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What were the laws on marriage in Ireland, and did church and state differ in their interpretation? How did men and women meet and arrange to marry? How important was patriarchy and a husband's control over his wife? And what were the options available to Irish men and women who wished to leave an unhappy marriage? This first comprehensive history of marriage in Ireland across three centuries looks below the level of elite society for a multi-faceted exploration of how marriage was perceived, negotiated and controlled by the church and state, as well as by individual men and women within Irish society. Making extensive use of new and under-utilised primary sources, Maria Luddy and Mary O'Dowd explain the laws and customs around marriage in Ireland. Revising current understandings of marital law and relations, Marriage in Ireland, 1660–1925 represents a major new contribution to Irish historical studies.
In this fascinating study of a community of Chinese beggars, David Schak offers evidence that challenges widely held theories on poverty. It is a path-breaking, systematic anthropological study that challenges long-held beliefs about poverty, and is one of the few works on beggars available. Over a period of seven years, Schak's fieldwork uncovers a structure of leadership, organizational methods, and alms-getting tactics. Moreover, certain members became upwardly mobile and able to leave this lifestyle. The severe stigma of gambling, adultery, and failure to marry proved the stimulus for a younger generation to leave begging behind.
Set in New Mexico, Arizona, Colorado, and northern Mexico, this timeless material offers lessons about life and how to triumph over its hardships: from making a bargain with the devil to gaining peace through true love; from dealing with inexplicable, even supernatural events to accepting special gifts that transform pain into joy; and from overcoming jealousy, anger, or stinginess to accepting others just as they are."--BOOK JACKET.
For so long, Christians have looked at lust and pornography as "men's" issues. Statistics indicate that more and more women are struggling with this as well. What's it like to be a woman with this struggle in the church? How do you find freedom? How do you find healing? Can God still love you? Will He still use you? Christian writer and speaker, Jessica Harris, answers these questions by walking the reader through her own journey, from the rags of pornography to the riches of grace.
WINNER OF THE NOBEL PRIZE IN LITERATURE Born into the back streets of a small Canadian town, Rose battled incessantly with her practical and shrewd stepmother, Flo, who cowed her with tales of her own past and warnings of the dangerous world outside. But Rose was ambitious - she won a scholarship and left for Toronto where she married Patrick. She was his Beggar Maid, 'meek and voluptuous, with her shy white feet', and he was her knight, content to sit and adore her. Alice Munro's wonderful collection of stories reads like a novel, following Rose's life as she moves away from her impoverished roots and forges her own path in the world.
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.