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Remarkable paintings grace the pages of Maria Chapdelaine, a novel written by a Frenchman yet embraced by generations of Canadian readers. Renowned Canadian artist Clarence Gagnon used a meticulous process to create fifty-four small paintings for Louis Hémon's early twentieth-century story set in the Quebec countryside. Gagnon's vivid illustrations depict the strength of body and soul necessary to survive such a harsh environment. In Clarence Gagnon: The "Maria Chapdelaine" Illustrations, art historian and curator Ian M. Thom provides insight into Gagnon's life and an appreciation of his art. All of the Gagnon Maria Chapdelaine illustrations are reproduced in this book, with excerpts from the novel. The complete set of paintings resides in the McMichael Canadian Art Collection, where it is considered a rare treasure.
Maria Chapdelaine, the quintessential novel of the rugged life of early French-Canadian colonists, is based on the author’s experiences as a hired hand in the Saguenay-Lac-Saint-Jean area. A young woman living with her family on the Quebec frontier, Maria endures the hardships of isolation and climate. Maria must eventually choose between three suitors who represent very different ways of life: a trapper, a farmer, and a Parisian immigrant. Powerful in its simplicity, this novel captures the essence of faith and tenacity, the key ingredients of survivance. Translated into many languages, Maria Chapdelaine is enshrined as a classic of Canadian letters. A new introduction by Michael Gnarowski examines its relevance and provides insights into Louis Hemon’s life.
"Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so."--Back cover
This debut historical novel tells the story of three bold, young women in 1667 who answered Louis XIV’s call to help France settle the New World. They are known as the filles du roi, or “King’s Daughters” —young women who leave prosperous France for an uncertain future across the Atlantic. Their duty is to marry and bring forth a new generation of loyal citizens. Each prospective bride has her reason for leaving—poverty, family rejection, a broken engagement. Despite their different backgrounds, Rose, Nicole, and Elisabeth all believe that marriage to a stranger is their best, perhaps only, chance of happiness. Once in Quebec, Elisabeth quickly accepts baker Gilbert Beaumont, who wants a business partner as well as a wife. Nicole, a farmer’s daughter from Rouen, marries a charming officer who promises comfort and security. Scarred by her traumatic past, Rose decides to take holy vows rather than marry. Yet no matter how carefully she chooses, each will be tested by hardship and heartbreaking loss—and sustained by the strength found in their uncommon friendship, and the precarious freedom offered by their new home. Praise for Promised to the Crown “An engaging, engrossing debut.” —Greer Macallister, USA Today bestselling author of The Magician’s Lie “An absorbing adventure with heart.” —Jennifer Laam, author of The Secret Daughter of the Tsar "An unforgettable saga of strength and sisterhood, one that will stay with you long after the final page.”--Anne Girard, author of Platinum Doll “A heart-wrenching and timeless tale of friendship, love, and hope that skillfully blends history and romance to educate, entertain, and inspire.”--Pam Jenoff, author of Last Summer at Chelsea Beach
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Originally published in 1992 Rethinking Translation makes the translator’s activity more visible by using critical theory. It examines the selection of the foreign text and the implementation of translation strategies; the reception of the translated text, and the theories of translation offered by philosophers, critics and translators themselves. The book constitutes a rethinking that is both philosophical and political, taking into account social and ideological dimensions, as well as questions of language and subjectivity. Covering a number of genres and national literatures, this collection of essays demonstrates the power wielded by translators in the formation of literary canons and cultural identities, and recognises the appropriative and imperialist movements in every act of translation.
Grade level: 4, 5, 6, e, i, t.
Love in a Green Shade examines for the first time in depth the reception history of Daphnis and Chloe in literature, beginning with its Renaissance rediscovery and working through its various transformations in English, French, Spanish, and other literatures. At the same time, Richard F. Hardin launches a groundbreaking exploration of the idyllic romance tradition in fiction and drama. While Virgil and Theocritus beget a tradition of poetry concerned with male eroticism, idyllic romance centers on the couple in a story pointing toward marriage. In addition to Daphnis and Chloe, this study considers numerous works influenced by the idyllic romance tradition, including Shakespeare?s The Tempest, Milton?s Paradise Lost, Bernardin?s Paul et Virginie, Stowe?s The Pearl of Orr?s Island, Cather?s O Pioneers!, novels by Sand, Hardy, and Pardo Bazan, Louis Hemon?s Maria Chapdelaine, and Mishima?s The Sound of Waves.
What happens when the study of French is no longer coterminous with the study of France? French Civilization and Its Discontents explores the ways in which considerations of difference, especially colonialism, postcolonialism, and race, have shaped French culture and French studies in the modern era. Rejecting traditional assimilationist notions of French national identity, contributors to this groundbreaking volume demonstrate how literature, history, and other aspects of what is considered French civilization have been shaped by global processes of creolization and differentiation. This book ably demonstrates the necessity of studying France and the Francophone world together, and of recognizing not only the presence of France in the Francophone world but also the central place occupied by the Francophone world in world literature and history.
Introductory chapters cover Japan’s historic love-hate relationship with China, then an in-depth analysis of three themes: Japan’s turn to the West; Japan’s return to the East; from war to peace. The book explains why Japanese modern writers oscillate between East and West.