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The Crossroads of American History and Literature collects two decades' worth of the best-known essays of Philip F. Gura. Beginning with a definitive overview of studies of colonial literature, Gura ranges through such subjects in colonial American history as the intellectual life of the Connecticut River Valley, Cotton Mather's understanding of political leadership, and the religious upheavals of the Great Awakening. In the nineteenth century, he visits such varied topics as the history of print culture in rural communities, the philological interests of the Transcendentalist Elizabeth Peabody, the craft and business of the early Amerian music trades, and Thoreau's interest in exploration literature and in the Native American. Displaying remarkable sophistication in a variety of fields that, taken together, constitute the heart of American Studies, this collection illustrates the complexity of American cultural history.
The Guitar in America offers a history of the instrument from America\'s late Victorian period to the Jazz Age. The narrative traces America\'s BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America\'s elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement\'s heyday, tracing the guitar\'s transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement\'s impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America\'s musicians. This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America\'s larger musical scene, examining its efforts as manifestations of this country\'s uneasy coupling of musical art and commerce. Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review .
The author chronicles the remarkable story of the world's most famous guitar company, using more than 175 illustrations to tell the story of C. F. Martin and the company he created, using letters, account books, inventories, and other documents. (Performing Arts)
Guitars inspire cult-like devotion: an aficionado can tell you precisely when and where their favorite instrument was made, the wood it is made from, and that wood’s unique effect on the instrument’s sound. In The Guitar, Chris Gibson and Andrew Warren follow that fascination around the globe as they trace guitars all the way back to the tree. The authors take us to guitar factories, port cities, log booms, remote sawmills, Indigenous lands, and distant rainforests, on a quest for behind-the-scenes stories and insights into how guitars are made, where the much-cherished guitar timbers ultimately come from, and the people and skills that craft those timbers along the way. Gibson and Warren interview hundreds of people to give us a first-hand account of the ins and outs of production methods, timber milling, and forest custodianship in diverse corners of the world, including the Pacific Northwest, Madagascar, Spain, Brazil, Germany, Japan, China, Hawaii, and Australia. They unlock surprising insights into longer arcs of world history: on the human exploitation of nature, colonialism, industrial capitalism, cultural tensions, and seismic upheavals. But the authors also strike a hopeful note, offering a parable of wider resonance—of the incredible but underappreciated skill and care that goes into growing forests and felling trees, milling timber, and making enchanting musical instruments, set against the human tendency to reform our use (and abuse) of natural resources only when it may be too late. The Guitar promises to resonate with anyone who has ever fallen in love with a guitar.
The first encyclopedia to look at the study of material culture (objects, images, spaces technology, production, and consumption), and what it reveals about historical and contemporary life in the United States. Reaching back 400 years, Material Life in America: An Encyclopedia is the first reference showing what the study of material culture reveals about American society—revelations not accessible through traditional sources and methods. In nearly 200 entries, the encyclopedia traces the history of artifacts, concepts and ideas, industries, peoples and cultures, cultural productions, historical forces, periods and styles, religious and secular rituals and traditions, and much more. Everyone from researchers and curators to students and general readers will find example after example of how the objects and environments created or altered by humans reveal as much about American life as diaries, documents, and texts.
Historically, as bearer and mixer of ancient African and European musical traditions, the banjo is an important musical instrument. A Five-String Banjo Sourcebook will stand beside Banjo Attitudes (Paris, L’Harmattan, 2015), its companion book. Since its importation to the US by African Slaves and the inception of an “American version” by Euro-American musicians during the 19th century, the five-string banjo became « America’s instrument » ; and if its controversial history covers all the aspects of the American musical life, it also reflects its social and political context. Anyone interested in playing the banjo, or involved in doing historical or musical research on the instrument, will be confronted by the huge amount of documentation published on the subject. The numerous references listed in A Five-String Banjo Sourcebook, try to cover all facets of the instrument, from the banjo manufacturers and workshops to the stage... We hope that these pages will help the users of this compilation to understand all the subtilties of a fascinating musical instrument.
If the story of the blues is the story of a people, then the voice behind the story belongs to the guitar. The American Blues Guitar: An Illustrated History looks at the instruments and the players, from the birth of the blues to the present day. A brief history of the blues is included. From Blind Lemon Jefferson's Martin to T-Bone Walker's Gibson archtop, and from B.B. King's ES 335 to cousin Albert's Flying-V, all the classic makes and models are documented here in detail, with superb photography, serial number data, and everything the diehard collector - and interested fan - needs to identify these great American heirlooms. You'll find Leo Fender's original patent, filed in April 1951, of the Telecaster guitar, and an analysis of what makes it one of the great instruments. Among the blues artists discussed is Texan Albert Collins and his Gibson humbucker. Expert commentary explains why the players chose the models they did, how their choice influenced their sound, and how those sounds can be recreated today. The American Blues Guitar: An Illustrated History is indispensable to the lover of the blues.
(Guitar). The definitive work on the design and construction of an acoustic archtop guitar by one of the most talented luthiers of the twentieth century. Benedetto walks the reader through all aspects of construction through to marketing your finished work. Includes a list of suppliers to acquire all the tools and materials listed; a list of serial numbers for Benedetto guitars; full-color plates featuring the author's models; photos from the author's personal scrapbook of players who endorse his guitars; and fold-out templates for construction. 8-1/2 x 11 .
This book will help all guitar players make better friends with their present guitar or decide on features to look for in a new one. They will learn about the differences in guitar woods (and how they sound), simple guitar maintenance, how to choose an instrument for their style of playing, what to expect from a music dealer, and the mystique of collectible guitars. This new edition includes more details on amplifying acoustic guitars, and a guide to guitar companies' Web sites.