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It’s Mother’s Day, and two baby Zoobles are making presents for their mamas in this charming 8x8. They paint cards, pick flowers, and decorate cookies. Even when things go wrong, the presents turn out perfectly. It's the best Mother’s Day ever! Includes a sticker sheet.
"This collection of essays treats Gloria Naylor's novels Mama Day and Bailey's Cafe, recognized by scholars and critics as her most significant works. Long understood to be a major African-American woman writer, Gloria Naylor is finally gaining recognition as a contemporary American writer who needs no qualifiers or adjectives before her name. One of the few critical studies of her work, this text represents the work of a group of scholars who are looking seriously and carefully at Naylor, attempting to determine her place, not within an intellectual tradition, but rather within several traditions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
While spending a lovely day with his mother, a young elephant named Little Gray imagines that when he grows older, his mother will grow younger and he will care for her as his calf.
Come for a visit with the Berenstain Bears in this beloved story that's perfect to teach children about the importance of thoughtfulness and family, great for a storytime read this Mother's Day! A classic First Time Book; from Stan and Jan Berenstain. It's Mother's Day, and Papa and the cubs want to do something very special for Mama, but will they be able to keep it a secret? Includes over 50 bonus stickers!
“Blazes a new trail in Africana literary criticism by providing an insight into the soul and spirit of Africana womanhood.” --Anthonia Kalu, The Ohio State University, author of Women, Literature, and Development in Africa This is the revised and expanded edition of Teresa N. Washington's groundbreaking book Our Mothers, Our Powers, Our Texts: Manifestations of Aje in Africana Literature. In Yoruba language and culture, Aje signifies both a phenomenal spiritual power and the human beings who exercise that power. Aje is the birthright of Africana women who are revered as the Gods of Society. While Africana men can have Aje, its owners and controllers are Africana women. Because it is an African female power, and due to its invisibility, ubiquity, and profundity, Aje is often maligned as witchcraft. However, as Teresa N. Washington reveals in Our Mothers, Our Powers, Our Texts, Aje is central to the Yoruba ethos, worldview, and cosmology. Not only is it essential to human creation and artistic creativity, but as a force of justice and retribution, Aje is vital to social harmony and balance. Washington analyzes forms, figures, and forces of Aje in the Yoruba world, in the Caribbean Islands, in Latin America, and in African America. Washington's research reveals that with the exile and enslavement of millions of Africans, Aje became a global force and an essential ally in organizing insurrections, soothing shattered souls, and reminding the dispossessed of their inherent divinity. From her in-depth exploration of Aje in Pan-African history and orature, Washington guides readers through rich analyses of the symbolic, methodological, and spiritual manifestations of Aje that are central to important works by Africana writers but are rarely elucidated by Western criticism. Our Mothers, Our Powers, Our Texts includes innovative readings of works by many Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This revised and expanded edition of Our Mothers, Our Powers, Our Texts will appeal to scholars of Africana literature, African religion and philosophy, gender studies, and comparative literature. Devotees of Africana spiritual systems will find this book to be indispensable.
The spiritual dimensions in the fantastic works of both firmly established and newer writers--including such talents as Marion Zimmer Bradley, Alice Walker, Patricia Kennealy, Octavia Butler, Toni Morrison and Ntozake Shange--are examined in this book. The author links their fantastic novels to actual currents within the feminist spirituality movement, addressing the genre's use of goddess worship, psychic phenomena, and reverence for the earth. Special emphasis is given to both the struggle to provide an alternative to men-centered experience and to the need to articulate ways in which feminists can achieve personal and social power.
In blues music, "worrying the line" is the technique of breaking up a phrase by changing pitch, adding a shout, or repeating words in order to emphasize, clarify, or subvert a moment in a song. Cheryl A. Wall applies this term to fiction and nonfiction wr
Las raíces del realismo mágico en los escritos de Borges y otros autores de América Latina han sido ampliamente reconocidos y bien documentadas produciendo una serie de estudios críticos, muchos de los cuales figuran en la bibliografía de este trabajo. Dentro de este marco, este libro presenta a los lectores una variedad de escritoras de grupos étnicos, conocidas y menos conocidas, y las coloca en un contexto literario en el que se tratan tanto a nivel individual como escritoras así como a nivel colectivo como parte de un movimiento artístico más amplio. Este libro es el resultado del trabajo realizado en las universidades de Sheffield y la de València y representa una valiosa investigación y una importante contribución a los estudios literarios.
Whitt discloses how Naylor tells the stories of these women on multiple levels and how she helps readers see that all heroines live a life of significance."--BOOK JACKET. "Tracing Naylor's development of the theme of black community, especially among women, Whitt shows how characters move from poverty and isolation to a place where they transcend the racism and sexism that constrict their lives."--BOOK JACKET.
An appreciation of the significance of the porch in everyday life in the US South. It reveals that the porch is a stage for many social dramas, and it uses literature, folklore, oral histories and photographs to show how southerners have used the porch to negotiate public and private boundaries.