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This is a thorough critical study of Marlowe's entire output - plays, translations and poems - prefaced by a biographical chapter. It is an attempt to provide the 'life and works' study for the general reader. Mr Steane takes the poetry as the centre of his interest; offering a literary judgement on Marlowe's art rather than further discussion of sources and background. He provides a balanced account of a great poetic dramatist, a writer of exceptional power whose poetry also reveals profound human flaws.
Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene’s comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare’s ghostwriter accelerates due to a climate of conspiracy, including “belief echoes,” which presently permeate our cultural and critical discourse.
A contemporary of William Shakespeare and Ben Jonson, Christopher Marlowe was one of the most influential early modern dramatists, whose life and mysterious death have long been the subject of critical and popular speculation. This collection sets Marlowe's plays and poems in their historical context, exploring his world and his wider cultural influence. Chapters by leading international scholars discuss both his major and lesser-known works. Divided into three sections, 'Marlowe's works', 'Marlowe's world', and 'Marlowe's reception', the book ranges from Marlowe's relationship with his own audience through to adaptations of his plays for modern cinema. Other contexts for Marlowe include history and politics, religion and science. Discussions of Marlowe's critics and Marlowe's appeal today, in performance, literature and biography, show how and why his works continue to resonate; and a comprehensive further reading list provides helpful suggestions for those who want to find out more.
Dr. Faustus is a great Elizabethan tragedy by Christopher Marlow originally published in 1600. The story is based on an earlier anonymous classic German legend involving worldly ambition, black magic and surrender to the devil. It remains one of the most famous plays of the English Renaissance. Dr. John Faustus, a brilliant, well-respected German doctor grows dissatisfied with the limits of human knowledge - logic, medicine, law, and religion, and decides that he has learned all that can be learned by conventional means. What is left for him, he thinks, but magic. His friends instruct him in the black arts, and he begins his new career as a magician by summoning up Mephastophilis, a devil. Despite Mephastophilis’s warnings about the horrors of hell, Faustus tells the devil to return to his master, Lucifer, with an offer of Faustus’s soul in exchange for twenty-four years of service from Mephastophilis. On the final night before the expiration of the twenty-four years, Faustus is overcome by fear and remorse. He begs for mercy, but it is too late. At midnight, a host of devils appears and carries his soul off to hell. Marlowe’s dramatic interpretation of the Faust legend is a theatrical masterpiece. With immense poetic skill, and psychological insight that greatly influenced the works of William Shakespeare and other dramatists, Dr. Faustus combines soaring poetry, psychological depth, and grand stage spectacle. Marlowe created powerful scenes that invest the work with tragic dignity, among them the doomed man’s calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels is a comparative study of ‘the life and times” of an American idol, Raymond Chandler’s detective Philip Marlowe. It is a bitter-sweet critical exploration, meant to redefine the exceptional cultural profile, as well as the moral and social obsessions of one of America’s eminent fictional heroes. The study paints a colorful picture of the irresistible blend of romantic blind faith and social, moral and political toughness which characterized the United States in the 1930s-40s, with the memorable throng of drug dealers, hit men, vamps, corrupt politicians, and eccentric millionaires that colonize Raymond Chandler’s work. As the only defender of truth and honor in the Californian “Waste Land,” Philip Marlowe emerges as a symbolic figure, celebrated for the unique place he holds in the American hard-boiled mythology. The volume comprises an Introduction, Marlowe Before Marlowe, and four large chapters, each focusing on the innovations and enduring strategies behind Chandler’s persuasive vision: The Doughy Mass of Depravity, A Phantasm Called Style, The Villainy Septet and Marlowe After Marlowe. As presented in this book, Philip Marlowe is a sentimentalist of the worst type: one embarrassed to show his true feelings. He is tough, but not tough enough and, consequently, a charming loser, always defeated in his confrontations with psychopath monsters and the legions of death-dealing damsels. The Californian detective’s gentleness and callousness are endearing: the gentleness is always callous, and the callousness is barely gentle. He seems to be the survivor of an extinct species, living for and by a code of honor. He believes in the purity of desires, expressed in a nascent idiom, a kind of secret/public language that heralds the resurrection of the new hard-boiled diction. His genuine candor is perfectly expressed in the directness of his talk, a brilliant example of rhetorical tightrope walking. Philip Marlowe embodies the contradictions of the problematic modernism—half bedlam, half expressionism—of his time and ours alike. The tradition he inaugurated is consistently illustrated today by James Ellroy, Allan Guthrie, Walter Mosley, Megan Abbott or Charlie Hudson.
This title was first published in 2000: Re-citing the available information on Christopher Marlowe, this study seeks to illuminate the preoccupations and pitfalls of previous accounts of the dramatist's canon in an effort to discover, or to elaborate, new areas of investigation. Each chapter considers one of Marlowe's dramatic works in relation to a different critical approach or isue suggested by scholarship's prior treatment of the play. The book consequently operates on two levels: it is a review of a canon which has suffered theoretical neglect; and a blueprint for a more critically sophisticated approach to English literature.
This book explores how to achieve innovative approaches to teaching and learning Shakespeare and Marlowe within formal learning systems such as school and university.