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DigiCat Publishing presents to you this special edition of "The Mandarin's Fan" by Fergus Hume. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Ming drama represents the classical Chinese theatre at its most mature. Between 1368 and 1644, more than 400 playwrights produced over 1500 plays, ranging from one-act skits to works with 50 scenes or more. As a performing art, Ming theatre includes polished singing, enchanting music, fantastic plotting, and intricate choreography.
Prefiguring the vital modernist voices of the Western literary canon, Akutagawa writes with a trenchant psychological precision that exposes the shifting traditions and ironies of early twentieth-century Japan and reveals his own strained connection to it. These stories are moving glimpses into a cast of characters at odds with the society around them, singular portraits that soar effortlessly toward the universal. "What good is intelligence if you cannot discover a useful melancholy?" Akutagawa once mused. Both piercing intelligence and "useful melancholy" buoy this remarkable collection. Mandarins contains three stories published in English for the first time: "An Evening Conversation," "An Enlightened Husband," and "Winter."
From the Records of Secret Agent “X” comes Curse of the Mandarin’s Fan (1938) written by G.T. Fleming-Roberts writing as Brant House. Chang was the lord of the Chinese underworld and Lim Toy was the goddess of the opium dens. Secret Agent X had no choice but to descend into the catacombs of the dragon. Curse Of The Mandarin’s Fan (1938) – Chang, Lord of Chinatown’s secret catacombs, ruler of an empire of hell—held the dire curse of a fan of evil. And the blood of the innocent was shed with the blood of the guilty . . . And even Secret Agent X, nemesis of master criminals, found himself hopelessly entangled in the mad vortex of crime’s rival kings. Chapter I – Queen of the Black Smoke Chapter II – Room of Sudden Sleep Chapter III – The Curse of Chang Chapter IV – The Brass Boot Chapter V – Death of Strange Design Chapter VI – Blue Madness Chapter VII – Master of Agony
A grand tale of intrigue in nineteenth-century China, where imperial rule is crumbling as the Opium Wars and Taiping Rebellion rage, from the author of Manchu. Loyalty is put to cruel test in Shanghai, where Jewish merchant Saul Haleevie and his longtime Chinese partner, Aisek Lee, have weathered hardship and distrust to build a thriving business. When Aisek is falsely accused of “abomination” for causing his mother’s suicide, their world is shattered. Now, Saul must save his friend no matter the cost, navigating a brutal and corrupt penal system that could bring about his own ruin as well. Meanwhile, the quest for true love governs the fate of Saul’s wayward daughter, Fronah. Consorting with the Westerners now thronging Shanghai but truly comfortable only in her Jewish-Asiatic identity, she ends up destroying one man and confounding another. Love and deception also entwine in the imperial palace, where the “Virtuous Concubine” Yehenala contrives to bear the opium-eating, syphilitic Hsien Feng emperor’s only son, thus laying the foundation for her elevation to the pinnacle of command in China as the formidable empress dowager. She wins the power battle, but it is beyond her to win the war, for by then China faces not just the collapse of another imperial dynasty, but the end of the millennial imperial system of rule, threatening the lives and loves of all. This compelling saga of nineteenth-century China is filled with “intricate shuttlecock diplomacy, ceremonial/battle action, family saga/romance—all polished to an entertaining high gloss” (Kirkus Reviews).
The TPS Frequency Dictionary of Mandarin Chinese is not just another character frequency based dictionary. It has been designed to provide students with a guide for learning new characters, words, and phrases gradually, building upon characters already familiar. The entries have been arranged according to a Triple Progression System in which words are grouped first by character frequency, then by word frequency, and filtered so that new words and phrases appear only after all of their component characters have been introduced.
One prominent function of natural language is to convey information. One peculiarity is that it does not do so randomly, but in a structured way, with information structuring formally recognized to be a component of grammar. Among all information structuring notions, focus is one primitive needed to account for all phenomena. Focus Manifestation in Mandarin Chinese and Cantonese: A Comparative Perspective aims to examine from a semantic perspective how syntactic structures and focus adverbs in Mandarin Chinese and semantic particles in Cantonese conspire to encode focus structures and determine focus manifestation in Chinese. With both as tonal languages, Mandarin Chinese and Cantonese manifest different morpho-syntactic configurations to mark focus. A general principle governing focus marking in Mandarin Chinese and Cantonese is given in the book, which aims to give a better understanding on the underlying principles the two used to mark additive and restrictive meanings, and related focus interpretations. Particular attention is also drawn to the co-occurrence of multiple forms of restrictive and additive particles in Cantonese, including adverbs, verbal suffixes and sentence-final particles. Linearity has shown to be an important parameter to determine how focus is structured in Cantonese. This book is aimed at advanced graduate students, researchers and scholars working on Chinese linguistics, syntax and semantics, and comparative dialectal grammar.