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"What I found most enjoyable about this novel is that it steers clear of stereotypes about Indian immigrant families. The Bhaves and the Moghes are refreshingly different from some families that inhabit the world of diasporic fiction. There are no daughters being threatened with arranged marriages, no authoritarian parents, and no weepy sentimentality about the land left behind."-(Nalini Iyer, on SAWNET Book Pages) "This is the story of two families that not only dive deep into dangerous waters, but surface and live to tell the tale."-(Michelle Reale in Rain Taxi Online) "A hymn to the joys and sorrows of family, in the best, most inclusive sense of the word." Andreas Schroeder
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.
The Mango Tree and Other Stories is an original collection of children's stories that emphasizes life lessons and morals. Each tale discusses an important aspect of childhood and how a child might come to understand it. Young readers will be able to easily relate to the honest and innocent characters, and enjoy the situations those characters find themselves in. The lessons they will learn comprise an important part of growing up.
Asian American literature dates back to the close of the 19th century, and during the years following World War II it significantly expanded in volume and diversity. Monumental in scope, this encyclopedia surveys Asian American literature from its origins through 2007. Included are more than 270 alphabetically arranged entries on writers, major works, significant historical events, and important terms and concepts. Thus the encyclopedia gives special attention to the historical, social, cultural, and legal contexts surrounding Asian American literature and central to the Asian American experience. Each entry is written by an expert contributor and cites works for further reading, and the encyclopedia closes with a selected, general bibliography of essential print and electronic resources. While literature students will value this encyclopedia as a guide to writings by Asian Americans, the encyclopedia also supports the social studies curriculum by helping students use literature to learn about Asian American history and culture, as it pertains to writers from a host of Asian ethnic and cultural backgrounds, including Afghans, Chinese, Japanese, Koreans, Filipinos, Iranians, Indians, Vietnamese, Hawaiians, and other Asian Pacific Islanders. The encyclopedia supports the literature curriculum by helping students learn more about Asian American literature. In addition, it supports the social studies curriculum by helping students learn about the Asian American historical and cultural experience.
From a writer acclaimed for her “probing, idiosyncratic intelligence and emotional generosity” (Calgary Herald), comes a deeply imagined novel that takes us into the lives of devoted twin sisters and their world of opposites, doppelgängers and ghosts. Jane and Eugenie Ingrams are mirror-image twins, and thus exact opposites. Halves of a whole, they are inseparable, each understanding her world through the other. But when Lucy, their artistic mother, moves her daughters from Deep River to Toronto (leaving behind a bewildered husband), she finds she can’t entirely escape the remains of their troubled marriage. Eugenie thrives in the jumble of urban life, but Jane is sickened by its underside: the mess of lost souls who live on the streets, the garbage, the noise and the violence. When their father eventually seeks them out, Jane is relieved for the chance to go back to Deep River. Eugenie agrees to return for the sake of her beloved sister -- a soon-to-be-tragic concession. Years later, Jane is a writer in Vancouver, living with her lover, Simon, a gifted illustrator. Although troubled by her past, she finds solace (and commercial success) in the rich, fabulist tales she and Simon create -- which are expertly woven throughout the book -- tales of people born with extraordinary qualities: horns, the gift of prophesy, spiderweb hair or unquenchable thirst. Wondrous, inventive and brimming with charm, The Perpetual Ending is an exploration of love and artistry that shows the world as a whole, in all its grotesqueness and beauty. And it uncovers the surprising ways we sometimes arrive at the heart of one story through the telling of others.
Widely hailed as one of the most influential cookbooks of all time, this is the timeless classic guide to culinary creativity and flavor exploration, based on the wisdom of the world's most innovative chefs Eight years in the making, The Flavor Bible is a landmark book that has inspired the greatest creations of innovative cooks and chefs by serving as an indispensable guide to creativity and flavor affinities in today's kitchen. Cuisine is undergoing a startling historic transformation: With the advent of the global availability of ingredients, dishes are no longer based on geography but on flavor. This radical shift calls for a new approach to cooking -- as well as a new genre of "cookbook" that serves not to document classic dishes via recipes, but to inspire the creation of new ones based on imaginative and harmonious flavor combinations. The Flavor Bible is your guide to hundreds of ingredients along with the herbs, spices, and other seasonings that will allow you to coax the greatest possible flavor and pleasure from them. This astonishing reference distills the combined experience of dozens of America's most innovative culinarians, representing such celebrated and transformative restaurants as A Voce, Blue Hill, Café Atlántico, Chanterelle, Citronelle, Gramercy Tavern, the Herbfarm, Jardinière, Jean Georges, Le Bernardin, the Modern, and the Trellis. You'll learn to: explore the roles played by the four basic tastes -- salty, sour, bitter, and sweet -- and how to bring them into harmony; work more intuitively and effectively with ingredients by discovering which flavors have the strongest affinities for one another; brighten flavors through the use of acids -- from vinegars to citrus juices to herbs and spices such as Makrut lime and sumac; deepen or intensify flavors through layering specific ingredients and techniques; and balance the physical, emotional, mental, and spiritual aspects of cooking and serving an extraordinary meal. Seasoned with tips, anecdotes, and signature dishes from the country's most respected chefs and pastry chefs, The Flavor Bible is an essential book for every kitchen library. For more inspiration in the kitchen, look for The Vegetarian Flavor Bible andKitchen Creativity.
