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Rising China and emerging India are becoming major maritime powers. As they build large navies to secure their growing interests, both nations are roiling the waters of the Indo-Pacific—the vast littoral stretching from Africa to Australasia. Invoking a tale from Hindu mythology— Samudra Manthan or "to churn the ocean"—C. Raja Mohan tells the story of a Sino-Indian rivalry spilling over from the Great Himalayas into the Indian and Pacific Oceans. He examines the prospects of mitigating the tensions and constructing a stable Indo-Pacific order. America, the dominant power in the area, is being drawn into the unfolding Sino-Indian competition. Despite the huge differences in the current naval capabilities of China, India, and the United States, Mohan argues that the three countries are locked in a triangular struggle destined to mold the future Indo-Pacific.
You sit in a car with a defect in its function such that when you turn the steering wheel to the right, the car moves left and vice versa. How will you feel? Obviously, cumbersome and tensed. It’s time to come out of that car or get the defect fixed. People travel through the stock market in this manner and ultimately suffer loss. There are hundreds or thousands of advisors, books, seminars and tips, and the fact is that still 80-90% of investors ultimately lose money in the market. Where is the fault? The fault is in an investor’s approach, his actions, beliefs and mindset. Get out of this jargon and introduce yourself to the world of relaxed value investing. How? This book is all about that. Stock Manthan is the process to draw out a list of stocks, out of 5000+ listed companies, which may give superlative or multi-bagger returns in the near future, with quite a high probability. It is a process to turn the riskiest field of wealth creation into one which feels riskless. Only believe in two facts—All information can be made easily available which is required to analyze and find stocks which have a high probability of providing multi-bagger returns in the future, and the other one is you can do this analysis by doing some smart work on your own. That’s value investing.
Goodwin examines the jokes, language, and behavior that allow gay men to identify and communicate with one another. He identifies how these behaviors help gay men maintain group cohesion in the subculture and cope with conflicts and stresses, including AIDS. Annotation copyrighted by Book News, Inc., Portland, OR
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
The open access two-volume set LNCS 12224 and 12225 constitutes the refereed proceedings of the 32st International Conference on Computer Aided Verification, CAV 2020, held in Los Angeles, CA, USA, in July 2020.* The 43 full papers presented together with 18 tool papers and 4 case studies, were carefully reviewed and selected from 240 submissions. The papers were organized in the following topical sections: Part I: AI verification; blockchain and Security; Concurrency; hardware verification and decision procedures; and hybrid and dynamic systems. Part II: model checking; software verification; stochastic systems; and synthesis. *The conference was held virtually due to the COVID-19 pandemic.
The book helps to understand that there is a deep connection between spirituality and science. Science is usually seen as the domain of rationality and objectivity while spirituality hasbeen associated with faith, mysticism and subjective experience. One of the primary ways in which spirituality and science intersect is via the exploration of the nature of spirituality. Both spirituality and science are concerned with understanding the fundamental nature of Universe and our place within it.
Abhishek Gupta Once there was a boy from Mumbai city named Abhishek Gupta. He was good with his convincing power to attract any human being. Juliet Martin There was a girl from San-Diego, U.S.A. She used to live in India. She was one of the finest blonde in US embassy, Indian office. They both went to the same college named ‘Synopsis – The beginning of new generation’. So the story is about their 2 years of M.B.A and the ups and downs they faced together. What will happen after that? Will they get married?
Shyam Benegal is the best known and most prolific contemporary film-maker from India's arthouse or 'New Cinema' tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. Sangeeta Datta demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal's work with his protégés and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Karishma Kapoor and A.R. Rahman.
Stories that Bind: Political Economy and Culture in New India examines the assertion of authoritarian nationalism and neoliberalism; both backed by the authority of the state and argues that contemporary India should be understood as the intersection of the two. More importantly, the book reveals, through its focus on India and its complex media landscape that this intersection has a narrative form, which author, Madhavi Murty labels spectacular realism. The book shows that the intersection of neoliberalism with authoritarian nationalism is strengthened by the circulation of stories about “emergence,” “renewal,” “development,” and “mobility” of the nation and its people. It studies stories told through film, journalism, and popular non-fiction along with the stories narrated by political and corporate leaders to argue that Hindu nationalism and neoliberalism are conjoined in popular culture and that consent for this political economic project is crucially won in the domain of popular culture. Moving between mediascapes to create an archive of popular culture, Murty advances our understanding of political economy through material that is often seen as inconsequential, namely the popular cultural story. These stories stoke our desires (e.g. for wealth), scaffold our instincts (e.g. for a strong leadership) and shape our values.