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What does it take to be a “real” man? You don’t have to be perfect to be a man of God. As Dr. Charles Stanley writes, a man of God is a maturing man, a striving man, a knowledgeable man. And the first step in real manhood is spiritual rebirth. In Man of God, Dr. Stanley asks and answers questions such as these: What can we learn about manhood from Jesus’s example?How does a true leader allow God to lead him?Why is a godly man “both velvet and steel”?What does it look like to be a provider?What does it mean to lead with sensitivity? Man of God will challenge and equip you to become a better leader, teacher, father, and husband. What makes a man? The answer starts here. Includes study guide for individuals or groups.
She came to him as a precious gift, a naked angel rolled in a rug. Once he gazed into her green eyes, saw her tangle of honey blonde hair, he was undone with passion. Elizabeth would never surrender. He was a hated Montgomery -- she was a Chatworth -- and the blood war between their families raged on, a wildfire of rape, murder, and betrayal. Elizabeth vowed to fight the handsome lord, to resist the burning desire in his eyes -- no matter how great the temptation.
From the international bestselling author of The Lost Wife and The Garden of Letters, comes a story—inspired by true events—of two women pursuing freedom and independence in Paris during WWII. As Paris teeters on the edge of the German occupation, a young French woman closes the door to her late grandmother’s treasure-filled apartment, unsure if she’ll ever return. An elusive courtesan, Marthe de Florian cultivated a life of art and beauty, casting out all recollections of her impoverished childhood in the dark alleys of Montmartre. With Europe on the brink of war, she shares her story with her granddaughter Solange Beaugiron, using her prized possessions to reveal her innermost secrets. Most striking of all are a beautiful string of pearls and a magnificent portrait of Marthe painted by the Italian artist Giovanni Boldini. As Marthe’s tale unfolds, like velvet itself, stitched with its own shadow and light, it helps to guide Solange on her own path. Inspired by the true account of an abandoned Parisian apartment, Alyson Richman brings to life Solange, the young woman forced to leave her fabled grandmother’s legacy behind to save all that she loved.
Wanderlust is the story of Audrey Driscoll. Orphaned young, Audrey has grown up caring for her eccentric millionaire grandfather and her demanding younger sister, Annabelle, who assume she will always be there for them. Sheltered yet restless, responsible beyond her years yet hungering for experience, Audrey is hopelessly bound until she herself makes the daring decision to leave. As the 1930s unfold, alone, camera in hand, she will shock friends and outrage family as she plunges headlong into the wider world. Crossing the Atlantic aboard the luxurious Queen Mary, Audrey meets James and Violet Hawthorne, who will draw her into a sophisticated circle of artists and expatriates. And it is they who will introduce her to Charles Parker-Scott, in who Audrey will come to recognize a twin soul, a man propelled by relentless curiosity and driven by conflicting needs for intimacy and independence. Together they will spend an exquisite summer at Cap d'Antibes, then board the Orient Express on an adventure that will carry them to a remote outpost in China. But at the farthest reaches of this journey Aubrey must choose again. Japan has attacked China. Charles knows he must return to Europe at once. But Audrey becomes involved with a besieged orphanage and decides to remain in China without Charles, caring for the abandoned children until help arrives. In time Audrey will return to America with a daughter of her own. While she must come home to San Francisco to confront a world irrevocably changed by time, she finds she cannot stay. From prewar Germany to London during the Blitz, from a wrenching reunion with Charles to a war zone in North Africa, again and again she must choose between the dictates of her conscience and the yearnings of her heart. For Audrey Driscoll and the men and women whose lives touch hers, wanderlust is the inescapable element. Born at a time when women were expected to stay close to home and fulfill traditional roles, Audrey is compelled to follow the thread of events that will destroy the complacency of the past and shape the future. From Europe to China, from San Francisco to North Africa, she is irresistibly drawn into a man's world of conflict, discovery, and danger. In a vivid novel of breathtaking scope, Danielle Steel has once again surpassed herself in creating an unforgettable tale of men and women caught in the tides of personal drama and historic event. Wanderlust is Danielle Steel's finest journey.
In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel."
Marquis Smith is from North Philly, he grew up in a good household with everything he needed. He was a straight A student who loved boxing. Due to the lack of fatherhood Marquis began fighting for his father's love. Marquis was a good kid with the heart of a lion and a protector by nature. What he thought was simply utilizing his boxing skills soon escalated into violence. After the death of a close friend Marquis takes matters into his own hands. The will power to handle a gun was like a drug causing him to lose sight of who he truly was and begin acting out because of pain. It soon led him down a dark path resulting in him getting shot 17 times, going to jail and losing friends who were like brothers. In 2012 the birth of his son changed all that. Through his obstacles Marquis still fights to become the man his son and family desires him to be. It is easy to get in the streets but not so easy to leaveThat is why he is STEEL BORN!
From the oyster huts of Whitstable to the music halls of Victorian London, Tipping the Velvet is the glorious first novel from this much-loved author 'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.' A saucy, sensuous and multi-layered historical romance, Tipping the Velvet follows the glittering career of Nan King - oyster girl turned music-hall star turned rent boy turned East End 'tom'. 'Erotic and absorbing... Written with startling power' New York Times Book Review 'An unstoppable read, a sexy and picaresque romp through the lesbian and queer demi-monde of the roaries Nineties' Independent on Sunday 'Waters is an extremely confident writer, combining precise, sensuous descriptions with irony and wit' Observer
After arriving in a warped version of 19th-c entury Paris, the Doctor is arrested. Something is very wron g with this Paris - not least the fact that the sinister fig ure holding the city in his power is the son of the infamous Marquis de Sade. '