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A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples. The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.
The story of the impactful partnership between humans and mockingbirds, both scientifically and culturally over the centuries, written for young adults by award-winning nonfiction powerhouse Phil Hoose. The Northern mockingbird’s brilliant song—a loud, bright, liquid sampling of musical notes and phrases—has made it a beloved companion and the official bird of five states. Many of our favorite songs and poems feature mockingbirds. Mockingbirds have been companions to humans for centuries. Many Native American myths and legends feature mockingbirds, often teaching humans to speak. Thomas Jefferson’s mockingbird, “Dick”, was the first White House pet. John James Audubon’s portrait of a rattlesnake raiding a mockingbird’s nest sparked outrage in the world of art. Atticus Finch’s somber warning to his children, “Remember, it’s a sin to kill a Mockingbird,” is known throughout the world. Some jazz musicians credit mockingbirds with teaching them a four-note call that says, “Break’s over.” And mockingjays—a hybrid between jabberjays and mockers—are a symbol of the rebel cause in the Hunger Games trilogy. But in the early 1900s the mocker was plummeting toward extinction. Too many had been trapped, sold, and caged. Something had to be done. To the rescue came a powerful and determined group of women. Now, National Book Award and Newbery honor-winner Phillip Hoose brings the story of the important and overlooked connection between humans and mockingbirds—past, present, and future. It is the third volume of his bird trilogy. Duet is a study in the power of song. As author Steve Sheinkin puts it, “This book will change how you listen to the world.”
Mark Catesby's Legacy, Natural History Then and Now provides a fresh look at the rich diversity of life in a complex and enchanting part of the world in the early 21 st century and a must read for all naturalists and admirers of the work of Mark Catesby worldwide.
For centuries, the southernmost region of the Florida peninsula was seen by outsiders as wild and inaccessible, one of the last frontiers in the quest to understand and reveal the natural history of the continent. Seeking the American Tropics tells the stories of the explorers and adventurers who—for better and for worse—helped open the unique environment of South Florida to the world. Beginning with the arrival of Juan Ponce de León in 1513, James Kushlan describes how most of the famous Spanish explorers never made it to South Florida, leaving the area’s rich natural history out of scientific records for the next 250 years. It wasn’t until the British colonial and early American periods that the first surveyors were commissioned and the first naturalists—Titian Peale and John James Audubon—arrived to collect, draw, and report the subtropical flora and fauna that were so unique to North America. Moving into the railroad era, Kushlan illuminates the activities of scientists such as Henry Nehrling and Charles Torrey Simpson alongside the dabbling of wealthy amateur naturalists. He follows the story to the 1920s, when tourism was flourishing and signs of ecological damage were starting to show. Years of wildlife trade, resource extraction, invasive species introduction, and swamp drainage had taken their toll. And many of the naturalists who had been outspoken about protecting South Florida’s environment had also played a part in its destruction. Today the region is among one of the most thoroughly studied places on the planet—but at a cost. In this absorbing and cautionary tale, Kushlan illustrates how exploration has so often trumped conservation throughout history. He exposes how much of the natural world we have already lost in this vivid portrait of the Florida of yesterday.
In 1712, English naturalist Mark Catesby (1683–1749) crossed the Atlantic to Virginia. After a seven-year stay, he returned to England with paintings of plants and animals he had studied. They sufficiently impressed other naturalists that in 1722 several Fellows of the Royal Society sponsored his return to North America. There Catesby cataloged the flora and fauna of the Carolinas and the Bahamas by gathering seeds and specimens, compiling notes, and making watercolor sketches. Going home to England after five years, he began the twenty-year task of writing, etching, and publishing his monumental The Natural History of Carolina, Florida, and the Bahama Islands. Mark Catesby was a man of exceptional courage and determination combined with insatiable curiosity and multiple talents. Nevertheless no portrait of him is known. The international contributors to this volume review Catesby’s biography alongside the historical and scientific significance of his work. Ultimately, this lavishly illustrated volume advances knowledge of Catesby’s explorations, collections, artwork, and publications in order to reassess his importance within the pantheon of early naturalists.
A dynamic and fresh exploration of the naturalist Mark Catesby—who predated John James Audubon by nearly a century— and his influence on how we understand American wildlife. In 1722, Mark Catesby stepped ashore in Charles Town in the Carolina colony. Over the next four years, this young naturalist made history as he explored deep into America’s natural wonders, collecting and drawing plants and animals which had never been seen back in the Old World. Nine years later Catesby produced his magnificent and groundbreaking book, The Natural History of Carolina, the first-ever illustrated account of American flora and fauna. In Nature’s Messenger, acclaimed writer Patrick Dean follows Catesby from his youth as a landed gentleman in rural England to his early work as a naturalist and his adventurous travels. A pioneer in many ways, Catesby’s careful attention to the knowledge of non-Europeans in America—the enslaved Africans and Native Americans who had their own sources of food and medicine from nature—set him apart from others of his time. Nature’s Messenger takes us from the rice plantations of the Carolina Lowcountry to the bustling coffeehouses of 18th-century England, from the sun-drenched islands of the Bahamas to the austere meeting-rooms of London’s Royal Society, then presided over by Isaac Newton. It was a time of discovery, of intellectual ferment, and of the rise of the British Empire. And there on history’s leading edge, recording the extraordinary and often violent mingling of cultures as well as of nature, was Mark Catesby. Intensively researched and thrillingly told, Nature’s Messenger will thrill fans of exploration and early American history as well as appeal to birdwatchers, botanists, and anyone fascinated by the natural world.
The uncovering in the mid-1700s of fossilized mastodon bones and teeth at Big Bone Lick, Kentucky, signaled the beginning of a great American adventure. The West was opening up and unexplored lands beckoned. Unimagined paleontological treasures awaited discovery: strange horned mammals, birds with teeth, flying reptiles, gigantic fish, diminutive ancestors of horses and camels, and more than a hundred different kinds of dinosaurs. This exciting book tells the story of the grandest period of fossil discovery in American history, the years from 1750 to 1890. The volume begins with Thomas Jefferson, whose keen interest in the American mastodon led him to champion the study of fossil vertebrates. The book continues with vivid descriptions of the actual work of prospecting for fossils--a pick in one hand, a rifle in the other--and enthralling portraits of Joseph Leidy, Ferdinand Hayden, Edward Cope, and Othniel Marsh among other major figures in the development of the science of paleontology. Shedding new light on these scientists feuds and rivalries, on the connections between fossil studies in Europe and America, and on paleontologys contributions to Americas developing national identity, The Legacy of the Mastodon is itself a fabulous discovery for every reader to treasure.
Florida's amazing landscapes and fascinating wildlife were sources of inspiration for early naturalists seeking new horizons. Among them was John James Audubon. Elegant herons, acrobatic terns, endearing pelicans and colorful roseate spoonbills all feature among his beloved artwork. But Audubon was not the first nature artist inspired by Florida. Mark Catesby, an English country squire turned adventurer, helped introduce the wonders of Florida to a European audience in the 1700s. And William Bartram, a Pennsylvania Quaker, traveled south to explore the Florida wilderness, where he canoed across a lake full of alligators and lived to sketch the creatures. Author Chris Fasolino shares the stories of these artistic expeditions in a collection replete with gorgeous artwork that includes high-definition images of Audubon's rarely seen original paintings.
This 17th volume from the series of bibliographies of the 18th century is divided into sections on: printing and bibliographic studies; historical, social and economic studies; philosophy, science and religion; the fine arts; literary studies; and individual authors.