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Cogan explores the daily life in the five major internment camps held by Japan during its occupation of the Philippines, in which more than five thousand American civilians were held between 1941 and 1945.
“Illuminating.… An eloquent testament to a doomed city and its people.” —The Wall Street Journal In early 1945, General Douglas MacArthur prepared to reclaim Manila, America’s Pearl of the Orient, which had been seized by the Japanese in 1942. Convinced the Japanese would abandon the city, he planned a victory parade down Dewey Boulevard—but the enemy had other plans. The Japanese were determined to fight to the death. The battle to liberate Manila resulted in the catastrophic destruction of the city and a rampage by Japanese forces that brutalized the civilian population, resulting in a massacre as horrific as the Rape of Nanking. Drawing from war-crimes testimony, after-action reports, and survivor interviews, Rampage recounts one of the most heartbreaking chapters of Pacific War history.
This book examines the different means through which Spain has revisited its ex-colony - the Philippines - since 2000. Focusing on several major exhibitions organised in the period 1998-2017, the ‘poetics’ (narratives and meaning) and ‘politics’ (institutional power) of Spanish representations of the Philippines are critically examined. Even though Spain’s intention was to offer a fresh and updated look at the Philippines through the events organised, there was also a tendency to refer to and recreate a colonial past, posing important questions about the continuity of conceptions concerning the old Spanish Empire in the 21st Century. Díaz Rodríguez further analyses Spanish cultural policy concerned with cultural promotion outside Spain and, in particular, in the Philippines. He considers the Spanish official approach to cultural exchange in the Philippines and the consequences of particular intercultural events supported by Spanish institutions in the Philippines. This is evidenced by unique data gathered from a number of interviews conducted by the author with Spanish and Filipino artists and cultural workers. His conclusions contribute to the understanding of the transnational movement of culture, including cultural representation, arts funding, and the links between politics and the arts.