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This timely publication ponders the presence of Mary, the Mother of Jesus, in art, and seeks to evoke the affective rationale underlying Mary's centuries old fascination.
Imagine going on a tour of a world-class art museum with a talented and insightful curator. But instead of just focusing on the history, technique, and cultural significance of each piece, you have the opportunity to reflect on the spiritual aspects of the works, examining their religious significance and concentrating on the transcendental meaning conveyed by the artist. This is what you’ll find in this exquisitely produced book. It features fifteen pieces of art relating to Mary, with an extended reflection on each piece. The commentary is meditative, more reflection on the spiritual nature of the paintings’ subject than art critique. Sister Wendy writes with the deft hand of one who is formed in spirituality, art, and critical thinking. Her imagery is lush, creating a landscape where the sacred and profane live in comfortable coexistence through the medium of painting. For spiritual seekers and lovers of art, this book will offer a unique journey into the experiential nature of a well-rounded faith.
Turquoise and silver is an icon of the American Southwest. For generations, people have ogled these gemstones in pawn shops, jewelry shops and antiques stores, looking for a special piece of Native American jewelry that speaks to their heart. Southwest jewelry is now valued and collected around the world. Photographs of collectible pieces reveal what the attraction is about. Whether in shades of pale aqua or deeper aquamarine, blue or jade green, Mary Emmerling reveals that the collector's hunt is about color. And beyond jewelry, the color turquoise appears throughout the Southwest in architecture and decoration. After all, it's the color of calm.
"The founding of New Mexico's famous art colony and its pioneer artists"--Jacket subtitle.
Art of the Cross celebrates one of the world's most recognized ancient symbols-the cross. This iconic symbol predates Christianity in cultures around the world, and has been used as a religious symbol and as an ornament from the dawn of civilization. Crosses have been found in almost every part of the old world, from Scandinavia where the Tau cross symbolized the hammer of the God Thor, to India, where the vertical shaft represents the higher, celestial states of being and the horizontal bar represents the lower, earthly states.
Would you like to learn to pray like a medieval Christian? Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. Mary and the Art of Prayer asks readers to immerse themselves in the experience of believing in and praying to Mary.
Through a unique and stunning collection of paintings, sculpture, rare books, and works on paper, Divine Mirrors examines the complex relationship between sacred imagery and secular identity in the art of the Madonna. This magnificent work--born from a multi-year project that included a museum exhibition, scholarly symposium, and reinstallation of a segment of the permanent collection of the Davis Museum and Cultural Center at Wellesley College--features the work of such renowned artists as Il Pintoricchio, Mantegna, Munch, and Leger, alongside fresh, undiscovered masters and little-known works of art. The book's fifty catalogue entries range from a rare thirteenth-century panel painting to a specially commissioned artwork exploring the intersection of religion and modern life. This volume investigates everything from non-Western perceptions of European religious practices to the Virgin Mary's voice in musical composition. In the opening essay "The Many Names of the Mother of God" noted scholar Robert A. Orsi considers why images of Mary offer contemporary Americans such a powerful visual experience. Unlike paintings and sculptures created solely for aesthetic contemplation, Orsi writes, images of Mary are more than just artistic representations--they become for us an embodiment of the Virgin Mother herself. Then, moving into the historical realm, editor Melissa R. Katz guides us on a twenty-century chronological tour that explores the intersection of art history and world history in representations of Mary. Katz's essay "Regarding Mary: Women's Lives Reflected in the Virgin's Image" takes the elements of Marian iconography most relevant to the study of art and weaves them together to provide a guide for modern audiences to engage with the religious origins of our common artistic legacy. Filled with fascinating information, this important work requires no particular background in art history, religion, or the Bible. Readers of all levels will be rewarded with an in-depth encounter of a remarkable and complex figure."
A Delicate Arthighlights the paintings and photography of six artists in Alberta who with passion and long moments of observation have made an inspired contribution to wildflower art. Covering a period of one hundred years to the present, the story behind these creators Mary Schäffer Warren, Mary Vaux Walcott, William Copeland McCalla, Annora Brown, Robert Sinclair and Carole Harmon is also told. A blend of biography, botanical and regional art history and commentary by the artists themselves about their treasured subject, A Delicate Artis intended for the lay reader and is accompanied by sumptuous reproductions of the artwork and an alluring overall design that will appeal to anyone interested in art, mountain-life and gardening.
An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.