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"A thrilling piece of page-turning psychedelic horror!" Marley has never been a normal woman. She’s always appreciated that fact about herself. She’s always leaned into her worst tendencies with an astonishing proudness. Yet, her demons finally catch up to her one day (in a very literal way) when she accidentally murders a co-worker and is left to deal with how her employer—the head of a massive drug operation—reacts. Shadows in the night. Feral cats. Junkies. A jealous daughter. Will Marley escape the Wuthering Hotel and all of it’s perils?
"As the Wax Drops is a very imaginative, twisty, fast-paced story. Something new is always happening, and it's never what you think." A candle drives a woman insane in this new horror story from Oscar O'Rourke. There's a demon dog, disembodied voices, a woman who may or may not be a ghost, a strange purple fog, and so much more with elements of cosmic horror, psychological horror, family drama, mystery, and dark comedy. All of this is explored through a complex, blink-and-you'll-miss-it story. As the Wax Drops is a truly unforgettable horror experience!
In the more than twenty years since the publication of his book The Black Atlantic, Paul Gilroy has become a leading Afro-European intellectual whose work in the cultural studies of race has influenced a number of fields and made the study of black Atlantic literatures and cultures an enduring part of the humanities. The essays in this collection examine the full trajectory of Gilroy's work, looking beyond The Black Atlantic to consider also his work in the intervening years, focusing in particular on his investigations of contemporary black life in the United States, histories of human rights, and the politics of memory and empire in contemporary Britain. With an essay by Gilroy himself extending his longstanding examination of fascism, racial thinking, and European philosophical thought, in addition to an interview with Gilroy, this volume features Gilroy's own words alongside other scholars' alternative conceptualizations and critical rereadings of his works.
Now in a new Fourth Edition, Psychiatry remains the leading reference on all aspects of the current practice and latest developments in psychiatry. From an international team of recognised expert editors and contributors, Psychiatry provides a truly comprehensive overview of the entire field of psychiatry in 132 chapters across two volumes. It includes two new sections, on psychosomatic medicine and collaborative care, and on emergency psychiatry, and compares Diagnostic and Statistical Manual (DSM-5) and International Classification of Diseases (ICD10) classifications for every psychiatric disorder. Psychiatry, Fourth Edition is an essential reference for psychiatrists in clinical practice and clinical research, residents in training, and for all those involved in the treatment psychiatric disorders. Includes a a companion website at www.tasmanpsychiatry.com featuring PDFs of each chapter and downloadable images
With a compelling mix of information, illustration, and interpretation, David B. Cohen explores the current state of knowledge about depression, including the powerful influence of genetics. In addition to depressive illness, the book deals with related subjects such as mourning, mania, the rhythms of sleep, self concepts, and suicide.
"Music cultures in sounds, words and images", edited by Antonio Baldassarre and Tatjana Markovic, is dedicated to the 60th birthday of the Croatian-American musicologist Zdravko Blažekovic (b. 1956, Zagreb). After his studies of musicology and first working experiences in Zagreb, Blažekovic moved to New York City, where he is since 1996 the executive editor of the RILM - Répertoire International de Littérature Musicale, and since 1998 director of the RCMI - Research Center for Music Iconography as well as editor of one of the leading journals for music iconography, "Music in Art", in the framework of the Barry S. Brook Center for Music Reserach and Documentation at the Graduate Center of the City University of New York. In view of Blažekovic's very broad multidisciplinary interests, including historical musicology, music iconography, organology, archeology, lexicography and databases, this book contains 38 studies in six languages (English, German, Italian, Serbian, Croatian, Chinese) organized in six chapters: Sounds of nations, Words on musics, Performance of musical cultures, Images on musics, Organology, and Classifying data on music.
This book studies the creative discourse of the modern African diaspora by analyzing poems, novels, essays, hip-hop and dub poetry in the Caribbean, England, Spain, and Colombia, and capturing diasporan movement through mutually intersecting axes of dislocation and relocation, and efforts at political group affirmation and settlement, or “location.” Branche’s study connects London’s multimillion-dollar riots of 2011, and its antecedents associated with the West Indian settler community, to the discontent and harrowing conditions facing black immigrants to contemporary Spain as gateway to Fortress Europe. It links the brutal massacres that target Colombia’s dispossessed and displaced poor - and mainly black - “throwaway” citizens, victims of the drug trade and neoliberal expansionism, to older Caribbean stories that tell of the original spurts of capitalist greed, and the colonial cauldron it created, at the center of which lay the slave trade. In revisiting the question of what really has awaited Afro-descendants at the end of the Middle Passage, this volume brings transatlantic slavery, the making of weak postcolonial states that bleed people, and the needle’s eye of racial identification together through a close reading of rappers, black radicals, dub poetry, and novelists from Europe, Africa, and the Americas. Branche at once demonstrates the existence of an archive of Afro-modern diasporan, discursive production, and just as importantly, points toward a historically-rooted theoretical framework that would contain its liberatory trajectory.
Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.
Ignis Fatuus: A mysterious light that tempts the weary traveler from the safe path and into peril. Bored with the ennui of everyday existence? The daily grind that propels you to a too little pension and aged decrepitude, which offers no blue-skied haven to enjoy the rewards of your labours? If you had the means to commit a crime with little or no chance of being found out, would you do it? Could such an opportunity exist? With meticulous planning and execution, total self-reliance and faith in your abilities, just such an opportunity could be engineered. But you have really got to want to do it. The rewards will bring financial freedom … or incarceration. If all goes as planned, you get your old job back! Follow the path of Connor, a man who ventures away from the constraints of society’s norms, who dares to take the gamble and establish that which police forces the world over are helpless against: an invisible criminal. The story follows Connor escaping to the highlands of Scotland after a journey that starts in sub Saharan Africa.
Britain's vote to leave the European Union in the summer of 2016 came as a shock to many observers. But writers had long been exploring anxieties and fractures in British society – from Euroscepticism, to immigration, to devolution, to post-truth narratives – that came to the fore in the Brexit campaign and its aftermath. Reading these tensions back into contemporary British writing, Kristian Shaw coins the term Brexlit to deliver the first in-depth study of how writers engaged with these issues before and after the referendum result. Examining the work of over a hundred British authors, including Julian Barnes, Jonathan Coe, Kazuo Ishiguro, and Ali Smith, as well as popular fiction by Andrew Marr and Stanley Johnson, Brexlit explores how a new and urgent genre of post-Brexit fiction is beginning to emerge.