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When Helen Gurley Brown's Sex and the Single Girl hit bookstores in 1962, the sexual revolution was launched and there was no turning back. Soon came the pill, the end of censorship, the advent of feminism, and the rise of commercial pornography. Our daily lives changed in an unprecedented time of sexual openness and experimentation. Make Love, Not War is the first serious treatment of the complicated events, ideas, and personalities that drove the sexual revolution forward. Based on first-hand accounts, diaries, interviews, and period research, it traces changes in private lives and public discourse from the fearful fifties to the first tremors of rebellion in the early sixties to the heady heyday of the revolution. Bringing a fresh perspective to the turbulence of these decades, David Allyn argues that the sexual revolutionaries of the '60s and '70s, by telling the truth about their own histories and desires, forced all Americans to re-examine the very meaning of freedom. Written with a historian's attention to nuance and a novelist's narrative drive, Make Love, Not War is a provocative, vivid, and thoughtful account of one of the most captivating episodes in American history. Also includes an 8-page insert.
War is a timeless force in the human imagination—and, indeed, in daily life. Engaged in the activity of destruction, its soldiers and its victims discover a paradoxical yet profound sense of existing, of being human. In A Terrible Love of War, James Hillman, one of today’s most respected psychologists, undertakes a groundbreaking examination of the essence of war, its psychological origins and inhuman behaviors. Utilizing reports from many fronts and times, letters from combatants, analyses by military authorities, classic myths, and writings from great thinkers, including Twain, Tolstoy, Kant, Arendt, Foucault, and Levinas, Hillman’s broad sweep and detailed research bring a fundamentally new understanding to humanity’s simultaneous attraction and aversion to war. This is a compelling, necessary book in a violent world.
Worship elevates us into God's presence, renews our spirits, and expresses our deepest love for our Savior. Yet worship can also be a call to arms, a battle cry, a salvo in an ancient spiritual struggle. Acclaimed songwriter Brian Doerksen believes that God is calling us to both love and to battle. To spread peace and wage spiritual warfare. We do this through how we live, how we serve Him, and how we protect and fight for what matters most. For Brian, music was his answer to this provocative call. Now Brian shares the stories and inspirations behind some of today's most acclaimed songs of worship, including "Come, Now is the Time to Worship," "Hallelujah (Your Love is Amazing)," and "With All My Affection." Brian shares rich truths and insights that informed twelve of his greatest songs, and offers special tips for aspiring songwriters. Readers will be encouraged to wage spiritual war and share His love through a life of radical worship.
Killing Sin is John Owen's Puritan classic Mortification of Sin updated for today. Owen tackles the age-old challenge for the Christian: how to put to death the power of sin over our lives. This is something that is impossible through man-centered self-help or self-denial. But with God all things are possible. Though we will never be completely free of sin while alive in this world, by putting our faith on Christ with an expectation of His help, the Holy Spirit will bring the His cross into our hearts with all its sin-killing power. Owen tells us why it is imperative for the Christian to be killing sin in his life, what it actually means to kill sin, why only a Christian can do it, why it is only possible through the power of the Holy Spirit, and how we can avail ourselves of the power of the Spirit to kill sin through gospel faith in the death and resurrection of Christ. Owen's original Mortification of Sin was written in 17th century English that is extremely difficult to understand. This Killing Sin translates Owen into contemporary English that is easy to read without dumbing it down so people today can read this very important book on a most critical topic.
Emil A. Draitser offers an insider's view on the sociological and psychological functions of Russian sexual folklore and the way it reflects male/female relationships, leaving no dirty joke untold as he examines such taboo subjects as adultery, impotence, and gender and violence
The author maintains that modern attitudes toward total war were conceived during the Napoleonic era; and argues that all the elements of total war were evident including conscription, unconditional surrender, disregard for basic rules of war, mobilization of civilians, and guerrilla warfare.
New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including: * key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series * documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series * the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson * the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking * movies based on historical events, such as 'JFK' and 'Nixon' * faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog * gender identity, queer theory, performance, 'race' and spectatorship. Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.
Whilst Shakespearean drama provides eloquent calls to war, more often than not these are undercut or outweighed by compelling appeals to peaceful alternatives conveyed through narrative structure, dramatic context and poetic utterance. Placing Shakespeare's works in the history of pacifist thought, Robert White argues that Shakespeare's plays consistently challenge appeals to heroism and revenge and reveal the brutal futility of war. White also examines Shakespeare's interest in the mental states of military officers when their ingrained training is tested in love relationships. In imagery and themes, war infiltrates love, with problematical consequences, reflected in Shakespeare's comedies, histories and tragedies alike. Challenging a critical orthodoxy that military engagement in war is an inevitable and necessary condition, White draws analogies with the experience of modern warfare, showing the continuing relevance of Shakespeare's plays which deal with basic issues of war and peace that are still evident.