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Shyam Selvadurai pieces together the best of Sri Lankan poetry and fiction in this anthology. From the Sinhala and Tamil writers of the 1950s to diasporic writers of today, from stories of love and longing to those of brutality and death, this masterfully constructed anthology will give you a rich sense Sri Lanka’s history, its people and the stories they have to tell.
Amrith comes to terms with his sexuality in this sweeping coming-of-age story set against the stormy backdrop of monsoon season in 1980s Sri Lanka. For fans of Call Me By Your Name. Shyam Selvadurai’s brilliant novels, Funny Boy and Cinnamon Gardens, have garnered him international acclaim. In his first young adult novel, he explores first love with clarity, humor and compassion. The setting is Sri Lanka, 1980, and it is the season of monsoons. Fourteen-year-old Amrith is caught up in the life of the cheerful, well-to-do household in which he is being raised by his vibrant Auntie Bundle and kindly Uncle Lucky. He tries not to think of his life “before,” when his doting mother was still alive. Amrith’s holiday plans seem unpromising: he wants to appear in his school’s production of Othello and he is learning to type at Uncle Lucky’s tropical fish business. Then, like an unexpected monsoon, his cousin arrives from Canada and Amrith’s ordered life is storm-tossed. He finds himself falling in love with the Canadian boy. Othello, with its powerful theme of disastrous jealousy, is the backdrop to the drama in which Amrith finds himself immersed.
What does it mean to bring progress—schools, electricity, roads, running water—to paradise? Can our consumer culture and desire to “do good” really be good for a community that has survived contentedly for centuries without us? In October 2008, climbing expedition leader and attorney, Jeffrey Rasley, led a trek to a village in a remote valley in the Solu region of Nepal named Basa. His group of three adventurers was only the third group of white people ever seen in this village of subsistence farmers. What he found was a people thoroughly unaffected by Western consumer-culture values. They had no running water, electricity, or anything that moves on wheels. Each family lived in a beautiful, hand-chiseled stone house with a flower garden. Beyond what they already had, it seemed all they wanted was education for the children. He helped them finish a school building already in progress, and then they asked for help getting electricity to their village. Bringing Progress to Paradise describes Rasley’s transformation from adventurer to committed philanthropist. We are attracted to the simpler way of life in these communities, and we are changed by our experience of it. They are attracted to us, because we bring economic benefits. Bringing Progress to Paradise offers Rasley’s critical reflection on the tangled relationship between tourists and locals in “exotic” locales and the effect of Western values on some of the most remote locations on earth.
Set in 1920s’ Ceylon, during the turbulent closing days of colonial rule, this evocative story of intertwined lives takes us behind the fragrant gardens and polished surfaces of the elite who reside in a wealthy suburb of Colombo to reveal a world of splintered families, conflicted passions, and lives destroyed by class hatred. Annalukshmi, a spirited young schoolteacher, finds herself caught between her family’s pressures to marry and her own desire for a more independent life. Then there is her uncle Balendran, whose comfortable life of privilege is rocked by the arrival of Richard, a lover from his past. Their uneasy reunion re-ignites tensions with Balendran’s powerful father, and threatens all on which Balendran has built his present life. Sensual, perceptive, and wise, Cinnamon Gardens is a novel of exceptional achievement—an exquisite tapestry of lives.
Recently, South Asian writers such as Salman Rushdie, Michael Ondaatje, Rohinton Mistry, Bharati Mukherjee, Jhumpa Lahiri, and Monica Ali have been dominating the world’s literary scene, winning prestigious prizes, and appearing on numerous bestseller lists, and being hailed by critics and readers worldwide. Yet never before has their work appeared together in an anthology. Now, for the first time, the internationally heralded writer Shyam Selvadurai has collected the very best of South Asian short fiction in Story-Wallah!, a remarkable anthology showcasing 26 beautifully written stories whose memorable characters will remain with the reader long after they have closed the pages of this book. A "wallah" is a hawker or merchant. In Story-Wallah! some of the world’s best fiction writers hawk their wares from different parts of the South Asian diaspora - Canada, the United States, Britain, Guyana, Trinidad, Malaysia, Tanzania, Fiji - creating a virtual map of the world with their tales. There is an eclectic quality to the way the stories jostle up against each other: life on a sugar plantation in Trinidad next to the story of a childhood in rural 1930’s Australia. A Christmas in Fiji next to the attempts by an Indian family in South Africa to arrange a marriage for their rebellious daughter. A honeymoon in lush Sri Lanka next to the trials of a Bangladeshi refugee in England. The result is a marvelous cacophony, like early morning at a South Asian bazaar. Story-Wallah! is essential reading for anyone with an interest in South Asian writers and the dynamic, important tales they have to tell.
