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The classic Persian poem of romance and tragedy captured as a sumptuous and richly colorful graphic novel, inspired by traditional art of the region.
The Persian epic that inspired Eric Clapton's unforgettable love song "Layla" and that Lord Byron called "the Romeo and Juliet of the East," in a masterly new translation A Penguin Classic The iconic love story of the Middle East, by a twelfth-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness, desire is sublimated into a mystical renunciation of the physical world, and the soul confronts its essence. This is a tour de force of Persian literature, in a translation that captures the extraordinary power and virtuosity of the original.
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The #1 New York Times Bestseller: “A hilarious take on that age-old problem: getting the beloved child to go to sleep” (NPR). “Hell no, you can’t go to the bathroom. You know where you can go? The f**k to sleep.” Go the Fuck to Sleep is a book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don’t always send a toddler sailing blissfully off to dreamland. Profane, affectionate, and radically honest, it captures the familiar—and unspoken—tribulations of putting your little angel down for the night. Read by a host of celebrities, from Samuel L. Jackson to Jennifer Garner, this subversively funny bestselling storybook will not actually put your kids to sleep, but it will leave you laughing so hard you won’t care.
"Global anthology of twentieth-century poetry"--Back cover.
This imaginative approach to the work of the Urdu poet Ghalib (1797-1869) presents highly original renderings, made by seven well-known American poets, of Ghalib's ghazals.
In memoirs, Arab writers have invoked solitude in moments of deep public involvement. Focusing on Taha Hussein, Sonallah Ibrahim, Assia Djebar, Latifa al-Zayyat, Mahmoud Darwish, Mourid Barghouti, Edward Said, Haifa Zangana, and Radwa Ashour, this book reads a range of autobiographical forms, sources, and affinities with other literatures.Taking a comparative approach, Nasser shows the local sources of contemporary Arab autobiography, adaptations of a global genre, and cultural exchange. She also examines different aspects of the contemporary autobiography as it has evolved in the Arab world during the past half-century, focusing on the particularity of the genre written in different languages but pertaining to one overarching Arab culture. Drawing on memoirs, testimonies, autobiographical novels, poetic autobiography, journals, and diaries, she examines solitude and national struggles in contemporary Arab autobiography.
Layla and Majnun reflects the spiritual struggle within the soul of every human being to reunite with the inner flame of love, merging then into the timeless splendor of Divine Love, into the infinite majesty of God.
The text is a prose rendition of Nizami's 12th-century poetic masterpiece, in which he reshapes the legends of Majnun, the quintessential romantic fool, into a tale of the ideal lover. For the Sufis, Majnun represents the perfect devotee of the "religion of the heart," and the story is an allegory of the soul's longing for God. This is a beautiful production, and it includes a final chapter newly translated from the Persian by Omid Safi and Zia Inayat Khan.
Between the mid-sixteenth and early nineteenth century, the Mughal Empire was an Indo-Islamic dynasty that ruled as far as Bengal in the east and Kabul in the west, as high as Kashmir in the north and the Kaveri basin in the south. The Mughals constructed a sophisticated, complex system of government that facilitated an era of profound artistic and architectural achievement. They promoted the place of Persian culture in Indian society and set the groundwork for South Asia's future development. In this volume, two leading historians of early modern South Asia present nine major joint essays on the Mughal Empire, framed by an essential introductory reflection. Making creative use of materials written in Persian, Indian vernacular languages, and a variety of European languages, their chapters accomplish the most significant innovations in Mughal historiography in decades, intertwining political, cultural, and commercial themes while exploring diplomacy, state-formation, history-writing, religious debate, and political thought. Muzaffar Alam and Sanjay Subrahmanyam center on confrontations between different source materials that they then reconcile, enabling readers to participate in both the debate and resolution of competing claims. Their introduction discusses the comparative and historiographical approach of their work and its place within the literature on Mughal rule. Interdisciplinary and cutting-edge, this volume richly expands research on the Mughal state, early modern South Asia, and the comparative history of the Mughal, Ottoman, Safavid, and other early modern empires.