Download Free Mama Sappho Book in PDF and EPUB Free Download. You can read online Mama Sappho and write the review.

MAMA SAPPHO: Poems de Sabor a Caló, is a collection of poetry written during the 1970s by a X(x)icanX(x) lesbiana Osa-T. Osa Hidalgo de la Riva-, between the ages of her teen years and early twenties. Originally, the manuscript was entitled WITH POEMS as GUNS, and was performed on tour with her lesbiana poet sister Liz at some of the first battered women's shelters, women's cafés and bookstores throughout Aztlán, the U.S. Southwest. After their tour, both sisters completed their Bachelor of Arts Degrees in Psychology, and Dr. Osa Bear went on to complete her first (of three) Master of Arts Degree with this collection as her written creative master's thesis in May 1980. Published in book form 38 years later, MAMA SAPPHO includes also the author's Poetic Afterword, an essay that reads as fierce manifesto. A truly timeless-or time-expansive-collection, MAMA SAPPHO could have read as contemporary poetry in any of the four decades it has traversed since taking its thesis form, and will surely read as such in the four decades to come.
In this finely drawn portrait, Sappho of Lesbos narrates her extraordinary life, from her childhood in war-torn Mitylene to her later relentless search for passionate love. Driven by the all-consuming fever of her Muse-inspired poetic gift, Sappho leads the reader on a journey that is at once turbulent and divine, desperate and sensuous. With breathtaking lucidity and great leaps of imagination, Nancy Freedman shows us a Sappho we have never known -- and one we will never forget. The toast of kings for her verse, Sappho was also a shrewd businesswoman, an educator, an advocate of women's equality, and a rebel who was banished from her island home. Remembering her solely as a lesbian icon reveals only one aspect of her multifaceted personality. Here, finally, Nancy Freedman gives us the complete Sappho. She was arguably the most accomplished lyric poet of the ancient world, but her writing was all but destroyed by the early Church. Only in this century have fragments been uncovered, so that we too may glimpse the force of this strangely enigmatic woman. Contradictory in nature, she inspired equally passionate adoration and loathing; her fame brought her a series of obsessive loves. Her relations with women are well known, but it was for the love of a man that she set sail to face her destiny.
Winner, Best Multiauthor Nonfiction Book, International Latino Book Awards, 2019 With contributions from a wide array of scholars and activists, including leading Chicana feminists from the period, this groundbreaking anthology is the first collection of scholarly essays and testimonios that focuses on Chicana organizing, activism, and leadership in the movement years. The essays in Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era demonstrate how Chicanas enacted a new kind of politica at the intersection of race, class, gender, and sexuality, and developed innovative concepts, tactics, and methodologies that in turn generated new theories, art forms, organizational spaces, and strategies of alliance. These are the technologies of resistance documented in Chicana Movidas, a volume that brings together critical biographies of Chicana activists and their bodies of work; essays that focus on understudied organizations, mobilizations, regions, and subjects; examinations of emergent Chicana archives and the politics of collection; and scholarly approaches that challenge the temporal, political, heteronormative, and spatial limits of established Chicano movement narratives. Charting the rise of a field of knowledge that crosses the boundaries of Chicano studies, feminist theory, and queer theory, Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era offers a transgenerational perspective on the intellectual and political legacies of early Chicana feminism.
In Sappho, Jonathan Goldberg takes as his model the fragmentary state in which this sublime poet's writing survives, a set of compositional and theoretical resources for living and thinking in more fully erotic ways in the present and the future. This book thus offers fragmentary commentary on disparate (Sapphic) works, such as the comics of Alison Bechdel, the paintings and cartoons of Leonardo da Vinci, Robert Reid-Pharr's "Living as a Lesbian," Madeleine de Scudéry's Histoire de Sapho, John Donne's "Sapho to Philaenis," Todd Haynes and Patricia Highsmith's Carol, Virginia Woolf's Orlando, writings by Willa Cather, and the paintings and writings of Simeon Solomon, among other works. Goldberg challenges readers to imagine and experience what Sarah Orne Jewett named the "country of our friendship," a love both exceedingly strange and compellingly familiar. Just as Sappho's coinage "bitter-sweet" describes eros as inextricably contradictory - two things at once, one thing after another, each interrupting, complicating, each other - the juxtapositions in this book mean to continually call into question categories of identity and identification in the wake of a quintessential woman writer from Lesbos. Over and over again, Goldberg's Sappho: ]fragments inquires into how race, sexuality, and gender cross each other. The theoretical genius of Eve Kosofsky Sedgwick presides over this set of meditations and mediations on likeness and desire. Rather than homogenizing its many subjects, it invites the reader to explore and inhabit new transits within and through what Audre Lorde called "the very house of difference." With an Afterword, "After-Party: Sappho Meets Freud," written by L.O. Aranye Fradenburg Joy.
Diane Rayor's graceful translations and André Lardinois's thorough introduction and notes present the best combination of intelligibility, information, and poetry.