In Buddhist myth, those that have desired too much in life may be reborn as "hungry ghosts"- spirits with a stomach so large they can never be full. Six year-old Shivan is boarded up in his grandmother's mansion in Sri Lanka. While civil unrest brews outside, Shivan is fighting small battles of his own: the matriarch of his mysterious family wants to groom him as the heir to her vast and corrupt empire. Shivan stands helpless as she sidelines his mother and sister and evicts vulnerable families from their homes. Unwilling to carry the burden of her expectations, Shivan dreams of escape to the West. Yet ghosts will follow you across continents. As the years pass, and Shivan's sexuality gradually comes to light, events spiral out of control and threaten to separate him from his family once and for all. 'The Hungry Ghosts is an exquisite tale of differences and how they can tear apart both a country and the heart - not just once, but many times, until the ghosts are freed. An unsettling and moving account of a family - and a nation - at war with their own selves' Tan Twan Eng 'Unflinchingly insightful, Shyam Selvadurai's new novel evokes the clashing manifestations of human desire and longing in two continents.' Pankaj Mishra 'A ravishing portrait not just of one man but of an entire country's search for a resting place' Tash Aw 'A tender and haunting meditation on the long reach of the past' Michelle de Kretser
A passionate believer in the power of art—and especially poetry—to influence and critique contemporary culture, Louis Dudek devoted much of his life to shaping the Canadian literary scene through his meditative and experimental poems as well as his work in publishing and teaching. All These Roads: The Poetry of Louis Dudek brings together thirty-five of Dudek’s poems written over the course of his sixty-year career. Much of Dudek’s poetry is about the practice of art, with comment on the way the craft of poetry is mediated by such factors as university classes, public readings, reviews, commercial presses, and academic conferences. The poems in this selection—witty satires, short lyrics, and long sequences—reflect self-consciously on the relationship between art and life and will draw readers into the dramatic mid-century literary and cultural debates in which Dudek was an important participant. Karis Shearer’s introduction provides an overview of Dudek’s prolific career as poet, professor, editor, publisher, and critic, and considers the ways in which Dudek’s functional poems help, both formally and thematically, to carry out the tasks associated with those roles. Comparing Dudek’s reception to that of NourbeSe Philip, Marilyn Dumont, and Roy Miki, Frank Davey’s afterword locates Dudek in a pre-1980s version of multiculturalism that is more complex than many critics would have it. According to Davey, Dudek broadened the limits on the possible range and type of poetry for subsequent generations of Canadian writers.
#1 NEW YORK TIMES BEST SELLER • From the award-winning, best-selling author of the classic A Little Life—a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. A BEST BOOK OF THE YEAR: VOGUE • ESQUIRE • NPR • GOODREADS To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot. In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances. These three sections comprise an ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
In the idyllic hill country of Sri Lanka, a young girl grows up with her loving family; but even in the midst of this paradise, terror lurks in the shadows. When tragedy strikes, she and her mother must seek safety by immigrating to America. There the girl reinvents herself as an American teenager to survive, with the help of her cousin; but even as she assimilates and thrives, the secrets and scars of her past follow her into adulthood. In this new country of freedom, everything she has built begins to crumble around her, and her hold on reality becomes more and more tenuous. When the past and the present collide, she sees only one terrible choice. From Nayomi Munaweera, the award-winning author of Island of a Thousand Mirrors, comes the confession of a woman, driven by the demons of her past to commit a single and possibly unforgivable crime. Praise for Island of a Thousand Mirrors: "The paradisiacal landscapes of Sri Lanka are as astonishing as the barbarity of its revolution, and Munaweera evokes the power of both in a lyrical debut novel worthy of shelving alongside her countryman Michael Ondaatje or her fellow writer of the multigenerational immigrant experience Jhumpa Lahiri." - Publishers Weekly "The beating heart of Island of a Thousand Mirrors is not so much its human characters but Sri Lanka itself and the vivid, occasionally incandescent, language used to describe this teardrop in the Indian Ocean." - The New York Times Book Review