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“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré When a wealthy aristocrat is found murdered in his home, Inspector Maigret must navigate a high-stakes case in the moneyed world of Paris’s upper crust Maigret is called to the home of Armand de Saint-Hilaire, a highly respected diplomat who has been found by his housekeeper, shot dead in his study. Maigret is urged to be discrete in his investigation, but after interviewing everyone concerned, the inspector is at a loss to the identity of the perpetrator—until he comes across a series of letters spanning decades between the victim and a widowed woman. As Maigret uncovers the details behind the pair’s relationship, he gets closer to discovering the tragic truth behind the official’s demise. With the pressure mounting, the inspector must navigate class divides and his own position in society to uncover the killer. Maigret and the Old People is an absorbing mystery and a thoughtful examination of the different worlds money creates.
Maigret is a registered trademark of the Estate of Georges Simenon.
'His artistry is supreme' John Banville Conflict rather than harmony probably reigned in eight out of ten of the still magnificent houses that surrounded the park. But he had rarely had the opportunity to breath such a strained atmosphere as the one between these walls. Everything seemed fake, grating, starting with the lodge of the concierge-cum-manservant, who was neither a concierge nor a manservant, despite his striped waistcoat, but a former poacher, a murderer turned guard dog. When a self-made man appeals to Maigret for protection at his lavish home, a years-old grudge from the past resurfaces and the inspector finds himself questioning his own motives. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré Inspector Maigret takes a case from a lively old widow whose maid has been poisoned The inexplicable murder of the wealthy Valentine Besson’s maid leads the older woman to believe that she herself was the intended target. Inspector Maigret undertakes the investigation, meeting Mrs. Besson’s dysfunctional family and a cavalcade of suspects. As he delves into the case, Maigret must unravel a tangled web of family politics—and confront Valentine’s stepsons, who may be harboring dark secrets of their own.
'Compelling, remorseless, brilliant' John Gray Maigret finds himself back on the Rue des Acacias just ten days after cracking another case there. This time it is the murder of a criminal Maigret has known for over twenty years and one he always suspected was behind a string of jewellery robberies in the city. Maigret's patience is tested as he eliminates neighbour by neighbour in his hunt for the murderer. This novel has been published in a previous translation as Maigret Bides His Time. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré Maigret stumbles upon a series of murders in Fontenay-le-Comte while visiting an old school friend On his way home from a conference, Maigret stops to visit an old school friend in Fontenay-le-Comte. A man in the same train car introduces himself and asks if Maigret has come to help solve the murder case. In fact, the man’s brother-in-law had been murdered four days earlier, followed by the murder of a local widow in the same way, a blow to the head with a pipe. While Maigret is in town, a third murder is reported. Maigret soon discovers that there are two warring factions in the town, a clear class separation, and an air of suspicion that only he can put to rest.
'Compelling, remorseless, brilliant' John Gray 'What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him ... He wondered now if his exultation wasn't down to the fact that she was playing a part, not just to deceive him, not just to hide something from him, but for the pleasure of acting a part' When one of his best inspectors is shot, Maigret decides to book himself into Mademoiselle Clément's well-kept Paris boarding house nearby in order to find the culprit. 'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent
'His artistry is supreme' John Banville 'Why all of a sudden did this shock him? He was annoyed with himself for being shocked. He felt as if he had been sucked into the bourgeois, almost edifying, atmosphere that surrounded those epeople, 'good people' so everyone kept telling him.' A retired manufacturer has been shot dead by his own pistol, last seen alive by his son-in-law. In this seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth. This novel has been published in a previous translation as Maigret and the Black Sheep. 'One of the greatest writers of the twentieth century ' Guardian
Mondays are nobody's favorite day, but when Maigret's week begins with a corpse found stabbed to death in a Parisian alley, the Inspector immediately sees a flaw. Murders are rarely committed on Mondays. That clue, along with the victim's strange recent behavior, leads Maigret to the cause of this nasty crime-and reveals the tale of a deadly marriage.