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From the bestselling author of the Bone Collector novels, soon to be an NBC series Five feet two inches of slick repartee, near-purple hair, and poetic imagination, twenty-year-old Rune hasn't been in Manhattan for very long. But she's crafty enough to have found a squatter's paradise in an empty TriBeCa loft, and a video store job that feeds her passion for old movies. It's a passion she shares with her favorite customer, Mr. Kelly, a lonely old man who rents the same video over and over. The flick is a noir classic based on a real-life unsolved bank heist and a million missing dollars. It's called Manhattan Is My Beat. That's the tape Rune is picking up from Mr. Kelly's shabby apartment when she finds him shot to death. The police suspect a robbery gone wrong, but Rune is certain the key to solving the murder is hidden somewhere in the hazy, black-and-white frames of Mr. Kelly's beloved movie. But as Rune hits the mean streets of New York to find answers, she gets caught up in a dangerous adventure more chilling than anything Hollywood could dream up. As her story draws to its terrifying conclusion, Rune's final close-up may include the killer of a co-star.
Dr. Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men. Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room. Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person . . . Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper. Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, Beat the Reaper is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.
The bestselling commentator, hailed for his frank and fearless arguments on race, imparts a scathing look at the hypocrisy of hip-hop—and why its popularity proves that black America must overhaul its politics. One of the most outspoken voices in America’s cultural dialogues, John McWhorter can always be counted on to provide provocative viewpoints steeped in scholarly savvy. Now he turns his formidable intellect to the topic of hip-hop music and culture, smashing the claims that hip-hop is politically valuable because it delivers the only “real” portrayal of black society. In this measured, impassioned work, McWhorter delves into the rhythms of hip-hop, analyzing its content and celebrating its artistry and craftsmanship. But at the same time he points out that hip-hop is, at its core, simply music, and takes issue with those who celebrate hip-hop as the beginning of a new civil rights program and inflate the lyrics with a kind of radical chic. In a power vacuum, this often offensive and destructive music has become a leading voice of black America, and McWhorter stridently calls for a renewed sense of purpose and pride in black communities. Joining the ranks of Russell Simmons and others who have called for a deeper investigation of hip-hop’s role in black culture, McWhorter’s All About the Beat is a spectacular polemic that takes the debate in a seismically new direction.
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they’re true. Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word. From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City. Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.
This instant New York Times bestseller offers a withering view of life on Wall Street from the perspective of an unhappy insider who is too hooked on the money to find a way out, even as his career is ruining his marriage and corroding his soul. It’s 2005. Nick Farmer is a thirty-five-year-old bond trader with Bear Stearns clearing seven figures a year. The novelty of a work-related nightlife centering on liquor, hookers, and cocaine has long since worn thin, though Nick remains keenly addicted to his annual bonus. But the lifestyle is taking a toll on his marriage—and on him. When a nerdy analyst approaches him with apocalyptic prognostications of where Bear’s high-flying mortgage-backed securities trading may lead, Nick is presented with the kind of ethical dilemma he’s spent a lifetime avoiding. Throw in a hot financial journalist who seems to be more interested in him than in the percolating financial Armageddon and the prospect that his own wife may have found a new romantic interest of her own, and you have the recipe for Nick’s personal and professional implosion. By turns hilarious and harrowing, Ghosts of Manhattan follows a winning but flawed protagonist as he struggles to find the right path in a complicated urban heart of darkness
Now a major motion picture, Manhattan Night, starring Adrien Brody, Campbell Scott, Yvonne Strahovski, and Linda Lavin Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when a seductive stranger asks him to dig into the unsolved murder of her husband, he is drawn into a very nasty case of sexual obsession and blackmail--one that threatens his job, his marriage, and his life. Manhattan Nocturne is a brilliantly drawn tableau of the gritty, gaudy city, and a thrilling literary noir.
Jenna Zark is a columnist, lyricist, playwright, and novelist. Her play A Body of Water was published by Dramatists Play Service and produced regionally after its debut at Circle Repertory Company in New York. Other plays were produced in the Twin Cities, Los Angeles, Atlanta, and St. Louis. As a former staff writer at Scholastic Choices magazine, Zark wrote extensively for middle school and junior high students. Columns, poetry, essays, and articles have been published in TC Jewfolk, Stoneboat literary magazine, Minnesota Bride and numerous other publications. Zark is also a member of a lyricist's collective in the Twin Cities that performs at local cabarets. She's still trying to figure out if it's harder to write a play, a novel, or a song. To share your thoughts on that or to learn more, please visit jennazark.com.
The first Rune mystery.
Up close and personal—with her bodyguard! It seems mayor's daughter Miranda Kravitz has scored herself a new and very dreamy bodyguard! Apparently the fireworks between them are scorching, but will this tabloid darling really be willing to give up her newfound taste for freedom—no matter how gorgeous Tyler Brannigan is? Rumor has it Brannigan hates playing by the rules and has used up all his strikes with the NYPD vice squad. So now this cop's paying his dues with a temporary assignment as babysitter. If anyone can keep this Manhattan princess in check, surely it's this tough-guy detective? Hopefully handcuffs won't be necessary!
Do you see ghosts? Photographer Abner Cray arrives in Manhattan to begin work on an illustrated book of the city. However he finds that Art, the owner of the flat he is staying in, has gone missing, leaving behind a beguiling and sensuous young lady called Phyllis Pellaprat to whom he's instantly attracted. Soon Abner is deeply involved with Phyllis and is wholly unprepared for the revelation that Art is actually wanted for her murder - an event which took place some time earlier. When Phyllis disappears, Abner wanders the streets, and he sees what appear to be disaffected and strangly acting people everywhere - hailing taxis, selling puppies on street corners, pushing baby carriages, and he starts to suspect ... This classic novel was first published nearly twenty-five years ago: it's a hypnotic, spooky page-turner that is by turns a terrifying slide into madness and an effective love story. "T M Wright is a rare and blazing talent." Stephen King "Wright convincingly proves that he understands, as few do, how to give a scare without spilling blood all over the page." Publishers Weekly "T M Wright is the best ghost story writer alive today." American Fantasy Magazine