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This study of Sir Thomas Malory's Le Morte Darthur centres on its main narrative interest, armed combat. The description of knightly combat, with its complex thematic affinities, is seen as Malory's chief expressive medium. In the analysis of the discourse of fighting, some repeated descriptive preoccupations - to do with name, vision, blood, emotion and gesture - are treated as 'needs of meaning' with relevance for the whole text, and related to political, religious, genealogical, sexual and medical views of Malory's period. The critical discussion thus rests more on these elements of discourse rather than on the broader concepts such as 'chivalry' or 'love' normally applied to Malory.
This English version of the stories of King Arthur, "Le Morte D'Arthur" was completed in 1469-70 by Sir Thomas Malory. Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions.
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This volume constitutes a search for the identity of Malory, author of the Morte Darthur. Field considers all arguments and gives an account of the life of the man identified, setting him in his historical context.
This book is the first systematic study in decades of Malory’s development of his characters in the Morte Darthur. Focusing on sixteen key figures in the most important medieval English treatment of the Arthurian saga, it examines Malory’s thematic characterization of individual rulers, knights, and ladies in keeping with the twin trajectories of his history of the Round Table and fifteenth-century English history. Looking at how Malory develops his characters as exemplars of kingship, knighthood, and womanhood, the book traces the medieval author’s exploration of the values constituting chivalry as embodied in individual characters, a process that enabled him to formulate a vision of those values for his own troubled period of the Wars of the Roses. This book further explores the contribution Malory’s art of characterization makes to the literary and aesthetic power of the Morte Darthur. Each chapter’s focus on individual characters makes the book not only an integrated thematic overview, but also a useful reference for focused study of particular Arthurian figures. As such, the book is designed to meet the interests and needs of both professional scholars and students of Arthurian and medieval literature.
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter offers an original approach to these issues by prefacing a comprehensive study of romance with a wide-ranging and historically diverse study of genre and genre theory. In doing so Whetter addresses the questions of why and how romance might usefully be defined and how such an awareness of genre-and the expectations that come with such awareness-impact upon both our understanding of the texts themselves and of how they may have been received by their contemporary medieval audiences. As an integral part the study Whetter offers a detailed examination of Sir Thomas Malory's Le Morte Darthur, a text usually considered a straightforward romance but which Whetter argues should be re-classified and reconsidered as a generic mixture best termed tragic-romance. This new classification is important in helping to explain a number of so-called inconsistencies or puzzles in Malory's text and further elucidates Malory's artistry. Whetter offers a powerful meditation upon genre, romance and the Morte which will be of interest to faculty, graduate students and undergraduates alike.
The modern concept of passing leisure hours pleasantly would, in the Middle Ages, have fallen under the rubric of Sloth, a deadly sin. Yet aristocrats of past centuries were not always absorbed in affairs of state or warfare. What did they do in moments of peace, "downtime" as we might call it today? In this collection of essays, scholars from various disciplines investigate courtly modes of entertainment ranging from the vigorous to the intellectual: hunting, jousting, horse racing; physical and verbal games; reading, writing, and book ownership. Favorite pastimes spanned differences of gender and age, and crossed geographical and cultural boundaries. Literary and historical examples come from England, France, Germany, Spain, and Italy. Courtly Pastimes analyzes the underlying rationales for such activities: to display power and prestige, to acquire cultural capital, to instill a sense of community, or to build diplomatic alliances. Performativity − so crucial in social rituals − could become transgressive if taken to extremes. Certain chapters explore the spaces of courtliness: literal or imaginary; man-made, natural, or a hybrid of both. Other chapters concern materiality and visual elements associated with courtly pastimes: from humble children’s toys and playthings to elite tournament attire, castle murals, and manuscript illuminations.
The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ’s wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds—evidence of which survives in the archaeological record—and literary episodes of fatal (or not so fatal) wounds. This volume offers a comprehensive look at the complexity of wounding and wound repair in medieval literature and culture, bringing together essays from a wide range of sources and disciplines including arms and armaments, military history, medical history, literature, art history, hagiography, and archaeology across medieval and early modern Europe. Contributors are Stephen Atkinson, Debby Banham, Albrecht Classen, Joshua Easterling, Charlene M. Eska, Carmel Ferragud, M.R. Geldof, Elina Gertsman, Barbara A. Goodman, Máire Johnson, Rachel E. Kellett, Ilana Krug, Virginia Langum, Michael Livingston, Iain A. MacInnes, Timothy May, Vibeke Olson, Salvador Ryan, William Sayers, Patricia Skinner, Alicia Spencer-Hall, Wendy J. Turner, Christine Voth, and Robert C. Woosnam-Savage.
Sir Thomas Malory's 'Le Morte Darthur' is a seminal work of English literature that recounts the tales of King Arthur and his illustrious Knights of the Round Table in rich detail. Written in the 15th century, the book presents a captivating blend of chivalry, romance, and heroic exploits that exemplify the courtly ideals of the time. Malory's narrative style is both elegant and emotive, drawing readers into a world of honor, betrayal, and the quest for the Holy Grail. His work serves as a cornerstone of Arthurian legend and has inspired countless adaptations and retellings over the centuries. Thomas Sir Malory, the author of 'Le Morte Darthur,' was a knight with a troubled past who found solace in recounting the legendary adventures of King Arthur. His firsthand experience with the code of chivalry informs the authenticity and depth of the characters in the book, adding a layer of realism to the fantastical tales. I highly recommend 'Le Morte Darthur' to readers who appreciate classic literature, medieval romances, and tales of heroism. This timeless work continues to enthrall audiences with its timeless themes and enduring characters.