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"Rosamund Stacey finds herself pregnant after her only sexual encounter. Despite her fierce independence and academic brilliance, Rosamund is naive and unworldly, and the choices before her are terrifying."--Back cover
NEW YORK TIMES 100 NOTABLE BOOKS OF 2017: ‘masterly’ GUARDIAN BEST BOOKS OF THE YEAR: 'An absolute tour de force' Fran may be old but she's not going without a fight. So she dyes her hair, enjoys every glass of red wine, drives around the country for her job with a housing charity and lives in an insalubrious tower block that her loved ones disapprove of. And as each of them - her pampered ex Claude, old friend Jo, flamboyant son Christopher and earnest daughter Poppet - seeks happiness in their own way, what will the last reckoning be? Will they be waving or drowning when the end comes? By turns joyous and profound, darkly sardonic and moving, The Dark Flood Rises questions what makes a good life, and a good death. This triumphant, bravura novel takes in love, death, sun-drenched islands, poetry, Maria Callas, tidal waves, surprise endings - and new beginnings.
This novel goes back through the lives of three women, a psychoanalyst, an art historian and a good woman who all met at Cambridge in the 1950s.
Traveling separately to Ornemouth, England, a town by the North Sea where they had spent a summer together as children, Humphrey Clark and Ailsa Kelman reassess the course of their individual lives and decisions over the past thirty years of separation.
Barbara Halliwell, on a grant at Oxford, receives an unexpected package-a centuries-old memoir by a Korean crown princess. An appropriate gift indeed for her impending trip to Seoul, but Barbara doesn't know who sent it. On the plane, she avidly reads the memoir, a story of great intrigue as well as tragedy. The Crown Princess Hyegyong recounts in extraordinary detail the ways of the Korean court and confesses the family dramas that left her childless and her husband dead by his own hand. When a Korean man Barbara meets at her hotel offers to guide her to some of the haunts of the crown princess, Barbara tours the royal courts and develops a strong affinity for everything related to the princess and her mysterious life. Barbara's time in Korea goes quickly, but captivated by her experience and wanting to know more about the princess, she wonders if her life can ever be the way it was before.
The first new novel in five years from “one of the most versatile and accomplished writers of her generation” —Joyce Carol Oates, The New Yorker. Jessica Speight, a young anthropology student in 1960s London, is at the beginning of a promising academic career when an affair with her married professor turns her into a single mother. Anna is a pure gold baby with a delightful, sunny nature, but it soon becomes clear that she will not be a normal child. As readers are drawn deeper into Jessica’s world, they are confronted with questions of responsibility, potential, even age, all with Margaret Drabble’s characteristic intelligence, sympathy and wit. Drabble once wrote, “Family life itself, that safest, most traditional, most approved of female choices, is not a sanctuary; it is, perpetually, a dangerous place.” Told from the point of view of the group of mothers who surround Jess, The Pure Gold Baby is a brilliant, prismatic novel that takes us into that place with satiric verve, trenchant commentary and a movingly intimate story of the unexpected transformations at the heart of motherhood.
From the Golden PEN Award–winning author: A “well-written, entertaining” dark comedy of a marriage on the rocks in 1960s London (Joyce Carol Oates, The New York Times). Emma and David Evans seem to have a perfect life. He’s a handsome and successful Welsh actor; she’s a sometimes model, soon-to-be television news anchor, and full-time mother. But all is not well under the surface. She’s impatient and choked by domesticity; he’s narcissistic and unfaithful. Between the two of them is a privately combative marriage that has fed their want of drama. Then David relocates the family from their London home to provincial Hereford, where he’s to star in two plays during the city’s festival season. It’s here, far removed from the highbrow stimulation of the city, that Emma’s resentment of David—his long hours, his expectations, his ego—finally boils over. Bored and lonely, she falls into the arms of the theater’s director, an indiscretion that triggers a series of surprises neither Emma nor David could have foreseen. Narrated by a complicated, fascinating, and fiercely intelligent woman at the end of her rope, The Garrick Year is “a witty, beautiful novel . . . written with extraordinary art” (The New York Times). “[A] romantic novel about actors and the theatre and marriage and sex and babies . . . deliciously bitter . . . so alive.” —The New Yorker “Unsparing . . . a very knowing, diverting entertainment.” —Kirkus Reviews
A Los Angeles Times Best Book of the Year: “Part social satire, part thriller, and entirely clever” (Elle). It is a midsummer’s evening in the English countryside, and the three grown Palmer children are coming to the end of an enjoyable meal in the company of their partners and offspring. From this pleasant vantage point they play a dinner-party game: What kind of society would you be willing to accept if you didn’t know your place in it? But the abstract question of justice, like all their family conversations, is eventually brought back to the more pressing problem of their eccentric mother, Frieda, the famous writer, who has abandoned them and her old life, and gone to live alone in Exmoor. Frieda has always been a powerful and puzzling figure, a monster mother with a mysterious past. What is she plotting against them now? Has some inconvenient form of political correctness led her to favor her enchanting half-Guyanese grandson? What will she do with her money? Is she really writing her memoirs? And why has she disappeared? Has the dark spirit of Exmoor finally driven her mad? The Witch of Exmoor brilliantly interweaves high comedy and personal tragedy, unraveling the story of a family whose comfortable, rational lives, both public and private, are about to be violently disrupted by a succession of sinister, messy events. “Leisurely and mischievous,” it is a dazzling, wickedly gothic tale of a British matriarch, her three grasping children, and the perils of self-absorption (The New Yorker). “As meticulous as Jane Austen, as deadly as Evelyn Waugh.” —Los Angeles Times
This unique blend of memoir and history takes “a multi-layered look at jigsaw puzzles . . . charming [and] fascinating” (Publishers Weekly, starred review). Award-winning author Margaret Drabble weaves her own story into a history of games, in particular jigsaws, which have offered her and many others relief from melancholy and depression. Alongside curious facts and discoveries—for example, that the 1929 stock market crash was followed by a boom in puzzle sales—Drabble introduces us to her beloved Auntie Phyl, and describes childhood visits to the house in Long Bennington on the Great North Road, their first trip to London together, the books they read, and the jigsaws they completed. With penetrating sketches of her parents, siblings, and children, Drabble shares her thoughts on the importance of childhood play, art and writing, aging and memory. And she does so with her customary intelligence, energy, and wit.
Gift from Kansas City Library. This is a story of Jane, poetess and failed wife full of guilt and self-doubt, who has given up hope until redeemed and restored to herself unexpectedly by love.