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Relke (women's and gender studies, U. of Saskatchewan) divides her book into what she calls three chronological "moments in feminist ecocritical consciousness": poetic, ecological, and ecocritical. Essays included under poetic consciousness are preoccupied with woman's search for subjectivity in a literary universe that can't accommodate women poets of nature, examining, for example, Atwood's Journals of Susanna Moodie. To ecological consciousness, Relke assigns essays examining how Dorothy Livesay, Isabella Valancy Crawford and Daphne Marlatt understand the metaphor, woman = nature, and how they use it to address green concerns. Lastly, essays under ecocritical consciousness focus on the critical act itself and on the masculine construction of Canadian literary history. The book's constant theme, writes Relke, "concerns the struggle by women poets to make the best of a bad idea--namely, patriarchy." Canadian card order number: C99-910815-8. Distribute by Raincoast Distribution Services. Annotation copyrighted by Book News, Inc., Portland, OR.
The prize-winning entry in a national competition for distinctively Canadian fiction, Winona was serialized in a Montreal story paper in 1873. The novel focuses on the lives of two foster-sisters raised in the northern Ontario wilderness: Androsia Howard, daughter of a retired military officer, and Winona, the daughter of a Huron chief. As the story begins, both have come under the sway of the mysterious and powerful Andrew Farmer, who has proposed to Androsia while secretly pursuing Winona. With the arrival of Archie Frazer, the son of an old military friend, there is a violent crisis, and the scene shifts southward as Archie takes the foster-sisters via Toronto to his family's estate in the Thousand Islands region of the St. Lawrence River. Farmer follows, and the narrative moves towards a sensational climax. The critical introduction and appendices to this edition place Winona in the contexts of Crawford's career, the contemporary market for serialized fiction, the sensation novel of the 1860s, nineteenth-century representations of women and North American indigenous peoples, and the emergence of Canadian literary nationalism in the era following Confederation.
In this survey and analysis of long poems written about Canada between 1690 and 1900, D.M.R. Bentley establishes literary contexts for a greatly neglected period of Canadian literature. He also provides critical discussions of the poems, addresses larger questions of tradition and intertextuality, and demonstrates the existence of a continuity in Canadian writing from the colonial to the post-colonial period.
In the context of Northrop Frye's theories of myth, and in light of the attempts of social critics and early anthologists to define Canada and Canadian literature, McKenzie discusses the ways in which our decidedly fractured sense of literary nationalism has set indigenous culture apart from the mainstream.
ReCalling Early Canada is the first substantial collection of essays to focus on the production of Canadian literary and cultural works prior to WWI. Reflecting an emerging critical interest in the literary past, the authors seek to retrieve the early repertoire available to Canadian readers-fiction and poetry certainly, but family letters, photographs, journalism, and captivity narratives are also investigated. Filling a significant gap in Canadian criticism, the authors demonstrate that to recall the past is not only to shape it, but also to reshape the present. This fresh interest in the cultural past, informed by new approaches to historical inquiry, has resulted in a unique and diverse investigation of more than two centuries of a little known "early Canada." Foreword by Carole Gerson.
His analysis reveals the extent to which problems of allegiance, anxiety, and identity were inextricably involved in the colonial and national projects, an involvement which the poetry, despite its intentions, could neither mask nor resolve.
The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature.
This work is the result of the fifth Symposium in the University of Ottawa Symposia series which focused on the life and work of Isabella Valancy Crawford (1850-1887). Acclaimed scholars of Canadian Literature joined to speak on Crawford's life, read and listen to her poetry, and critically examine some of her major works. Contributors include Dorothy Livesay, Penny Petrone, Margo Dunn, John Ower, Orest Rudzik, Elizabeth Waterston, Fred Cogswell, Kenneth Hughes, S. R. MacGillivray, Catherine Ross, Louis Dudek, Anne Paolucci, and Clara Thomas.