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With only two young girls, Margaret Bolling, a widow, has been left with nothing. Desperate to survive, she takes her girls from their home in Kentucky to Independence, Missouri—the starting place of the two-thousand-mile trek to Oregon Territory. She only has herself to rely upon, and with her finances in dire straits, she sells baths and meals on the trail after driving her wagon all day. Everyone is so friendly—but one man always seems to be there when she needs help. After falling in love with Margaret the moment he saw her at the general store in Independence, Jamie Prewitt is determined to help her and the girls during the journey—but do it without her realizing it. He takes her meat he kills and sneaks some of his own food storage into hers while she sleeps. But after a month of watching her struggle on the trail, he asks her to marry him—only, their marriage will be platonic until she’s ready for a real one. Margaret likes Jamie, but is she betraying her beloved Tom by marrying him? And can she ever learn to rely on someone other than herself again?
A previously unpublished collection of twelve lullabies, illustrated by contemporary, award-winning artists including Jonathan Bean, Sophie Blackall, Renata Liwska, and Dan Yaccarino.
"I REMEMBER... ...humorous, inspirational and nostalgic stories, dating from my early childhood experiences to the present day." YOUNG CHILDREN have hundreds of tales to tell, most of them humorous, with a special blend of love and emotion. I tried to share some of my favorites from these formative years. THE TEENAGERS are so much more secretive in their storytelling. My parents hadn't a clue as to what was going on in my mind during the mid-1940's. Read about how we all share in the triumphs and the disappointments of our teen years. LOVE, MARRIAGE & CHILDREN go hand in hand, along with trying to build a home, literally, for your family. Raising children is a wonderful experience. This portion of the book contains more humor than I anticipated. Most of us can relate to these sentimental anecdotes. OLD AGE brings with it a multitude of problems, but I wouldn't change it for the world. It also brings grandchildren, who light up my life and make each day a joy. I have attempted to write about all the inspiration they have bestowed upon this humble writer. JOIN ME as we go through many of these precious golden moments.
"Contains the informal history of forty theatres that were built, as either legitimate houses or movie palaces and that are currently operating as legitimate theatres"--p. xiii.
Margaret is sent to the Hopeton Orphanage, run by the cruel Miss Switch. Margaret can hear things that other people cannot. One day, she hears tiny voices coming from a thorny tree on the orphanage ground, and discovers a community of moths. Together, Margaret and the moths prepare a plan to end Miss Switch's resign of terror.
The Earl King By: Robert A. Zarnoch Magnes Knauer is a college dropout, estranged from her difficult father, vacuous mother, and spoiled sister. She’s stationed at an insignificant job at an Army post when she meets Koenig – the Earl King – a grown-up, cynical Peter Pan who can be seen only by children, the unloved and those about to die. He presses Magnes to abandon a doomed world and come with him to a storied afterlife. Koenig agrees to let her stay if she can find a single person that loves her, but if she fails, she promises to go with him and surrender her life. In this dark, modern retelling of a familiar fairy-tale, can love conquer death? Or will Magnes die at the touch of the Earl King’s hand?
In 1933, Margaret Sullavan made her film debut and was an overnight sensation. For the next three decades, she enchanted audiences and critics in any medium she chose--film, theater, television--and was regarded as one of the foremost dramatic actresses. Off screen, she epitomized the Southern Belle--beauty, hospitality and flirtatiousness. Deep down, she suffered from crippling insecurity, especially as a mother--a feeling exacerbated by progressive hearing loss. By age 50, she could no longer cope and took an overdose of sleeping pills. This biography covers her film career with insightful criticism from the period and details her personal life, including her marriage to Henry Fonda, her special friendship with James Stewart and her bitter rivalry with Katharine Hepburn.
When nine-year-old Mary Margaret tells everyone at school her name is Mary Margaret Mary, she discovers that the problems lying causes makes life too complicated, especially with Christmas coming.