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The autobiography of Eugene Jolas, available for the first time nearly half a century after his death in 1952, is the story of a man who, as the editor of the expatriate American literary magazine transition, was the first publisher of James Joyce's Finnegans Wake and other signal works of the modernist period. Jolas's memoir provides often comical and compelling details about such leading modernist figures as Joyce, Stein, Hemingway, Breton, and Gide, and about the political, aesthetic, and social concerns of the Surrealists, Expressionists, and other literary figures during the 1920s and 1930s. Man from Babel both enriches and challenges our view of international modernism and the historical avant-garde. Born in New Jersey of immigrant parents, Jolas moved back to France with them at the age of two. He grew up in the borderland of Lorraine and later lived in Paris, Berlin, London, and New York, where he pursued a career as a journalist and aspiring poet. As an American press officer after the war, Jolas was actively involved in the denazification of German intellectual life. A champion of the international avant-garde, he continually sought translinguistic, transcultural, and suprapolitical bridges that would transform Western culture into a unified continuum. Compiled and edited from Jolas's drafts and illustrated with contemporary photographs, this memoir not only reveals the multicultural concerns of the man from Babel, as Jolas saw himself, but also illuminates an entire literary and historical era.
The incredible final book in the phenomenon fantasy series described as “future classics" follows one man's dangerous journey through a labyrinthine world and the mysteries he uncovers along the way. (Los Angeles Times). "Josiah Bancroft is a magician. His books are that rare alchemy: gracefully written, deliriously imaginative, action packed, warm, witty, and thought provoking." —Madeline Miller, New York Times bestselling author of Circe As Marat's siege engine bores through the Tower, erupting inside ringdoms and leaving chaos in its wake, Senlin can do nothing but observe the mayhem from inside the belly of the beast. Caught in a charade, Senlin desperately tries to sabotage the rampaging Hod King, even as Marat's objective grows increasingly clear. The leader of the zealots is bound for the Sphinx's lair and the unimaginable power it contains. In the city under glass at the Tower's summit, Adam discovers a utopia where everyone inexplicably knows the details of his past. As Adam unravels the mystery of his fame, he soon discovers the crowning ringdom conceals a much darker secret. Aboard the State of Art, Edith and her crew adjust to the reality that Voleta has awoken from death changed. She seems to share more in common with the Red Hand now than her former self. While Edith wars for the soul of the young woman, a greater crisis looms: They will have to face Marat on unequal footing and with Senlin caught in the crossfire. And when the Bridge of Babel is finally opened, and the Brick Layer's true ambition revealed, neither they nor the Tower will ever be the same again. Also by Josiah Bancroft: The Books of Babel Senlin Ascends Arm of the Sphinx The Hod King The Fall of Babel
A poignant and beautiful debut novel explores a man's quest to unravel the mystery of his wife's death with the help of the only witness -- their Rhodesian ridgeback, Lorelei.
A visionary retelling of the story of the Tower of Babel. . . More than a century after the worldwide flood, Noah, now the forefather of the living world, works peacefully in his vineyard until tragedy tears apart his relationship with his son, Ham. Years later, dark prophetic dreams inextricably link him with a young man carrying scars from a painful past, and a young woman who longs for acceptance yet harbors secrets darker than either of them imagine. Will Noah face the role he played in the slow unraveling of his family? Or will everything collapse when they meet the evil attempting to swallow the world at. . . the tower of Babel?
The autobiography of Eugene Jolas, available for the first time nearly half a century after his death in 1952, is the story of a man who, as the editor of the expatriate American literary magazine transition, was the first publisher of James Joyce's Finnegans Wake and other signal works of the modernist period. Jolas's memoir provides often comical and compelling details about such leading modernist figures as Joyce, Stein, Hemingway, Breton, and Gide, and about the political, aesthetic, and social concerns of the Surrealists, the Expressionists, and other literary figures during the 1920s and 1930s. Man from Babel both enriches and challenges our view of international modernism and the historical avant-garde.
A wonderful retelling of and new insight ino the familiar biblical tales in wonderfully rich and telling language (a delight in itself), written by the nineteenth-century American author Roark Bradford. For a while devalued due to its supposedly demeaning and patronising use of 'blackie' speech, it is now recognised as a serious contribution to American literature. As later adapted by Marc Connelly it forms the original text for the successful ( but in some views less robust) play Green Pastures.
A comprehensive cultural history of the language sciences in nineteenth-century Germany. In contrast to fields like anthropology, the history of linguistics has received remarkably little attention outside of its own discipline despite the undeniable impact language study has had on the modern period. In Babel's Shadow situates German language scholarship in relation to European nationalism, nineteenth-century notions of race and ethnicity, the methodologies of humanistic inquiry, and debates over the interpretation of scripture. Author Tuska Benes investigates how the German nation came to be defined as a linguistic community and argues that the "linguistic turn" in today's social sciences and humanities can be traced to the late eighteenth century, emerging within a German tradition of using language to critique the production of knowledge. In this volume, Benes suggests that nineteenth-century philologists interpreted language as evidence of ethnic descent and created influential myths of cultural origin around the perceived starting points of their mother tongue. She argues that the origin paradigm so prevalent in German linguistic thought reinforced the historical and ethnic focus of German nationhood, with important implications for German theologians, cultural critics, philosophers, and racial theorists. In Babel's Shadow also contextualizes the importance of linguistics to modern cultural studies by arguing that the cultural significance attributed to language in twentieth-century French philosophy dates to the late eighteenth century and has clear precedents in theology. Benes links the German tradition of reflecting on the autonomous powers of language to the work of the fathers of structuralist and poststructuralist thought, Ferdinand de Saussure and Friedrich Nietzsche. In Babel's Shadow makes clear that comparative philology helped make language an important model and informing metaphor for other modes of thinking in the modern human sciences. Cultural and intellectual historians, scholars of German language and literature, and linguists will enjoy this illuminating volume.