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During its golden years, the twentieth-century black press was a tool of black men's leadership, public voice, and gender and identity formation. Those at the helm of black newspapers used their platforms to wage a fight for racial justice and black manhood. In a story that stretches from the turn of the twentieth century to the rise of the Black Power movement, D'Weston Haywood argues that black people's ideas, rhetoric, and protest strategies for racial advancement grew out of the quest for manhood led by black newspapers. This history departs from standard narratives of black protest, black men, and the black press by positioning newspapers at the intersections of gender, ideology, race, class, identity, urbanization, the public sphere, and black institutional life. Shedding crucial new light on the deep roots of African Americans' mobilizations around issues of rights and racial justice during the twentieth century, Let Us Make Men reveals the critical, complex role black male publishers played in grounding those issues in a quest to redeem black manhood.
From Simon & Schuster, Making News is Gaye Tuchman's exploration into the study in the construction of reality. The Professor of Sociology at Queens College and City University of New York, Tuchman's latest work is one to cherish. As described by Todd Gitlin of Contemporary Sociology, Making News is "simply the most comprehensive book on the social construction of news by an American sociologist to date."
A deep and timely account of how American newspapers were produced and distributed on paper. Winner of the Best Book in Canadian Business History by the Canadian Business History Association Popular assessments of printed newspapers have become so grim that some have taken to calling them “dead tree media” as a way of invoking the medium’s imminent demise. There is a literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, throughout the twentieth century, the overwhelming majority of trees cut down in the service of printing newspapers in the United States came from Canada. In Dead Tree Media, Michael Stamm reveals the international history of the commodity chains connecting Canadian trees and US readers. Drawing on newly available corporate documents and research in archives across North America, Stamm offers a sophisticated rethinking of the material history of the printed newspaper. Tracing its industrial production from the forest to the newsstand, he provides an account of the obscure and often hidden labor involved in this manufacturing process by showing how it was driven by not only publishers and journalists but also lumberjacks, paper mill workers, policymakers, chemists, and urban and regional planners. Stamm describes the 1911 shift in tariff policy that gave US publishers duty-free access to Canadian newsprint, providing a tremendous boost to Canadian paper manufacturers and a significant subsidy to American newspaper publishers. He also explains how Canada attracted massive American foreign investment in paper mills around the same time that US publishers were able to gain greater access to Canada’s vast spruce forests. Focusing particularly on the Chicago Tribune, Stamm provides a new history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that had shaped many aspects of the cultural, political, and even physical landscape of North America. For those seeking to understand the travails of the contemporary newspaper business, Dead Tree Media is essential reading.
A dead body. A dark past. An ordinary man with everything to lose. Marcus Kemp is a regular beat cop living a normal life in San Diego, California. Until the day he makes a shocking discovery: a dead body in the trunk of a stolen car. Worse, the victim turns out to be the man who abused him as a child. Marcus instinctively wants to help the killer get away with murder and, disregarding his police oath, will stop at nothing to make it happen. With both his job and freedom in jeopardy, his investigation leads him to an unexpected killer, and Marcus is soon faced with an impossible decision. Can he finally bury the past before it drags him under?
Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.
The train to Winona -- Looking for work -- "I find I cannot work for the other fellow" -- A strike at the mill -- The Memphis baby market -- The war in Florida -- Two successes and a flop -- Satisfaction guaranteed -- "Eight or nine, please" -- Subversiveness in most all of its forms -- Things to be done -- A ripe area at the time -- Listening to Mr. McLean -- Good measure, pressed down -- Once more around Highland Circle.
The newspaper has a history; but it has, likewise, a natural history. The press, as it exists, is not, as our moralists sometimes seem to assume, the willful product of any little group of living men. On the contrary, it is the outcome of an historic process in which many individuals participated without foreseeing what the ultimate product of their labors was to be. The newspaper, like the modern city, is not wholly a rational product. No one sought to make it just what it is. In spite of all the efforts of individual men and generations of men to control it and to make it something after their own heart, it has continued to grow and change in its own incalculable ways.The type of newspaper that exists is the type that has survived under the conditions of modern life. The men who may be said to have made the modern newspaper—James Gordon Bennett, Charles A. Dana, Joseph Pulitzer, and William Randolph Hearst—are the men who discovered the kind of paper that men and women would read and had the courage to publish it. The natural history of the press is a history of a surviving species. It is one of the most characteristic fruits of enlightenment, due to the extension of the opportunities of education to the masses of the population. The modern newspaper is a product of city life; it is no longer merely an organ of propaganda and opinion, but a form of popular literature. The journal of opinion was largely a business man's newspaper. The so-called independent press added to its public the so-called artisan class. The yellow press was created mainly to capture immigrants, and women. It was this increase of circulation that made the newspaper—formerly a subsidized organ of the parties an independent business enterprise, an envelope and carrier for advertising.
Though his career hit heights far beyond his work as a California journalist, Frank Leach always thought of himself as a newspaperman. Emigrating to the Golden State with his family as a boy, he saw it grow into an important center of business and agriculture. Along the way, he became superintendent of the U.S Mint in San Francisco. During his tenure, the devastating 1906 earthquake and subsequent fires destroyed much of the City by the Bay, leaving the nation stunned. Leach and his men saved the old San Francisco Mint building and the bullion that then backed the nation's currency. Leach's description of the earthquake and the catastrophe that followed are by a newspaperman with a front-row seat. Later moving to the nation's capitol, he met with President Teddy Roosevelt and President Taft. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.