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“Doris Lessing is one of the most important writers of the past 100 years, a shrewd visionary. . . . Her new, short, haunting novel . . . succors us with . . . unforgettable visual images. We shiver and marvel as we lose ourselves in time.”— The Times (London) In her visionary novel Mara and Dann, Doris Lessing introduced a brother and sister battling through a future landscape defined by extreme climates in the north and south. In this new novel the odyssey continues. Dann is grown up, hunting for knowledge and despondent over the inadequacies of his civilization, traveling with his friend, a snow dog who saves him from the depths of despair. Here, too, are Mara’s daughter and Griot with the green eyes, an abandoned child-soldier who discovers the meaning of love and the ability to sing stories. Like its predecessor, this brilliant novel from one of our greatest living writers explains as much about our world as it does about the future we may be heading toward.
Shocking, intimate, often uncomfortably honest, these stories reaffirm Doris Lessing’s unequalled ability to capture the truth of the human condition In the title novel, two friends fall in love with each other's teenage sons, and these passions last for years, until the women end them, vowing a respectable old age. In Victoria and the Staveneys, a young woman gives birth to a child of mixed race and struggles with feelings of estrangement as her daughter gets drawn into a world of white privilege. The Reason for It traces the birth, faltering, and decline of an ancient culture, with enlightening modern resonances. A Love Child features a World War II soldier who believes he has fathered a love child during a fleeting wartime romance and cannot be convinced otherwise.
Entertaining but authoritative, Bad History debunks a wealth of historical errors. In doing so, it exposes many falsehoods that have wrongly - and sometimes dangerously - influenced our understanding of the world's history.
In her 1985 CBC Massey Lectures Doris Lessing addresses the question of personal freedom and individual responsibility in a world increasingly prone to political rhetoric, mass emotions, and inherited structures of unquestioned belief. The Nobel Prize-winning author of more than thirty books, Doris Lessing is one of our most challenging and important writers.
An epic tale of adventure and intrigue, Daughter of the Empire is fantasy of the highest order by two of the most talented writers in the field today. Magic and murder engulf the realm of Kelewan. Fierce warlords ignite a bitter blood feud to enslave the empire of Tsuranuanni. While in the opulent Imperial courts, assassins and spy-master plot cunning and devious intrigues against the rightful heir. Now Mara, a young, untested Ruling lady, is called upon to lead her people in a heroic struggle for survival. But first she must rally an army of rebel warriors, form a pact with the alien cho-ja, and marry the son of a hated enemy. Only then can Mara face her most dangerous foe of all—in his own impregnable stronghold.
"Science is rooted in conversations," wrote Werner Heisenberg, one of the twentieth century's great physicists. In Quantum Dialogue, Mara Beller shows that science is rooted not just in conversation but in disagreement, doubt, and uncertainty. She argues that it is precisely this culture of dialogue and controversy within the scientific community that fuels creativity. Beller draws her argument from her radical new reading of the history of the quantum revolution, especially the development of the Copenhagen interpretation. One of several competing approaches, this version succeeded largely due to the rhetorical skills of Niels Bohr and his colleagues. Using extensive archival research, Beller shows how Bohr and others marketed their views, misrepresenting and dismissing their opponents as "unreasonable" and championing their own not always coherent or well-supported position as "inevitable." Quantum Dialogue, winner of the 1999 Morris D. Forkosch Prize of the Journal of the History of Ideas, will fascinate everyone interested in how stories of "scientific revolutions" are constructed and "scientific consensus" achieved. "[A]n intellectually stimulating piece of work, energised by a distinct point of view."—Dipankar Home, Times Higher Education Supplement "[R]emarkable and original. . . . [Beller's] arguments are thoroughly supported and her conclusions are meticulously argued. . . . This is an important book that all who are interested in the emergence of quantum mechanics will want to read."—William Evenson, History of Physics Newsletter
Caught as we are in a grave climate crisis that seems more irreversible with every passing year, our literary portrayals of the future often feature the dystopian collapse of the world as we know it. Science fiction explores how we got here, while pointing toward a more hopeful path forward. From an ecofeminist perspective, a core cause of our current ecological catastrophe is the patriarchal domination of nature, playing out in parallel with the oppression of women. As an alternative to dystopian futures that seem increasingly inevitable, ecofeminist science fiction helps us conjure utopias that promote environmental sustainability based on more egalitarian human relationships. Dystopias and Utopias on Earth and Beyond: Feminist Ecocriticism of Science Fiction explores the fictional worlds of such canonical novelists as Margaret Atwood, Octavia Butler, Ursula K. Le Guin, Doris Lessing, and Joan Slonczewski, as well as those of lesser-known science fiction writers, as they collectively probe humanity’s greatest existential threats. Contributors from five continents provide compelling analyses of far future dystopias on Earth that are all too easy to imagine becoming reality if humankind’s current trajectory continues, as well as provocative insights into science fiction utopias set on idyllic planets orbiting distant stars, which offer liberatory alternatives that might someday be actualized in the real world. By examining the links between the destruction of the environment and the domination of women, Dystopias and Utopias on Earth and Beyond provides the tools to counteract those intertwined oppressions, helping create a foundation for a truly habitable world.
Early on a May morning in 1988, Laurie Dann, a thirty-year-old, profoundly unhappy product of the wealthy North Shore suburb of Chicago, loaded her father's car with a cache of handguns, incendiary chemicals, and arsenic-laced food. Driven by fear and hate, she was going to make something terrible happen. Before the end of the day, Dann had blazed a murderous trail of poison, fire, and bullets through the unsuspecting town of Winnetka, Illinois, and other North Shore suburbs. She murdered an eight-year-old boy and critically wounded 5 other children inside an elementary school. It finally took a massed force of armed police to end the killing. The shocking story of innocence destroyed by a rich young babysitter inexplicably gone mad made headlines all across the nation and inspired at least two psychotic killers to follow her example. What lead her to do it? Could she have been stopped? The case raised a host of agonizing questions that have remained unanswered—until now. In this book, three Chicago Tribune reporters who covered the Laurie Dann tragedy have pulled together all the available police evidence, unearthed valuable psychiatric information, and interviewed at length scores of people who knew Dann, many of whom had never before spoken to the media about this case. Despite clear and ominous warning signs, a young woman of beauty and privilege was allowed to deteriorate and go slowly berserk—and no one stopped her. Her parents, her doctors, and the police officers who knew her pathological behavior all failed her at critical times. By its passivity and silence, a community comfortable and quiet on the surface, yet reluctant to admit its underlying flaws, became an unwitting accomplice to the final rampage of Laurie Dann. MURDER OF INNOCENCE is a searing portrayal of a family—and a society—unable to cope, and of a young woman who wanted all too desperately only to be loved.
Far from resting on her laurels, Lessing goes from strength to strength. Ben's half-human ignorance, paranoia, and rage are magnificently imagined and vividly present on every page. The condition of the outsider has hardly ever before in fiction been portrayed with such raw power and righteous anger. Few, if any, living writers can have explored so many forbidding fictional worlds with such passion and conviction. — Kirkus Reviews The poignant and tragic sequel to Doris Lessing's bestselling novel, THE FIFTH CHILD. At eighteen, Ben is in the world, but not of it. He is too large, too awkward, too inhumanly made. Now estranged from his family, he must find his own path in life. From London and the south of France to Brazil and the mountains of the Andes. Ben is tossed about in a tumultuous search for his people, a reason for his being. How the world receives him, and, he fares in it will horrify and captivate until the novel's dramatic finale.