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Sherlock Holmes in America? Mark Twain a character in his own stories? Can it be true? Mark Twain breaks character with a collection of short mystery stories.
Originally published: Berkeley, Calif; London: University of California Press, 1969.
Chronicles the efforts of John Gray to marry off his daughter Mary to the heir of Deer Lick, Missouri's, wealthiest family, until the appearance of a stranger not only derails Gray's plans but also leads to murder.
There was a ghastly murder in New York City, and Mark Twain's address was in the dead man's pocket. But even more alarming was that Twain had just received a message sent by anold friend from his riverboat days -- and the handwriting matched the note found on the corpse. So with his new secretary, Wentworth Cabot, Twain caught a steamboat bound for New Orleans. On board were all matter of people -- wealthy tourists and old river rats, literary amateurs and high-stakes gamblers . . . and a determined killer whose only goal was to bring Mark Twain's celebrated career to a stop!
No library's complete without the classics! This new, enhanced leather-bound edition collects some of the most popular works of legendary humorist and novelist Mark Twain. Mark Twain wrote his greatest works more than one hundred years ago, but he's never far from the minds of Americans. Whether it's the new, complete, and uncensored version of his autobiography hitting bestseller lists or the removal of certain controversial language from one of his novels, his name and his legacy remain a topic of conversation--and undoubtedly will for years to come. There's no better time to appreciate his stories, or read them for the very first time. The Adventures of Tom Sawyer, The Prince and the Pauper, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, and The Tragedy of Pudd'nhead Wilson are collected in this timeless and elegant book. Part of the Canterbury Classics series, Mark Twain features a beautiful cover, a ribbon bookmark, and other elements to enhance the reading experience, along with an introduction by a renowned Twain scholar that will enlighten new and familiar readers alike. This edition of Mark Twain is a treasure to enjoy forever--just like the writing of Twain himself!
It was in 1590-winter. Austria was far away from the world, and asleep; it was still the Middle Ages in Austria, and promised to remain so forever. Some even set it away back centuries upon centuries and said that by the mental and spiritual clock it was still the Age of Belief in Austria. But they meant it as a compliment, not a slur, and it was so taken, and we were all proud of it. I remember it well, although I was only a boy; and I remember, too, the pleasure it gave me. Yes, Austria was far from the world, and asleep, and our village was in the middle of that sleep, being in the middle of Austria.
New York Times Bestseller! A School Library Journal Best Book of the Year A never-before-published, previously unfinished Mark Twain children’s story is brought to life by Philip and Erin Stead, creators of the Caldecott Medal-winning A Sick Day for Amos McGee. In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work. Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature. A Bank Street College of Education Best Children's Book of the Year "Will capture the imaginations of readers of all ages"—USA Today, ★ ★ ★ ★ (out of four stars) ★ "Samuel Langhorne Clemens himself would be proud."—Booklist, starred review ★ "A cast of eccentric characters, celestially fine writing, and a crusade against pomp that doesn't sacrifice humor."—Publishers Weekly, starred review ★ "Completing a story penned by arguably America's greatest author is no easy feat, but the Caldecott-winning author-illustrator (and husband-wife) team proves more than equal to the task. . . . A pensive and whimsical work that Twain would applaud."—Kirkus, starred review ★ "The combination of Twain’s (often sarcastic) humor and “lessons of life,” a touch of allegory, and Stead’s own storytelling skills result in an awesome piece of fantasy."—School Library Journal, starred review ★ "Beautifully understated and nuanced illustrations by Erin Stead add the finishing flourishes to this remarkable work."—Shelf Awareness, starred review “drawn with a graceful crosshatched intelligence that seems close to the best of Wyeth.”—Adam Gopnik, The New York Times "Twain and the two Steads have created what could become a read-aloud classic, perfect for families to enjoy together."—The Horn Book "Artful and meta and elegant”—The Wall Street Journal "Should inspire readers young and old to seek further adventures with Twain."—The Washington Post
This is the first and most complete collection of all 136 humorous sketches and tales that Samuel Clemens (1835–1910), a.k.a. Mark Twain, started writing as a young reporter for various newspapers and magazines and later saw fit to issue in book form. Many pieces appeared in rare, first printings, only to be dropped in subsequent editions; for this reason, readers will encounter a number of yarns and tall tales unavailable elsewhere, even in the collected works. More unvarnished than his short stories or novels, and more willing to indulge in fun for its own sake, these sketches comprise a substantial share of his literary apprenticeship and legacy. As brilliant, representative nuggets of Twain's humor in its purest form, they carry the imprint of Twain's wit, imagination, and humanism, his fresh and always idiomatic prose. From 1862's "Curing a Cold" to 1904's "Italian Without a Master," this collection allows readers to share Twain's vision of life as a strange and comic affair. No one interested in American humor (or in need of a good laugh) can long remain indifferent to this uproarious book.