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In his book Mary and the Fathers of the Church, Fr. Luigi Gambero presented a comprehensive survey of Marian doctrine and devotion during the first eight Christian centuries. Mary in the Middle Ages continues this journey up to the end of the fifteenth century, surveying the growth of Marian doctrine and devotion during one of the most important eras of Christian history: the Middle Ages. Fr. Gambero presents the thoughts, words, and prayers of great theologians, bishops, monks, and mystics who witnessed to and promoted the dedication of the Christian people to the Mother of God. Each chapter concludes with readings from the works of these important authors. Many of these texts have never before been translated into English. More than thirty great figures each receive an entire chapter, including such giants as the St. Anselm, St. Bernard, St. Anthony of Padua, St. Bonaventure, St. Albert the Great, St. Thomas Aquinas, St. Brigid of Sweden, and Raymond Lull. "A fascinating picture of one of the foundational elements of modern Catholic theology, namely, devotion. All in all, a worthwhile and informative study of devotion to the Blessed Virgin." -Benedict Groeschel, C.F.R. "This book is indispensable for current students of Mariology." -Kenneth Baker, S.J.
An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.
This volume presents a timely contribution to the growing body of scholarship on the apocryphal writings and their reception in the Middle Ages, especially in connection with visual representation. It aims to bridge what often remains disconnected, the visual art and the written text, the early Christian roots and medieval reception, the East and the West, as well as methodologies of various disciplines. The studies in this volume firstly investigate issues related to the Virgin Mary, and through them, also the status, function, and identity of women. Mary and the female element thus represent significant models and/or background figures in fields pertaining to theology, religious studies, textual studies, manuscript studies, and art history in a trans-disciplinary perspective. Secondly, the studies focus on the apostles and the Last Judgment, their visual representations and the use of apocryphal sources. The volume is divided in two parts according to two major topics: Part I dealing with Mary in the Apocrypha, and Part II focusing on the Apostles and the Last Judgment.
Power in medieval society has traditionally been ascribed to figures of public authority--violent knights and conflicting sovereigns who altered the surface of civic life through the exercise of law and force. The wives and consorts of these powerful men have generally been viewed as decorative attendants, while common women were presumed to have had no power or consequence. Reassessing the conventional definition of power that has shaped such portrayals, Women and Power in the Middle Ages reveals the varied manifestations of female power in the medieval household and community--from the cultural power wielded by the wives of Venetian patriarchs to the economic power of English peasant women and the religious power of female saints. Among the specific topics addresses are Griselda's manipulation of silence as power in Chaucer's "The Clerk's Tale"; the extensive networks of influence devised by Lady Honor Lisle; and the role of medieval women book owners as arbiters of lay piety and ambassadors of culture. In every case, the essays seek to transcend simple polarities of public and private, male and female, in order to provide a more realistic analysis of the workings of power in feudal society.
Uses lexical analyses of key terms employed by medieval people to valuate their own aesthetic feelings to show how flux and change, and the creative tension of antithetical physical qualities from which all things were thought to be made (cold, hot, dry, wet), govern the pleasures medieval artists sought to produce.
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next.
Beginning in the twelfth century, clergy and laity alike started wondering with intensity about the historical and developmental details of Jesus' early life. Was the Christ Child like other children, whose characteristics and capabilities depended on their age? Was he sweet and tender, or formidable and powerful? Not finding sufficient information in the Gospels, which are almost completely silent about Jesus' childhood, medieval Christians turned to centuries-old apocryphal texts for answers. In The Quest for the Christ Child in the Later Middle Ages, Mary Dzon demonstrates how these apocryphal legends fostered a vibrant and creative medieval piety. Popular tales about the Christ Child entertained the laity and at the same time were reviled by some members of the intellectual elite of the church. In either case, such legends, so persistent, left their mark on theological, devotional, and literary texts. The Cistercian abbot Aelred of Rievaulx urged his monastic readers to imitate the Christ Child's development through spiritual growth; Francis of Assisi encouraged his followers to emulate the Christ Child's poverty and rusticity; Thomas Aquinas, for his part, believed that apocryphal stories about the Christ Child would encourage youths to be presumptuous, while Birgitta of Sweden provided pious alternatives in her many Marian revelations. Through close readings of such writings, Dzon explores the continued transmission and appeal of apocryphal legends throughout the Middle Ages and demonstrates the significant impact that the Christ Child had in shaping the medieval religious imagination.
Father Luigi Gambero, internationally-known expert on early Christianity, presents a comprehensive survey of the development of Marian doctrine and devotion during the first eight centuries. Focusing on the lives and works of over thirty of the most famous Church Fathers and early Christian writers, Fr. Gambero has produced a clear and readable summary of the richness of the patristic age's theological and devotional approach to the Mother of God. The book contains numerous citations from the works of those men who developed the defining Christological and Mariological positions that have constituted the foundational doctrinal teaching of the Church. Each chapter concludes with an extended reading from the works of the patristic authors. A number of these texts have never before been published in English. The thought of the Fathers and early Christian writers continues to fascinate readers today. Their theological acuity and spiritual depth led them faithfully into the mysteries of Sacred Scripture. Their vast experience made them reliable and trustworthy witnesses to the faith of the people of God.
By the late Middle Ages, manifestations of Marian devotion had become multifaceted and covered all aspects of religious, private and personal life. Mary becomes a universal presence that accompanies the faithful on pilgrimage, in dreams, as holy visions, and as pictorial representations in church space and domestic interiors. The first part of the volume traces the development of Marian iconography in sculpture, panel paintings, and objects, such as seals, with particular emphasis on Italy, Slovenia and the Hungarian Kingdom. The second section traces the use of Marian devotion in relation to space, be that a country or territory, a monastery or church or personal space, and explores the use of space in shaping new liturgical practices, new Marian feasts and performances, and the bodily performance of ritual objects.
The figuration of the Virgin Mary was often contradictory in medieval texts and theological, philosophical and social perceptions of her greatly influenced both sacred and secular literature.