To Save An Innocent Woman, She Must Break All The Rules Bounty hunter Jinx Ballou’s world is spiraling down the drain. Racked with grief and on a reckless, drunken bender, she has alienated herself from everyone she loves. Only when she’s hired to apprehend a fugitive who is a fellow transgender woman does she pull her act together. After learning her fugitive is being framed by a legal system hostile to trans women, Jinx joins the woman’s biker gang to prove her innocence. But doing so not only further jeopardizes Jinx’s flagging career, but puts her and the bikers in a desperate fight to the death with the actual killer. Can Jinx prove the woman's innocence while also salvaging what's left of her career? A Broken Woman is the third book in the Jinx Ballou Bounty Hunter crime thriller series. If you enjoy page-turning suspense, shocking plot twists, and crime novels where trans women are the heroes rather than the villains, you’ll love Dharma Kelleher’s exciting thrill-ride. Buy A Broken Woman and join Jinx on this thrill-a-minute ride through Arizona's mean streets and unforgiving desert. “Dharma Kelleher’s A Broken Woman delivers a high-octane, blood-pumping story of justice, any way it can be had. Jinx Ballou is three parts ticking explosive, one part tender protector of friends and all those who deserve better than what they’ve been handed.” – Lori Rader-Day, Anthony Award-winning author of The Day I Died “I love a book where crisis after crisis are thrown at the hero and you’ve got that in spades with the latest Jinx Ballou thriller, A Broken Woman.” – Simon Wood, USA TODAY Bestselling Author of The One That Got Away “Dharma Kelleher delivers bad-ass blue-collar crime fiction with a snappy sense of humor and a lot of heart. The struggles of Jinx Ballou as she works the periphery of the imperfect criminal justice system make for compelling reading and top-notch entertainment.” – Thomas Pluck, Anthony-finalist author of Bad Boy Boogie ” A Broken Woman comes swinging out the gates and Kelleher delivers in spades. Engrossing, taut, and kick-your-teeth-in exciting, A Broken Woman needs to be on top of your to-read pile.” – Angel Luis Colon author of Hell Chose Me
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of what survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems and fragments, including three poems discovered in the last two decades. The power of Sappho's poetry ‒ her direct style, rich imagery, and passion ‒ is apparent even in these remnants. Diane Rayor's translations of Greek poetry are graceful, modern in diction yet faithful to the originals. Sappho's voice is heard in these poems about love, friendship, rivalry, and family. In the introduction and notes, André Lardinois plausibly reconstructs Sappho's life and work, the performance of her songs, and how these fragments survived. This second edition incorporates thirty-two more fragments primarily based on Camillo Neri's 2021 Greek edition and revisions of over seventy fragments.
The #1 New York Times–bestselling author of Fear of Flying brings the seductive Greek poet to life in this “enormously entertaining” tale (Booklist). As she stands poised at the edge of a precipice in the shadow of the sanctuary of Apollo, the greatest love poet who ever was or ever will be recalls the eventful fifty years that have led her to this moment. It was love that seduced her, at age sixteen, into an ill-fated plot with the poet Alcaeus to depose the despot of the island of Lesbos. It was love that made her trade the unwanted marriage bed of an old, despised, and drunken husband for a seemingly endless series of lovers, both male and female. For Sappho, life has always been a banquet to be savored to the fullest, a strange and sensual odyssey that has carried her to the far corners of the ancient world. Devoted to the goddess Aphrodite and granted the gift of immortal song, she has followed her magnificent destiny from Delphi to Egypt, to the land of the Amazons, the realm of the centaurs, and into the stygian depths of Hades itself, often in the company of her companion and friend, the fabulist slave Aesop. Through every grand affair and every wild adventure, she has remained forever true to her heart, her passion, and herself, right up to this, the end of everything. Combining evocative and realistic detail with unabashedly outrageous invention, Erica Jong’s Sappho’s Leap is a flawless gem of historical fiction boldly imagined by one of America’s most enthralling storytellers. This ebook features an illustrated biography of Erica Jong including rare photos and never-before-seen documents from the author’s personal collection.
How the idea of the author was born in the battleground of gender When Sappho sang her songs, the only word that existed to describe a poet was a male one—aoidos, or “singer-man.” The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. Women, as Virginia Woolf recognized, need rooms of their own in order to write. So, too, have women writers through history needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender—building up and reinforcing the word for male poet, then in response creating a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around authorship and literary production.
This book closely examines the mother figure in six works by African American women at various times in American history: Harriet Jacobs's Incidents in the Life of a Slave Girl, Pauline Hopkins's Contending Forces, Nella Larsen's Passing, Gwendolyn Brooks's Maud Martha, Alice Walker's The Color Purple, and Toni Morrison's Beloved. It studies how the mother in each novel negotiates the ragged, hostile landscape of a prohibitive environment to love, protect, and raise her children. Delving far deeper than surface explanations, it is informed by psychological analysis to reveal the forces that create the unique tensions of the African American mother's life, her inspired strategies for survival, and the character of the nurturing she gives her children.