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While working on a facsimile edition and transcription of W. B. Yeats's surviving early manuscripts, renowned Yeats scholar George Bornstein made a thrilling literary discovery: thirty-eight unpublished poems written between the poet's late teens and late twenties. These works span the crucial years during which the poet "remade himself from the unknown and insecure young student Willie Yeats to the more public literary, cultural, and even political figure W. B. Yeats whom we know today." "Here is a poetry marked by a rich, exuberant, awk-ward, soaring sense of potential, bracingly youthful in its promise and its clumsiness, in its moments of startling beauty and irrepressible excess," says Brendan Kennelly. And the Yeats in these pages is already experimenting with those themes with which his readers will become intimate: his stake in Irish nationalism; his profound love for Maud Gonne; his intense fascination with the esoteric and the spiritual. With Bornstein's help, one can trace Yeats's process of self-discovery through constant revision and personal reassessment, as he develops from the innocent and derivative lyricist of the early 1880s to the passionate and original poet/philosopher of the 1890s. Reading-texts of over two dozen of these poems appear here for the first time, together with those previously available only in specialized literary journals or monographs. Bornstein has assembled all thirty-eight under the title Yeats had once planned to give his first volume of collected poems. Under the Moon is essential reading for anyone interested in modern poetry.
The W.B. Yeats collection contains the major work of W.B. Yeats in all genres, including poetry, plays, criticism and fiction, collected in 22 volumes. A single edition of each work, usually the last known to have been approved by Yeats, has been included. However, both of the widely different versions of A Vision (1925 and 1937) have been included. Where available, the scholarly editions in the Scribner/Macmillan Collected Edition of the Works of W.B. Yeats ... have been used.
W.B. Yeats and the Muses explores how nine fascinating women inspired much of W.B. Yeats's poetry. These women are particularly important because Yeats perceived them in terms of beliefs about poetic inspiration akin to the Greek notion that a great poet is inspired and possessed by the feminine voices of the Muses. Influenced by the Pre-Raphaelite idea of woman as 'romantic and mysterious, still the priestess of her shrine', Yeats found his Muses in living women. His extraordinarily long and fruitful poetic career was fuelled by passionate relationships with women to and about whom he wrote some of his most compelling poetry. The book summarizes the different Muse traditions that were congenial to Yeats and shows how his perception of these women as Muses underlies his poetry. Newly available letters and manuscripts are used to explore the creative process and interpret the poems. Because Yeats believed that lyric poetry 'is no rootless flower, but the speech of a man,' exploring the relationship between poem and Muse brings new coherence to the poetry, illuminates the process of its creation, and unlocks the 'second beauty' to which Yeats referred when he claimed that 'works of lyric genius, when the circumstances of their origin is known, gain a second a beauty, passing as it were out of literature and becoming life.' As life emerges from the literature, the Muses are shown to be vibrant, multi-faceted personalities who shatter the idea of the Muse as a passive stereotype and take their proper place as begetters of timeless poetry.
This edition records every draft, from Yeats's first notion to the published version, a majority both in facsimile (in Yeats's fiercely illegible hand) and in faithful transcription on facing pages.
While Gus and his team at Ratcliffe Street Police Station are looking into the life histories of the dead men, George is getting impatient and decides to take matters into her own hands. Her methods are somewhat unorthodox and her discoveries bizarre, making it all the more difficult to piece together the elusive connection between the killer and his ever-increasing number of victims.
"The Wanderings of Oisin" is a narrative poem by W. B. Yeats that delves into themes of aging, nostalgia, and the passage of time. Drawing from Irish mythology and legend, the poem follows the ancient hero Oisin, who returns to Ireland after spending three centuries in the mythical land of Tír na nÓg with the fairy princess Niamh. As Oisin recounts his adventures and reflects on the changes that have occurred in his absence, he grapples with a sense of displacement and loss in a world vastly different from the one he knew. Through vivid descriptions and lyrical language, Yeats evokes a sense of longing for a glorious past while also exploring the inevitable dissonance between memory and reality. The poem captures the tension between the desire for eternal youth and the reality of mortality, as Oisin comes to terms with the transient nature of life and the inevitability of change. "The Wanderings of Oisin" stands as a poignant meditation on the passage of time, the complexities of memory, and the enduring power of myth and storytelling.
First published in 1928, The Tower was Yeats’s first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, ‘The Tower’, refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design – evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet’s work.
Yeats, Philosophy, and the Occult collects seven new essays on aspects of Yeats's thought and reading, from ancient and modern philosophy and cosmological doctrines, mysticism and esoteric thought.
The Wild Swans at Coole by William Butler Yeats, first published in 1919, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.