask of innocence,” others went behind that façade, fighting the ever-present censors and producing films that made even the most sheltered moviegoer aware of deep rents in the country’s social fabric. Some films were exploitative, some serious, but together they add up to a revelation of the dark side of American life—a revelation startling to us today because it was later, in the era of the Hays Office, so thoroughly ignored, indeed denied, by Hollywood. Broken Blossoms, The Crowd, Humoresque, Regeneration: these films that have survived and become classics are, in these pages, studied in their historical context. And although a tragic number of other films have vanished, nearly all are reclaimed from oblivion by Mr. Brownlow’s brilliant feat of restoration and descriptive “reconstruction.” Here, never again to be forgotten, are The Fall of the Romanoffs, The Racket, Those Who Dance, and dozens of others. With this remarkable book, Kevin Brownlow completes the panoramic trilogy that began with The Parade’s Gone By… and continued with The War, the West, and the Wilderness. Like its predecessors, Behind the Mask of Innocence is an essential work of silent-film history, certain to become a standard reference; but it is more—at once a surprising portrait of a time not unlike our own and a powerful demonstration of the way in which a popular art form can reveal a society to itself.
A young priest, caught in a web of scandal, receives a confession that sets the stage for murder.
"I love every aspect of this amazing book—a genderfluid hero, a deadly contest, and vicious courtly intrigue. Get! Read! Now!" —Tamora Pierce, #1 New York Times bestselling author I needed to win. They needed to die. Sallot Leon is a thief, and a good one at that. But gender fluid Sal wants nothing more than to escape the drudgery of life as a highway robber and get closer to the upper-class—and the nobles who destroyed their home. When Sal steals a flyer for an audition to become a member of The Left Hand—the Queen's personal assassins, named after the rings she wears—Sal jumps at the chance to infiltrate the court and get revenge. But the audition is a fight to the death filled with clever circus acrobats, lethal apothecaries, and vicious ex-soldiers. A childhood as a common criminal hardly prepared Sal for the trials. And as Sal succeeds in the competition, and wins the heart of Elise, an intriguing scribe at court, they start to dream of a new life and a different future, but one that Sal can have only if they survive. This heart-pounding YA story of magic, danger, and revenge is perfect for readers looking for: epic books for tweens and teens gay and lesbian fantasy and science fiction gripping stories with queer and gay magic and sorcery gender fluid representation and gender diversity dazzling world-building and relatable characters Praise for Mask of Shadows: A Bustle Most Anticipated YA of 2017! "Compelling and relatable characters, a fascinating world with dangerous magic, and a dash of political intrigue: Mask of Shadows completely delivered. Fantasy fans will love this book."—Jodi Meadows, New York Times bestselling coauthor of My Lady Jane "An intriguing world and a fantastically compelling main character make for a can't-miss debut. Miller's Mask of Shadows will make you glad you're not an assassin—and even gladder Sal is."—Kiersten White, New York Times bestselling author of And I Darken and Now I Rise "It is fabulous. Go forth and read the Hunger Games-like craftiness and intensity, Kaz Brekker-ish determination and moral questionability, and utterly charming romance." — LGBTQ Reads "Uber bloody and action packed, Mask of Shadows is the book for anyone who loves a heavy dose of grit and gore with their fantasy." — TeenVogue.com Don't miss the highly anticipated second book in the Mask of Shadows duology, Ruin of Stars, and Linsey Miller's standalone YA fantasy Belle Révolte, both available now!
Although the Blitz has come to symbolize the experience of civilians under attack, Germany first launched air raids on Britain at the end of 1914 and continued them during the First World War. With the advent of air warfare, civilians far removed from traditional battle zones became a direct target of war rather than a group shielded from its impact. This is a study of how British civilians experienced and came to terms with aerial warfare during the First and Second World Wars. Memories of the World War I bombings shaped British responses to the various real and imagined war threats of the 1920s and 1930s, including the bombing of civilians during the Spanish Civil War and, ultimately, the Blitz itself. The processes by which different constituent bodies of the British nation responded to the arrival of air power reveal the particular role that gender played in defining civilian participation in modern war.