This book highlights a variety of approaches to the study of contemporary India and offers a transnational, gender and social research perspective on the concepts of Indian tradition, the representation of the Indian diaspora and the emergent political activisms in India. The contributions suggest questions and answers about the various temporal and spatial loci inherent to India and its gender and ethnic differences. The volume analyses different cultural texts, and explores how they refer to equality and interculturality or promote discourses of fear and racism. The multiple viewpoints and analyses found in this volume will broaden and stimulate both upcoming outcomes and studies on the future of India.
South Asian diasporas can be considered transcultural legacies of colonialism, while constituting transcultural forms of postcolonial reality in today’s globalised world. The main focus of investigation here is South Asian women’s fiction, where diverse forms of identity negotiation undertaken by the protagonists in a number of contemporary novels (from the 1990s to the early 2000s) are read as transgressions. The themes of early gendered experiences of South Asian indentured labour migration, female genealogies and transmissions of cultural heritages down female lines, as well as negotiations of patriarchal violence, are read using a framework culled from postcolonial and feminist criticism. The literary representations of South Asian diasporic female experience in these texts are forms of commentary and critique by contemporary South Asian diasporic women writers. Hence these novels can be viewed as feminist strategies of textual creativity with distinct political aims of presenting transformative narratives addressing the tensions of diaspora and patriarchy. This book is intended to contribute to the current spectrum of academic work being done in diaspora studies, in that it brings together the concepts of diaspora, transculturality, contemporary women’s writing and transnational feminist critical approaches to bear on South Asian women’s diasporic literature. Contrary to the celebratory notion of the concept in much theory, transculturality, as represented in these texts, is fraught with ambivalence.
Cultural Grammars of Nation, Diaspora, and Indigeneity in Canada considers how the terms of critical debate in literary and cultural studies in Canada have shifted with respect to race, nation, and difference. In asking how Indigenous and diasporic interventions have remapped these debates, the contributors argue that a new “cultural grammar” is at work and attempt to sketch out some of the ways it operates. The essays reference pivotal moments in Canadian literary and cultural history and speak to ongoing debates about Canadian nationalism, postcolonalism, migrancy, and transnationalism. Topics covered include the Asian race riots in Vancouver in 1907, the cultural memory of internment and dispersal of Japanese Canadians in the 1940s, the politics of migrant labour and the “domestic labour scheme” in the 1960s, and the trial of Robert Pickton in Vancouver in 2007. The contributors are particularly interested in how diaspora and indigeneity continue to contribute to this critical reconfiguration and in how conversations about diaspora and indigeneity in the Canadian context have themselves been transformed. Cultural Grammars is an attempt to address both the interconnections and the schisms between these multiply fractured critical terms as well as the larger conceptual shifts that have occurred in response to national and postnational arguments.
This anthology is a voluminous compendium of 37 unique and meticulously crafted chapters, each analysing a separate text by a pioneering Indian diaspora writer, with no repetition of authors or texts. This enhances the analytical depth and diversity of this unique anthology. Within these chapters, a carefully curated and evocative array of diverse themes and concerns addressed by these writers unfolds, offering a comprehensive exploration of the diasporic literary terrain. Assimilation and acculturation in the host country, as well as repatriation in the native country, can be challenging issues for the immigrants who have lived abroad for many years. These chapters attempt to elucidate the distinctive mosaic of themes, motifs, and perspectives embedded in the selected works of Indian diaspora writers. Unlike similar anthologies, this compilation is a painstaking, granular exploration of the literary oeuvre of Indian diaspora writers, highlighting an eclectic mix of genres and remarkable diaspora experiences. In an era characterised by increased migration and cultural hybridity, this anthology is an essential read for scholars, researchers, faculty members, students, and all connoisseurs of literature alike.