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A rich and fascinating ethnography of domestic architecture and activities among the high caste Chhetris of Kholagaun in Nepal, this book focuses on the spatial organization, everyday activities and ritual performances that generate and display Chhetri houses as 'mandalas', sacred diagrams that are both maps of the cosmos and machines for revelation. Describing the orientation and layout of the Chhetri house and surrounding compound; it shows how the orientation and distribution of everyday social activities with the domestic mandala shape people's experience of the enigmas of their lifeworld as householders; and analyses the double significance of rituals that take place in the domestic mandala. By treating the Nepali house as more than just the background of people's everyday life, the author reveals the Chhetri everyday lifeworld as a revelation of Hindu tantric cosmology, its enigmatic illusion, and the path to liberation from it. The themes addressed in the book make a unique contribution to the fields of anthropology, architecture and human geography.
"The volume thoroughly examines the origins and principal types of Buddhist architecture in Asia primarily between the third century BCE-twelfth century CE with an emphasis on India. It aims to construct shared architectural traits and patterns alongwith the derivative relationships between Indian and Asian Buddhist monuments. It also discusses the historical antecedents in the Indus Civilization and the religious and philosophical foundations of the three schools of Buddhism and its founder, Buddha. Previously obscure topics such as Aniconic and Vajrayana (Tantric) architecture and the four holiest sites of Buddhism will also be covered in this comprehensive volume. The author further investigates the influences of Buddhist architecture upon Islamic, Christian, and Hindu architecture that have been overlooked by past scholars."
The authors writings are based on his lecture series presented in 1968 at Yale University called “Architecture: The Making of Metaphors” which was then published in part in Main Currents in Modern Thought, then in many other journals including research into the works of Paul Weiss, Andrew Ortony, David Zarefsky and W. J. J. Gordon.
“Utopia” is a word not often associated with the city of Bangkok, which is better known for its disorderly sprawl, overburdened roads, and stifling levels of pollution. Yet as early as 1782, when the city was officially founded on the banks of the Chao Phraya river as the home of the Chakri dynasty, its orientation was based on material and rhetorical considerations that alluded to ideal times and spaces. The construction of palaces, monastic complexes, walls, forts, and canals created a defensive network while symbolically locating the terrestrial realm of the king within the Theravada Buddhist cosmos. Into the twentieth century, pictorial, narrative, and built representations of utopia were critical to Bangkok’s transformation into a national capital and commercial entrepôt. But as older representations of the universe encountered modern architecture, building technologies, and urban planning, new images of an ideal society attempted to reconcile urban-based understandings of Buddhist liberation and felicitous states like nirvana with worldly models of political community like the nation-state. Bangkok Utopia outlines an alternative genealogy of both utopia and modernism in a part of the world that has often been overlooked by researchers of both. It examines representations of utopia that developed in the city—as expressed in built forms as well as architectural drawings, building manuals, novels, poetry, and ecclesiastical murals—from its first general strike of migrant laborers in 1910 to the overthrow of the military dictatorship in 1973. Using Thai- and Chinese-language archival sources, the book demonstrates how the new spaces of the city became arenas for modern subject formation, utopian desires, political hegemony, and social unrest, arguing that the modern city was a space of antinomy—one able not only to sustain heterogeneous temporalities, but also to support conflicting world views within the urban landscape. By underscoring the paradoxical character of utopias and their formal narrative expressions of both hope and hegemony, Bangkok Utopia provides an innovative way to conceptualize the uneven economic development and fractured political conditions of contemporary global cities.
• What is the relation between Vaastu Shastra and Panchatavas - VAASTUTATVA • How is ‘TIME’ calculated in Vedic context – CHOUGHADIYAS • What are the Vedic Mantras for the nine Planets - ASTROLOGY • What are the ‘7’ Gemstones for ‘7’ days of the week – GEMOLOGY • Why do we call our palm – the mirror of our ‘LIFE’ - PALMISTRY • How are your inner & outer personality numbers calculated - NUMEROLOGY • What is Colour Therapy – CHROMOTHERAPY SAPTAGYANAM acquaints the reader with the ‘7’ Introductory topics about the universal HOLISTIC HEALTH APPROACHES practiced worldwide through ages as an alternate remedial measure for minimizing the cause and effects from natural energy of the cosmos, directly impacting the human existence, based on thought-full study contents, unfolding curiosities and interpretation leading to conclusions. For E.g.: - VAASTUTATVAH explains the influences of the PANCHATAVAHAS and the combined effect of Cosmic energies on the inhabitants and the placement of the structure (building environment) along with its surrounding with respect to the various materials used and the elements placed in the house needed for creating a conducive and peace full living environment. SAPTAGYANAM redresses this holistic medical approach to healing through THE ‘PGR’ MEASURES - (The Preventive, Guiding, and Remedial Measures) for achieving life balance and resolving human nature's search for optimal health, wellness, and well-being. The Special feature - TABULATED FORMATS – (TF) are brief contents in table form - to give readers at a glance the entire summary and highlighted important points of each chapter, directing to an entirely different perspective to know, understand, and analyse the subject matter with much better understanding and clarity at a glance.
Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Through this work, architecture may be seen and understood in a new light, by professionals as well as non-professionals. Volume I covers architecture from antiquity through Egyptian, Mayan, Greek, Roman, Medieval, Inkan, Gothic and early Renaissance eras and styles. The themes that are covered range from symbolism and proportion to measurement and structural stability. From Europe to Africa, Asia and South America, the chapters span different countries, cultures and practices.
Eight essays challenge the tendency of previous studies of non-western architecture to pursue singular identities and to glorify pasts.
This book explores the function of buildings for worship, shrines and pilgrimage centers, and the part they play in the lives of individuals and the community, while also recognizing that "sacred place" is not defined as architectural buildings.
Both beautiful and enlightening, these 100 mandalas are among the most significant in history, derived from both nature and the world's great spiritual traditions. With each mandala comes detailed background information, as well as a suggested meditation to use as you colour it in.