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Bible & Treaty: Missionaries among the Māori is a complex and colourful adventure of faith, bravery, perseverance and betrayal that seeks to recover lost connections in the story of modern New Zealand. It brings a fresh perspective to the missionary story, from the lead-up to Samuel Marsden's first sermon on New Zealand soil, and the intervening struggle for survival and understanding, to the dramatic events that unfolded around the Treaty of Waitangi and the disillusionment that led to the Land Wars in the 1860s. While some missionaries clearly failed to live up to their high calling, the majority committed their lives to Māori and were instrumental in spreading Christianity, brokering peace between warring tribes, and promoting literacy – resulting in a Māori-language edition of the Bible. This highly readable account, from the author of Ratana Revisited: An Unfinished Legacy (2006) and Ratana: The Prophet (2009), shines a new light on the ever-evolving business of New Zealand's early history.
Entanglements of Empire explores the political, cultural and economic entanglements and irrevocable social transformations that resulted from Maori engagements with Protestant missionaries at the most distant edge of the British empire. The first Protestant mission to New Zealand, established in 1814, saw the beginning of complex political, cultural, and economic entanglements with Maori. Entanglements of Empire is a deft reconstruction of the cross-cultural translations of this early period. Misunderstanding was rife: the physical body itself became the most contentious site of cultural engagement, as Maori and missionaries struggled over issues of hygiene, tattooing, clothing, and sexual morality.In this fascinating study, Tony Ballantyne explores the varying understandings of such concepts as civilization, work, time and space, and gender &– and the practical consequences of the struggles over these ideas. The encounters in the classroom, chapel, kitchen, and farmyard worked mutually to affect both the Maori and the English worldviews.Ultimately, the interest in missionary Christianity among influential Maori chiefs had far-reaching consequences for both groups. Concluding in 1840 with the signing of the Treaty of Waitangi and the new age it ushered in, Ballantyne's book offers important insights into this crucial period of New Zealand history.
The arrival of the Anglican Church with its claims to religious power was soon followed by British imperial claims to temporal power. Political, legal, economic and social institutions were designed to be the bastions of control across the British Empire. However, they were also places of contestation and engagement at a local and national level, and this was true of New Zealand. Māori culture was constantly capable of adaptation in the face of changing contexts. This ground-breaking book explores the emergence of Te Hāhi Mihinare – the Māori Anglican Church. Anglicanism, brought to New Zealand by English missionaries in 1814, was made widely known by Māori evangelists, as iwi adapted the religion to make it their own. The ways in which Mihinare (Māori Anglicans) engaged with the settler Anglican Church in New Zealand and created their own unique Church casts light on the broader question of how Māori interacted with and transformed European culture and institutions. Hirini Kaa vividly describes the quest for a Māori Anglican bishop, the translation into te reo of the prayer book, and the development of a distinctive Māori Anglican ministry for today’s world. Te Hāhi Mihinare uncovers a rich history that enhances our understanding of New Zealand’s past.
Details many events that happened from the very beginning of the Church of Jesus Christ of Latter-day Saints in New Zealand in the 1850s. Behind each is a story of faith, devotion, and many hardships.
Maori music records and analyses ancient Maori musical tradition and knowledge, and explores the impact of European music on this tradition. Mervyn McLean draws on diverse written and oral sources gathered over more than 30 years of scholarship and field work that yielded some 1300 recorded songs, hundreds of pages of interviews with singers, and numerous eye-witness accounts. The work is illustrated throughout with photos and music examples.
Translation of a French edition produced for a thesis by Háelâene Serabian (Ph. D.)--University of Cambridge, 2005.
See link to http://nzetc.victoria.ac.nz/tm/scholarly/tei-KenGramm.html.
The archetypal story of Thomas Kendall, a self-torturing, struggling missionary in nineteenth century New Zealand, is also a remarkable history of cross-cultural experience. Posted to New Zealand in 1814, Kendall was immensely devout but entirely unprepared for dealing with Māori. He nonetheless helped produce the first Māori Grammar, but was hindered by rumours of an affair with a Māori chief’s daughter. Dismissed from his duties in 1823, he continued studying Māori culture until his death nearly a decade later. Long out of print, this work by a leading New Zealand historian tells an absorbing story of the difficulties and dangers of the evangelical mission.
With the arrival of Anglican missionaries to New Zealand in the nineteenth century, Maori were slowly converted to Christianity and recruited to build New Zealand's early churches. These early whare karakia-houses of worship - were in a distinctive and arresting new style that combined elements from Maori art and architecture with British ecclesiastical traditions. In Whare Karakia art historian Richard Sundt chronicles for the first time this early phase of Maori church building in New Zealand. He traces the emergence of seven large-scale whare-style churches from around the North Island - the last standing, Rangiatea at Otaki, burned down in 1995. By the peak decades of the missionary movement (1830s to 1850s), indigenous builders had transformed the small-to-moderate-sized whare into the larger whare-style structure. The whare scheme, with its central row of posts, became the most common building type for Maori churches, and while initially challenging Western architectural presumptions around the use of ritual space, it was later accepted by the Anglican establishment as a convenient model for its missions. Sundt describes the technological process through which this occurred and examines the interactions between Maori and missionaries during this period - from the training Maori received in European building technology, to the resolution of arguments over carving, painting and the use of liturgical space as they applied these skills to their first attempts at church building. A ground-breaking work that sheds new light on the history of religion, architecture, and the story of Maori and Pakeha in New Zealand, Whare Karakia is extensively illustrated with rare and detailed images and plans of churches now destroyed.