From the green hills of Gloucestershire to the brothels of Victorian Bristol and the fens of Cumbria, Mask of Innocence is a fast paced novel set against a rich backdrop of Victorian society. A strong moral tale, Mask of Innocence shows how people come together to seek out truth and love against a whirlwind of turmoil and adversity.
Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film. Marked Women classifies fifteen recurrent character types and three common narratives, many of them with their roots in male fantasy. The “Happy Hooker,” for example, is the liberated woman whose only goal is to give as much pleasure as she receives, while the “Avenger,” a nightmare of the male imagination, represents the threat of women taking retribution for all the oppression they have suffered at the hands of men. The “Love Story,” a common narrative, represents the prostitute as both heroine and anti-heroine, while “Condemned to Death” allows men to manifest, in imagination only, their hostility toward women by killing off the troubled prostitute in an act of cathartic violence. The figure of the woman whose body is available at a price has fascinated and intrigued filmmakers and filmgoers since the very beginning of cinema, but the manner of representation has also been highly conflicted and fiercely contested. Campbell explores the cinematic prostitute as a figure shaped by both reactionary thought and feminist challenges to the norm, demonstrating how the film industry itself is split by fascinating contradictions.
A heart-stopping supernatural thriller from the master of suspense. Addison Goodheart is not like other people ... Addison Goodheart lives in solitude beneath the city, an exile from a society which will destroy him if he is ever seen. Books are his refuge and his escape: he embraces the riches they have to offer. By night he leaves his hidden chambers and, through a network of storm drains and service tunnels, makes his way into the central library. And that is where he meets Gwyneth, who, like Addison, also hides her true appearance and struggles to trust anyone.But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance − and nothing less than destiny − has brought them together in a world whose hour of reckoning is fast approaching. 'A thriller that's both chilling and fulfilling' PEOPLE 'Laced with fantastical mysticism, it's an allegory of nonviolence, acceptance and love in the face of adversity ... the narrative is intense, with an old-fashioned ominousness and artistically crafted ... with an optimistic and unexpected conclusion ... Something different this way comes from Mr. Koontz's imagination. Enjoy.' KIRKUS REVIEWS 'Fascinating thriller' WOMAN'S DAY 'Monstrously thrilling' COURIER MAIL 'A supernatural tragedy ... a fantastical tale of loneliness and love, a story about our endless capacity to do good and succumb to evil' Rob Minshull, ABC
Self-knowledge and self-remembering Knowing others is wisdom; Knowing the self is enlightenment. (Lao Tsu. Tao Te Ching, Sutra 33) If you are seeking self-development, growth and transformation on a soul level, self-knowledge is the key. It has always been the key. Throughout the ages, prophets and mystics have called it different things: meditation, self-observation, watching or self-actualization. It is the key that opens the door to freedom from self-inflicted unhappiness. But it comes with a price; the courage to observe ourselves objectively so we can see ourselves just as we are. Not as we imagine ourselves to be, not as we wish we could be, not as we pretend to be in front of others, but just as we are. Because we are not aware of how repetitive and mechanical our thinking patterns really are, we unconsciously let them sabotage our happiness, our relationships and our world. The story of Melodie allows us to observe these unconscious patterns and the extent to which we remain at their mercy. Until we understand ourselves and transform the unconscious patterns into conscious understanding, these self-sabotaging thought patterns control our lives. Melodies intent to remember who she really is, takes us on a journey of awakening from the belief in duality consciousness to the experience of unity consciousness that lies dormant as a seed in the heart of each and every one of us.
After arriving in a warped version of 19th-c entury Paris, the Doctor is arrested. Something is very wron g with this Paris - not least the fact that the sinister fig ure holding the city in his power is the son of the infamous Marquis de Sade. '