Download Free Marlene Nourbese Philip Linton Kwesi Johnson And The Dismantling Of The English Norm Book in PDF and EPUB Free Download. You can read online Marlene Nourbese Philip Linton Kwesi Johnson And The Dismantling Of The English Norm and write the review.

United by the will of giving to the Caribbean legacy and language the prestige they deserve, Marlene NourbeSe Philip and Linton Kwesi Johnson constitute a fascinating task for any scholar who approaches their work. This work moves among sociolinguistics, critical discourse analysis and translation issues, exploring some of the most representative works by Philip and Johnson.
This collection of essays, which rediscovers Edgar Allan Poe’s not forgotten lore, comprises a two-headed scholarly body, drawing from communication and linguistics and literature, although it also includes many other academic offshoots which explore Poe’s labyrinthine and variegated imagination. The papers are classified according to two main domains, namely: (I) Edgar Allan Poe in Language, Literature and Translation Studies, and (II) Edgar Allan Poe in Communication and the Arts. In short, this book combines rigour and modernity and pays homage, with a fresh outlook, to Poe’s extra-ordinary originality and brilliant weirdness which prompted renowned authors like James Russell Lowell and Howard P. Lovecraft to claim, respectively, that “Mr. Poe has that indescribable something which men have agreed to call genius” and that “Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon lights in the province of the short story. Poe’s weird tales are alive in a manner that few others can ever hope to be.”
This study consists of two parts. The first part offers an overview of feminism's theory of differences. The second part deals with the textual analysis of poems about 'mothering' by women from India, the Caribbean and Africa. Literary criticism has dealt with the representation of 'mothering' in prose texts. The exploration of lyrical texts has not yet come. Since the late 1970s, the acknowledgement of and the commitment to difference has been foundational for feminist theory and activism. This investigation promotes a differentiated, 'locational' feminism (Friedman). The comprehensive theoretical discussion of feminism's different concepts of 'gender', 'race', 'ethnicity' and 'mothering' builds the foundation for the main part: the presentation and analysis of the poems. The issue of 'mothering' foregrounds the communicative aspect of women's experience and wants to bridge the gap between theory and practice. This study, however, does not intend to specify 'mothering' as a universal and unique feminine characteristic. It underlines a metaphorical use and discusses the concepts of 'nurturing', 'maternal practice' and 'social parenthood'. Regarding the extensive material, this study understands itself as an explorative not concluding investigation placed at the intersections of gender studies, postcolonial and classical literary studies. Most of all, it aims at initiating a dialogue and interchange between scholars and students in the Western and the 'Third World'.
This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.
In Percyscapes, Robert Rudnicki probes the works of Walker Percy to diagnose a fundamental but till now unrecognized aspect of southern fiction of this century. The fugue state - a form of hysterical dissociation marked by temporary amnesia and physical wandering - expresses, Rudnicki argues, the existential conflict of wanting to both integrate with the world and escape it. He offers compelling evidence that the pattern of amnesia and escape rife in Percy's fiction and nonfiction is connected to the author's absorbing interest in language. And that relationship, he shows, provides a conceptually powerful schema for interpreting Percy's literary predecessors as well as other contemporary southern novelists who make use of the literal or figurative fugue state.
Tom Deadlight, born 1970 and a founding GenX-er, dedicated his life to teaching literature to Millennials and Gen Z college kids. He picked up hitchhikers and stray animals. He believed in ghosts and other dimensions and panpsychism-the idea that all objects have consciousness. He tried to be selfless. But he made mistakes. There's the divorce. The alcohol use disorder. The neurodivergence. But now, in 2075, thanks to the Tech Revolution, at the end of his life he's been chosen for bioregeneration to serve as a professor at a new type of university called SAJE, pronounced like a wise person, a joint venture between still rural and poor Louisiana and Mississippi, with funding from the feds and multiple Tech giants, one that crosses the Mississippi River with a new bridge and has campuses on both sides. Everything about it is next level, and the students, Gen Q for Quantum, come from across the US and Alliance countries. The college is an incubator in the race for what they call Dominion. Tom teaches an unconventional course on what it means today to be a "self." Problem is, a hallucinogenic, pink recreational drug the students call "pank" is being circulated at SAJE, and they say it makes them travel through time. But it's also affecting them in bizarre ways. When a young woman in Tom's class succumbs to it, he is drawn into discovering its origin and the conspiracy that surrounds it. At the same time, readers are faced with reconstructing Tom's troubled past, while students are challenged to define their ultimate beliefs and explore the limits of human knowledge. In directions far more profound than typically discussed, an array of disputes that essentially overlap with contemporary "asleep" versus "awoke" culture are revealed. So read on for Scifi, Southern Goth, & Strange Seminar Questions!
The African- Jamaican Aesthetics Cultural Retention and Transformation Across Borders centres on the use of African Jamaican Aesthetics in Jamaica’s literary traditions and its transformation and transmission in the diaspora.
Contemporary Caribbean Women's Poetry provides detailed readings of individual poems by women poets whose work has not yet received the sustained critical attention it deserves. These readings are contextualized both within Caribbean cultural debates and postcolonial and feminist critical discourses in a lively and engaged way; revisiting nationalist debates as well as topical issues about the performance of gendered and raced identities within poetic discourse. Newly available in paperback, this book is groundbreaking reading for all those interested in postcolonialism, Gender Studies, Caribbean Studies and contemporary poetry.