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A personal search for the mystical and miraculous, from the acclaimed author of Honey and Dust 'So sincere and carefully told that the result cannot help but move' Financial Times 'Terrific ... Unpretentious, often funny, but also powerfully expressive of experiences beyond language and reason, it's a book which rises to the challenge of its subject with skill and considerable grace' Wanderlust This is the story of a man who embarked on a quest that many of us have dreamed about. Disillusioned by a world hooked on material wealth and scientific fact, he decided to travel across the globe in search of something more meaningful: the magical, the mystical. His journey takes him from snow-blanketed villages in the Himalayas to tiny, covert communities of whirling dervishes in rural Turkey; from the world's largest religious festival on the banks of the swollen Ganges to a dappled, ancient Sufi quarter in Delhi. Lyrical and clear-sighted, All Kinds of Magic is a fascinating exploration of the hidden world of miracles that is at once deeply personal and universal in its scope.
A selection of the best in travel writing, with both fiction and non-fiction presented together, this companion is for all those who like travelling, like to think about travelling, and who take an interest in their destination. It covers guidebooks as well as books about food, history, art and architecture, religion, outdoor activities, illustrated books, autobiographies, biographies and fiction and lists books both in and out of print. Anderson's Travel Companion is arranged first by continent, then alphabetically by country and then by subject, cross-referenced where necessary. There is a separate section for guidebooks and comprehensive indexes. Sarah Anderson founded the Travel Bookshop in 1979 and is also a journalist and writer on travel subjects. She is known by well-known travel writers such as Michael Palin and Colin Thubron. Michael Palin chose her bookshop as his favourite shop and Colin Thubron and Geoffrey Moorhouse, among others, made suggestions for titles to include in the Travel Companion.
A moving portrait of tradition and change in Ladakh, or "Little Tibet," Ancient Futures is also a scathing critique of the global economy and a rallying call for economic localization. When Helena Norberg-Hodge first visited Ladakh in 1975, she found a pristine environment, a self-reliant economy and a people who exhibited a remarkable joie de vivre. But then came a tidal wave of economic growth and development. Over the last four decades, this remote Himalayan land has been transformed by outside markets and Western notions of "progress." As a direct result, a whole range of problems--from polluted air and water to unemployment, religious conflict, eating disorders and youth suicide--have appeared for the first time. Yet this is far from a story of despair. Social and environmental breakdown, Norberg-Hodge argues, are neither inevitable nor evolutionary, but the products of political and economic decisions--and those decisions can be changed. In a new Preface, she presents a kaleidoscope of projects around the world that are pointing the way for both human and ecological well-being. These initiatives are the manifestation of a rapidly growing localization movement, which works to rebuild place-based cultures--strengthening community and our connection with nature. Ancient Futures challenges us to redefine what a healthy economy means, and to find ways to carry centuries-old wisdom into our future. The book and a related film by the same title have, between them, been translated into more than 40 languages.
'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.
Globalization and Social Change challenges conventional thinking regarding the inevitability of globalization. Rather than seeing globalization as 'the end station of capitalism', it presents the development of this phenomenon as a disruptive and conflicting process.