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Mauriac, the most important writer of the modern French Catholic revival and one of the half‐dozen greatest European novelists of this century. Mauriac is the moral historian and chronicler of a region: the pine barrens of southwestern France called Les Landes with its regional capital at Bordeaux; of a social class, the upper bourgeoisie who live in big gloomy houses in Bordeaux but often have their wealth -- or once had it -- from the relentless harvesting of pit props and pine resin on large forest estates like Maltaverne, which they constantly plot to make larger; of the spiritual condition of this class, whose representatives are at once cruelly materialistic and deeply religious according to the rigors of the Jansenist conscience, people both clannish and selfish and yet poignantly human in the intensity of their loves and hates. They are without what is called “Gallic charm,” and some of them are monsters whom only God (and Mauriac) could love, and this is surely as Mauriac intends.
Nearly the whole of America's partisan politics centers on a single question: Can markets solve our social problems? And for years this question has played out ferociously in the debates about how we should educate our children. From the growth of vouchers and charter schools to the implementation of No Child Left Behind, policy makers have increasingly turned to market-based models to help improve our schools, believing that private institutions--because they are competitively driven--are better than public ones. With The Public School Advantage, Christopher A. and Sarah Theule Lubienski offer powerful evidence to undercut this belief, showing that public schools in fact out-perform private ones.
The exhibition "10,000 Years of Luxury" (Louvre Abu Dhabi, 30 October 2019–18 February 2020) explores the multifaceted nature of luxury from ancient times to the present day. Its catalogue allows the reader to explore luxury through fashion, jewellery, visual art, furniture and design with masterpieces from the collections of international institutions and brands. Highlights among the objects presentes include the oldest pearl in the world, the renowned Boscoreale Treasure – one of the largest collections of silverware preserved from Roman Antiquity – and dresses and jewellery from design houses such as Cartier, Maison Van Cleef & Arpels, CHANEL, Christian Dior, ELIE SAAB and Yves Saint Laurent.
With the possible exception of Great Britain, France can justifiably lay claim to possess the richest literary history of any country in Western Europe. This book covers the authors and their works, literary movements, and philosophical and social developments that have had a direct impact on style or content, and major historical events such as the two world wars, the Franco-Prussian War, the Algerian War, or the events of May 1968 that are directly reflected in a substantial body of imaginative writing. Historical Dictionary of French Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on individual writers and key texts, significant movements, groups, associations, and periodicals, and on the literary reactions to major national and international events such as revolutions and wars. This book is an excellent resource for students, researchers, and anyone wanting to know more about French literature.
Providing readers with a unique guide of how businesses can achieve resilience to digital conflict, Conflict Management in Digital Business helps prepare for unexpected situations such as pandemics, to maintain competitive advantage, and illuminating pathways to turn conflicts caused by extraordinary situations into opportunities.
From an Edgar award–winner, a shrewd French detective investigates murder in “a meditative, dark, ironic installment in the unconventional Castang series” (Kirkus Reviews). Two violent murders one after another in a provincial district in France is more than enough to agitate the astute mind of Inspector Henri Castang. Especially since the first was so gruesome—he suspects the corpse has been cannibalized. The second killing leads him to a teenage prostitute whose youth and beauty can hardly mask the evil within. Soon enough Castang is questioning human nature itself, even as his investigation opens into political intrigue—and corruption that strikes a little too close to home. Praise for Nicolas Freeling: “In depth of characterization, command of language and breadth of thought, Mr. Freeling has few peers when it comes to the international policier.” —The New York Times “Nicolas Freeling . . . liberated the detective story from page-turning puzzler into a critique of society and an investigation of character.” —The Daily Telegraph “Freeling rewards with his oblique, subtly comic style.” —Publishers Weekly “Freeling writes like no one. . . . He is one of the most literate and idiosyncratic of crime writers.” —Los Angeles Times