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This work explores the social foundation of evidence law in a specific historical social and cultural context - the debate concerning the proof of the crime of witchcraft in early modern England. In this period the question of how to prove the crime of witchcraft was the centre of a public debate and even those who strongly believed in the reality of witchcraft had considerable concerns regarding its proof. In a typical witchcraft crime there were no eyewitnesses, and since torture was not a standard measure in English criminal trials, confessions could not be easily obtained. The scarcity of evidence left the fact-finders with a pressing dilemma. On the one hand, using the standard evidentiary methods might have jeopardized any chance of prosecuting and convicting extremely dangerous criminals. On the other hand, lowering the evidentiary standards might have led to the conviction of innocent people. Based on the analysis of 157 primary sources, the book presents a picture of a diverse society whose members tried to influence evidentiary techniques to achieve their distinct goals and to bolster their social standing. In so doing this book further uncovers the interplay between the struggle with the evidentiary dilemma and social characteristics (such as class, position along the centre/periphery axis and the professional affiliation) of the participants in the debate. In particular, attention is focused on the professions of law, clergy and medicine. This book finds clear affinity between the professional affiliation and the evidentiary positions of the participants in the debate, demonstrating how the diverse social players and groups employed evidentiary strategies as a resource, to mobilize their interests. The witchcraft debate took place within the formative era of modern evidence law, and the book highlights the mutual influences between the witch trials and major legal developments.
Exploring the crime of witchcraft in early modern England, this book focuses on legal questions of proof. As a capital crime - yet one that was uniquely difficult to prove - witchcraft investigations and trials offer a fascinating lens through which to observe social and judicial attitudes towards crime, punishment and evidentiary standards. The witchcraft debate took place within the formative era of modern evidence law, and the book highlights the mutual influences between the witch trials and major legal developments.
In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity. The essays of the collection address the manifold articulations of this topic, demonstrating how the inscription of the body within the discursive spheres of gender identity, sexuality, law, and politics align its materiality with discourses whose effects are themselves material. The aesthetic and performative dimension of law inform the debates on the juridical constitution of authority, as well as its reflection on the formation and the moulding of individual subjectivity. Moreover, the inherently theatrical elements of the law find an analogy in the popular theatre, where juridical practices are represented, challenged, occasionally subverted or created. The works analyzed in the volume, in their ample spectre of topics and contexts aim at demonstrating how in the Renaissance period the body was the privileged focus of the social, legal and cultural imagination.
This volume presents, for the first time, a critical edition of the works of the early modern English physician John Cotta. No mere country doctor, Cotta spoke out eloquently and courageously against what he saw as abuses in medicine and injustices in the prosecution of witchcraft. Read by important thinkers such as Robert Burton in England, and by colonial administrators in New England, Cotta helped shape two of the most important debates of his time. Included are the full texts of Cotta’s Short Discovery and The Trial of Witchcraft, both books painstakingly edited and annotated. Also included is a detailed introduction dealing with Cotta’s medical and religious contexts, his extensive learning and much more.
DigiCat Publishing presents to you this special edition of "The Discovery of Witches" by Matthew Hopkins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A young witch tries to unravel the mystery of who is framing her for dark magic in Georgia Bowers' creepy YA debut fantasy, Mark of the Wicked. Magic always leaves its mark. All her life, Matilda has been told one thing about her magic: You use only when necessary. But Matilda isn't interested in being a good witch. She wants revenge and popularity, and to live her life free of consequences, free of the scars that dark magic leaves on her face as a reminder of her misdeeds. When a spell goes awry and the new boy at school catches her in the act, Matilda thinks her secret might be out. But far from being afraid, Oliver already knows about her magic - and he wants to learn more. As Oliver and Matilda grow closer, bizarre things begin to happen: Animals show up with their throats slashed and odd markings carved into their bodies, a young girl dies mysteriously, and everyone blames Matilda. But she isn’t responsible — at least, not that she can remember. As her magic begins to spin out of control, Matilda must decide for herself what makes a good witch, and discover the truth...before anyone else turns up dead. "[A] breathlessly told, consuming portrait of a witch’s relationship with loneliness and power... protagonists are elaborately drawn, and the novel’s eerie atmosphere lingers." —Publishers Weekly
It’s Rachel Morgan’s ultimate adventure . . . and anything can happen in this final book in the New York Times bestselling Hollows series. Rachel Morgan has come a long way from her early days as an inexperienced bounty hunter. She’s faced vampires and werewolves, banshees, witches, and soul-eating demons. She’s crossed worlds, channeled gods, and accepted her place as a day-walking demon. She’s lost friends and lovers and family, and an old enemy has unexpectedly become something much more. But power demands responsibility, and world-changers must always pay a price. Rachel has known that this day would come—and now it is here. To save Ivy’s soul and the rest of the living vampires, to keep the demonic ever after and our own world from destruction, Rachel Morgan will risk everything. . . .
Laurie Marks’ Elemental Logic series introduced readers to the realm of Shaftal, an intricately imagined land whose people operate within the boundaries of their basic natures—here defined as logics—which sometimes bequeath them with access to magical, elemental powers and sometimes embroil them in unsolvable internal conflicts. Fire Logic centers around the strong female character Zanja Na’Tarwein, a fighter and last survivor of her people in an occupied country. Alongside her is Karis, a powerful half-giant, who is a drug addict and lives in obscurity, hiding her considerable powers. Surrounded by incomprehensible loss, Zanja also forms a bond with Emil, an officer of the army she joins. Battling the complex forces of power, desire, and obligation, follow along as the trio work together to try and change the course of history.
"A high-fantasy Memoirs of a Geisha, Chupeco's latest excels in originality" —Kirkus Reviews A story of scorned witches, sinister curses, and resurrection, The Bone Witch is the start of a dark fantasy trilogy, perfect for fans of Serpent & Dove and The Cruel Prince. Tea can raise the dead, but resurrection comes at a price... When Tea accidentally resurrects her brother, Fox, from the dead, she learns she is different from the other witches in her family. Her gift for necromancy means that she's a bone witch, a title that makes her feared and ostracized by her community. But Tea finds solace and guidance with an older, wiser bone witch, who takes Tea and her brother to another land for training. In her new home, Tea puts all her energy into becoming an asha—one who can wield elemental magic. But dark forces are approaching quickly, and in the face of danger, Tea will have to overcome her obstacles...and make a powerful choice. Riveting and atmospheric, The Bone Witch is perfect for readers looking for witch novels for adults and teens stories with diverse representation and multicultural influences dark fantasy YA books and series original worldbuilding and captivating writing Praise for The Bone Witch: "A fantasy lover's fantasy" —Foreword Reviews "Mesmerizing. Chupeco (The Suffering) does a magnificent job of balancing an intimate narrative perspective with sweeping worldbuilding, crafting her tale within a multicultural melting pot of influences as she presses toward a powerful cliffhanger."—Publishers Weekly, STARRED Review "Chupeco delights us with a fascinating world and a rich atmosphere for a story that is exceptionally written from beginning to end."—Buzzfeed "Readers who enjoy immersing themselves in detail will revel in Chupeco's finely wrought tale. Game of Thrones fans may see shades of Daenerys Targaryen in Tea, as she gathers a daeva army to unleash upon the world. Whether she is in the right remains a question unanswered, but the ending makes it clear her story is only beginning." —Booklist The Bone Witch Trilogy: The Bone Witch (Book 1) The Heart Forger (Book 2) The Shadowglass (Book 3)
This Is A New Release Of The Original 1892 Edition.