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A biography of Mary Sidney (1561-1621), Countess of Pembroke, sister of Sir Philip Sidney, based on primary sources such as account books, legal documents, letters, and diaries.
Miller revisits and reimagines the life of one of Shakespeare's neglected female literary contemporaries, Mary Sidney Herbert.
Despite her fascinating life and her importance as a writer, until now Lady Mary Wroth has never been the subject of a full-length biography. Margaret Hannay's reliance on primary sources results in some corrections, as well as additions, to our knowledge of Wroth's life, including Hannay's discovery of the career of her son William, the marriages of her daughter Katherine, her grandchildren, her last years, the date of her death, and the subsequent history of her manuscripts. This biography situates Lady Mary Wroth in her family and court context, emphasizing the growth of the writer's mind in the sections on her childhood and youth, with particular attention to her learned aunt, Mary Sidney Herbert, Countess of Pembroke, as literary mentor, and to her Continental connections, notably Louise de Coligny, Princess of Orange, and her stepson Prince Maurice. Subsequent chapters of the biography treat her experience at the court of Queen Anne, her relationships with parents and siblings, her love for her cousin William Herbert, her marriage to Robert Wroth, the birth and early death of her only legitimate child, her finances and properties, her natural children, her grandchildren, and her last years in the midst of England's civil wars. Throughout the biography attention is paid to the complex connections between Wroth's life and work. The narrative is enhanced with a chronology; family trees for the Sidneys and Wroths; a map of Essex, showing where Wroth lived; a chart of family alliances; portraits; and illustrations from her manuscripts.
Replete with biographical introduction, discussions of sources and compositional methodology, this two volume work is the first to include all Mary Sidney Herbert's extant works.
It is long overdue that someone took a closer look at the brilliant Mary Sidney. I have a suspicion that Mary Sidney’s life, and especially her dedication to the English language after her brother’s death, may throw important light on the mysterious authorship of the Shakespeare plays and poems. —Mark Rylance Actor; Artistic Director of Shakespeare’s Globe Theatre, 1996–2006; Chairman of the Shakespearean Authorship Trust For more than two hundred years, a growing number of researchers have questioned whether the man named William Shakespeare actually wrote the works attributed to him. There is no paper trail for William Shakespeare—no record that he was ever paid for writing, nothing in his handwriting but a few signatures on legal documents, no evidence of his presence in the royal court except as an actor in his later years, no confirmation of his involvement in the literary circles of the time. With so little information about this man—and even less evidence connecting him to the plays and sonnets—what can and what can’t we assume about the author of the greatest works of the English language? For the first time, Robin P. Williams presents an in-depth inquiry into the possibility that Mary Sidney Herbert, the Countess of Pembroke, wrote the works attributed to the man named William Shakespeare. As well educated as Queen Elizabeth I, this woman was at the forefront of the literary movement in England, yet not allowed to write for the public stage. But that’s just the beginning . . . The first question I am asked by curious freshmen in my Shakespeare course is always, “Who wrote these plays anyway?” Now, because of Robin Williams’ rigorous scholarship and artful sleuthing, Mary Sidney Herbert will forever have to be mentioned as a possible author of the Shakespeare canon. Sweet Swan of Avon doesn’t pretend to put the matter to rest, but simply shows how completely reasonable the authorship controversy is, and how the idea of a female playwright surprisingly answers more Shakespearean conundrums than it creates... —Cynthia Lee Katona Professor of Shakespeare and Women’s Studies, Ohlone College; Author of Book Savvy
"William Herbert (1580-1630), third earl of Pembroke, and Lady Mary Wroth (1587?-1653?) were first cousins, the nephew and niece of Sir Philip Sidney, whose family was one of remarkable literary and political importance. Herbert was a poet, a voluminous letter writer, and one of the Jacobean court's richest and most powerful courtiers and politicians. Wroth was arguably the most important woman writer of the period; she authored the first Petrarchan poetic sequence, the first prose romance, and one of the first plays in English by a woman. In addition to their connections as cousins and as writers, they were lovers and the parents of two illegitimate children." "The Sidney Family Romance is both a "cultural biography" and a symptomatic reading of the sexual and textual relationships of Herbert and Wroth. Waller's analysis of their letters and literary works relies on a variety of critical apparatuses - social history, current political and social theories of the Jacobean period, and most notably (feminist) psychoanalytic theory. In both his biographical information and interpretive comments, Waller focuses on subject construction and gender construction of the early modern period, to find that Herbert's poems proceed from his life at court to engage in the gender politics of Petrarchan poetry, while Wroth's work proceeds from her disempowered position to project a desire for an autonomy which would lead to mutuality between the sexes." "Waller tries to find ways of analyzing the "inner lives" of his subjects, in the absence of direct evidence, and with a paucity of documentation. He examines historical documents, including the writings of the two cousins, and recent historical research, along with contemporary studies of family interactions and gender construction and detailed case histories drawn from nearly a century of clinical and therapeutic studies. The author concludes with a discussion of the crisis of gender in the seventeenth century as a contemporary crisis as well." "Family history has long been central to Renaissance studies. The Sidney Family Romance proceeds far beyond any previous works in bringing to bear the very rich and complicated network of ideas, observations, and literary images in the works of Herbert and Wroth."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Philip Sidney and his sister Mary translated the biblical psalms into some of the greatest lyric poems of the English Renaissance. This is the first complete edition for over forty years, providing the Psalms in an authoritative modernized text, with glosses and notes and an introduction setting the Psalms in their literary and cultural context.
The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award The troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them.-from "The Troubadours etc." In Incarnadine, Mary Szybist.