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Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.
In early twentieth-century Cuba, bandits terrorize the countryside as a young farm girl struggles with dyslexia. Based on the life of the author's grandmother.
When his sister collapses and is taken to hospital where she lays in a coma, her brother goes to her bedroom to collect some of her items she will need in the hospital. He sees her personal diary and picks it up. He has not seen her for fifteen years and knows nothing about her past. He was fourteen when she ran off with a schoolmaster to marry him in Gretna Green so he was curious to know what had happened to her in that time. The revelations set out in the diary amazed him. In the meantime, he is trying to rewrite his second book but has trouble from his publishers. And there is a married woman who lives close by who engages with him romantically.
While the other orangutans settle down for a nap, one orangutan longs to dance the day away. Join her as she seeks the perfect dance partner in a story told through tanka poems, a form of ancient Japanese poetry. 40pp., Color Ill.
Authored by an anonymous writer and smuggled out of North Korea, The Accusation is the first work of fiction to come out of the country and a moving portrayal of life under a totalitarian regime. In 1989, a North Korean dissident writer, known to us only by the pseudonym Bandi, began to write a series of stories about life under Kim Il-sung’s totalitarian regime. Smuggled out of North Korea and published around the world, The Accusation provides a unique and shocking window into this most secretive of countries. Bandi’s profound, deeply moving, vividly characterized stories tell of ordinary men and women facing the terrible absurdity of daily life in North Korea: a factory supervisor caught between loyalty to an old friend and loyalty to the Party; a woman struggling to feed her husband through the great famine; the staunch Party man whose actor son reveals to him the theatre that is their reality; the mother raising her child in a world where the all-pervasive propaganda is the very stuff of childhood nightmare. The Accusation is a heartbreaking portrayal of the realities of life in North Korea. It is also a reminder that humanity can sustain hope even in the most desperate of circumstances — and that the courage of free thought has a power far beyond those who seek to suppress it.
"There is a great deal that goes into making a video blog. Lizzie Bennet should know, having become a YouTube sensation over the course of her year-long video diary project. The Lizzie Bennet Diaries chronicled Lizzie's life as a twenty-four-year-old grad student, struggling under a mountain of student loans and living at home with her two sisters--beautiful Jane and reckless Lydia. What may have started as her grad student thesis grew into so much more, as the videos came to inform and reflect her life and that of her sisters. When rich, handsome Bing Lee comes to town, along with his stuck-up friend William Darcy, things really start to get interesting for the Bennets--and for Lizzie's viewers. Suddenly Lizzie--who always considered herself a fairly normal young woman--was a public figure. But not everything happened on-screen. Luckily for us, Lizzie kept a secret diary. The Secret Diary of Lizzie Bennet provides more character introspection as only a book can, with revelatory details about the Bennet household, including Lizzie's special relationship with her father, untold stories from Netherfield, Lizzie's thoughts and fears about life after grad school and becoming an instant web celebrity" --
'The Absurd Secret Diary Of An Unborn Baby' is a comic glimpse into the life and precarious times of one unborn baby and his adventurous mother. If only he could escape his 'padded cell' and run off with his girlfriend, Dara! A great humorous read for expectant parents.
In answer to the question of what happened following her New York Times bestseller Kabul Beauty School, Deborah Rodriquez is back with a new memoir: “a brave and often hilarious tale of reinvention, told with pioneer woman brio and wicked humor” (Wendy Lawless, bestselling author of Chanel Bonfire). Irreverent, insightful, and blatantly honest, Deborah takes us along on her inspiring journey of self-discovery and renewal after she is forced to flee Afghanistan in 2007. She first lands in California, where she feels like a misfit teetering on the brink of sanity. Where was that fearless redhead who stared danger in the face back in Kabul? After being advised to commune with glowworms and sit in contemplation for one year, Rodriguez finally packs her life and her cat into her Mini Cooper and moves to a seaside town in Mexico. Despite having no plan, no friends, and no Spanish speaking skills, a determined Rodriguez soon finds herself swept up in a world where the music never stops and a new life can begin. Her adventures and misadventures among the expats and locals help lead the way to new love, new family, and a new sense of herself. In the magic of Mexico, she finds the hairdresser within, and builds the life she never knew was possible—a life on her own terms.
Mikhail Bulgakov’s novel The Master and Margarita, set in Stalin’s Moscow, is an intriguing work with a complex structure, wonderful comic episodes and moments of great beauty. Readers are often left tantalized but uncertain how to understand its rich meanings. To what extent is it political? Or religious? And how should we interpret the Satanic Woland? This reader’s companion offers readers a biographical introduction, and analyses of the structure and the main themes of the novel. More curious readers will also enjoy the accounts of the novel’s writing and publication history, alongside analyses of the work’s astonishing linguistic complexity and a review of available English translations.