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When Robin Storey first heard the words, 'you have breast cancer,' she burst into tears. But she soon found lots to laugh about. As a comedy fiction author, Robin couldn't help finding the humorous side as she underwent treatment, from feeling like a failure for failing her breast examination to planning rent-a-crowd for her funeral. Along the way, she collected frank and funny stories from other breast cancer survivors. If you or a loved one have been diagnosed with breast cancer, you'll feel positive and uplifted after reading this honest, amusing and inspiring memoir. Click the Buy Button now to start reading these stories of humour and joy from breast cancer survivors.
a cartoonist examines her experience with breast cancer in an irreverent and humorous graphic memoir.
The groundbreaking graphic memoir that inspires breast cancer patients to fight back—and do so with style. • “Powerful … A vibrant, neon chronicle with plenty of atti­tude … A triumph of imagination and spirit.” —Los Angeles Times “What happens when a shoe-crazy, lipstick-obsessed, wine-swilling, pasta-slurping, fashion-fanatic, about-to-get-married big-city girl cartoonist with a fabulous life finds ... a lump in her breast?” That’s the question that sets this powerful, funny, and poignant graphic memoir in motion. In vivid color and with a taboo-breaking sense of humor, Marisa Acocella Marchetto tells the story of her eleven-month, ultimately triumphant bout with breast cancer—from diagnosis to cure, and every challenging step in between.
Engaging with discussions surrounding the culture of disease, Disrupting Breast Cancer Narratives explores politically insistent narratives of illness. Resisting the optimism of pink ribbon culture, these stories use anger as a starting place to reframe cancer as a collective rather than an individual problem. Disrupting Breast Cancer Narratives discusses the ways emotion, gender, and sexuality, in relation to breast cancer diagnosis and treatment, all become complicated, relational, and questioning. Providing theoretically informed close-readings of breast cancer narratives, this study explores how disruption functions both personally and politically. Highlighting a number of contributors in the field of health and gender studies including Barbara Ehrenreich, Kathlyn Conway, Audre Lorde, and Teva Harrison, this work takes into account documentary film, television, and social media as popular mediums used to explore stories of disease.
"The Middle Place is about calling home. Instinctively. Even when all the paperwork -- a marriage license, a notarized deed, two birth certificates, and seven years of tax returns -- clearly indicates you're an adult, but all the same, there you are, clutching the phone and thanking God that you're still somebody's daughter." For Kelly Corrigan, family is everything. At thirty-six, she had a marriage that worked, a couple of funny, active kids, and a weekly newspaper column. But even as a thriving adult, Kelly still saw herself as George Corrigan's daughter. A garrulous Irish-American charmer from Baltimore, George was the center of the ebullient, raucous Corrigan clan. He greeted every day by opening his bedroom window and shouting, "Hello, World!" Suffice it to say, Kelly's was a colorful childhood, just the sort a girl could get attached to. Kelly lives deep within what she calls the Middle Place -- "that sliver of time when parenthood and childhood overlap" -- comfortably wedged between her adult duties and her parents' care. But she's abruptly shoved into a coming-of-age when she finds a lump in her breast -- and gets the diagnosis no one wants to hear. And so Kelly's journey to full-blown adulthood begins. When George, too, learns he has late-stage cancer, it is Kelly's turn to take care of the man who had always taken care of her -- and show us a woman as she finally takes the leap and grows up. Kelly Corrigan is a natural-born storyteller, a gift you quickly recognize as her father's legacy, and her stories are rich with everyday details. She captures the beat of an ordinary life and the tender, sometimes fractious moments that bind families together. Rueful and honest, Kelly is the prized friend who will tell you her darkest, lowest, screwiest thoughts, and then later, dance on the coffee table at your party. Funny, yet heart-wrenching, The Middle Place is about being a parent and a child at the same time. It is about the special double-vision you get when you are standing with one foot in each place. It is about the family you make and the family you came from -- and locating, navigating, and finally celebrating the place where they meet. It is about reaching for life with both hands -- and finding it.
2016 Governor General's Literary Award Finalist 2017 Kobo Emerging Writer Prize Winner 2017 Joe Shuster Award Nominee Teva Harrison was diagnosed with metastatic breast cancer at the age of 37. In this brilliant and inspiring graphic memoir, she documents through comic illustration and short personal essays what it means to live with the disease. She confronts with heartbreaking honesty the crises of identity that cancer brings: a lifelong vegetarian, Teva agrees to use experimental drugs that have been tested on animals. She struggles to reconcile her long-term goals with an uncertain future, balancing the innate sadness of cancer with everyday acts of hope and wonder. She also examines those quiet moments of helplessness and loving with her husband, her family, and her friends, while they all adjust to the new normal. Ultimately, In-Between Days is redemptive and uplifting, reminding each one of us of how beautiful life is, and what a gift.
"Truly moving. Hayden has created a heartfelt and often hilarious tribute to her life-and to the resilience of women everywhere." — Publishers Weekly (starred review) Named one of Library Journal's BEST BOOKS OF 2015! A landmark work of graphic memoir and a cancer narrative that Gabrielle Bell (Lucky, Cecil & Jordan in New York, Everything is Flammable) calls, "comforting, straightforward and strongly connected to life." When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. For everyone who's faced cancer personally, or watched a loved one fight that battle, Hayden's story is a much-needed breath of fresh air, an irresistible blend of sweetness and skepticism. Rich with both symbolism and humor, The Story of My Tits will leave you laughing, weeping, and feeling grateful for every day.
When Judith Henry's mother and father became ill in 2007, even her reputation as a pragmatist, a planner and a dutiful daughter (her father's term) couldn't prepare her for what lay ahead - a long list of concerns that included navigating an unfamiliar healthcare system, addressing financial and legal issues, dealing with stress and family dynamics, choosing a rehab center, and ultimately, making hospice arrangements.Doing what came naturally to her, she captured these experiences on paper - writing about what worked and what didn't; about finding humor in the oddest places; and the ways in which the past, present and future often intersect.As Judith looks back at her childhood, and reveals intimate stories about assisting both her parents years later, she also shares practical suggestions and critical information on topics every son and daughter should know as their own caregiving journey begins.
At turns heartbreaking and hilarious, BOOBS is a diverse collection of stories about the burdens, expectations and pleasures of having breasts. From the agony of puberty and angst of adolescence to the anxiety of aging, these stories and poems go beyond the usual images of breasts found in fashion magazines and movie posters, instead offering dynamic and honest portraits of desire, acceptance and the desire for acceptance. Surrounded by flat-chested co-workers in a male-dominated construction crew, a woman finds pleasure in admiring her body with the occasional glimpse in a window. A new mother in a new city overcomes a sense of isolation through her experience of breastfeeding her son. Breastfeeding plays a role in another's story when, after identifying as gender non-binary and relaxing into an ambivalent relationship to her breasts, she becomes a parent. In another story, a young woman makes the decision to undergo breast-reduction surgery and appreciates a new sense of ownership and love of her body. A survivor of sexual assault shares her story of shame and healing and how she simultaneously began to recognize she has more to offer the world than her body and began to really, truly love her big breasts. One writer declares that we should "stand up for breasts ... playful and shameless as puppies." With startling and moving work from critically acclaimed writers including Lorna Crozier, Nancy Lee and Kate Braid, as well as new voices, these stories are passionate, determined, defiant and funny, and - perhaps most importantly - they look honestly and unflinchingly at both sadness and joy.