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Originally published: New York: Random House, 1974.
Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.
A book that looks like it has fallen through time, at least until you open it up. Hunted Down and Other Tales by Marcus Clarke collects and remixes three stories by the Australian author originally published in the early 1870s. The book mimics the size and style of the mini-anthologies Clarke published in his lifetime. The remixed stories, written by Simon Groth and designed by George Saad, are filled with typographic play and self-reference while examining how much (and how little) has changed in the 150-odd years since the Clarke's originals.
Michael Wilding's essays on Marcus Clarke's life and works, from his schooldays at Highgate to membership of the Melbourne Bohemian Yorick, and his associations with the Chief of Police Captain Frederick Standish, the Irish nationalist politician Sir Charles Gavan Duffy, and the President of the Melbourne Public Library Sir Redmond Barry.