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Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 67 (1-2), Keele University, course: Contemporary American Fiction, 8 entries in the bibliography, language: English, abstract: The following essay deals with the book The Bell Jar by Sylvia Plath. It will try to show that Esther's madness is profoundly linked to her social environment. This on the other hand is in several ways deeply connected with Esther's loss of her father in her childhood. That is, the absence of her father correlates with Esther's behaviour towards her surroundings and her life attitudes. To prove that fact this essay will try to work out the turning point in Esther's life that leads to the final break-out of her illness and her mental spiral down movement that leads her into a psychiatric institution. 1. DIAGNOSIS Esther suffers from a severe case of depression that might have been caused by a genetic defect; but as opposed to Sylvia Plath, from who is known that in her family were reported cases of depression on her father's side, one finds only insufficient hints (that really only serve as foreshadows for the things to happen in the story) that the same is true for Esther, for example her comment about her father's provenance: "My German-speaking father, dead since I was nine, came from some manic-depressive hamlet in the black heart of Prussia." The reader, who does not know about the book's autobiographical background and Plath's medical history, must consequently assume that Esther's worsening disease is entirely caused by her social environment. This notion is not devious at all.
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 67 (1-2), Keele University, course: Contemporary American Fiction, language: English, abstract: The following essay deals with the book The Bell Jar by Sylvia Plath. It will try to show that Esther’s madness is profoundly linked to her social environment. This on the other hand is in several ways deeply connected with Esther’s loss of her father in her childhood. That is, the absence of her father correlates with Esther’s behaviour towards her surroundings and her life attitudes. To prove that fact this essay will try to work out the turning point in Esther’s life that leads to the final break-out of her illness and her mental spiral down movement that leads her into a psychiatric institution. 1. DIAGNOSIS Esther suffers from a severe case of depression that might have been caused by a genetic defect; but as opposed to Sylvia Plath, from who is known that in her family were reported cases of depression on her father’s side , one finds only insufficient hints (that really only serve as foreshadows for the things to happen in the story) that the same is true for Esther, for example her comment about her father’s provenance: “My German-speaking father, dead since I was nine, came from some manic-depressive hamlet in the black heart of Prussia.” The reader, who does not know about the book’s autobiographical background and Plath’s medical history, must consequently assume that Esther’s worsening disease is entirely caused by her social environment. This notion is not devious at all.
"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett “Improbably charming...will have you chortling and reading lines aloud.” — PEOPLE The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine. Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out. Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
Over the years, Sylvia Plath has come to inhabit a contested area of cultural production with other ambiguous authors between the highbrow, the middlebrow, and the popular. Claiming Sylvia Plath is a critical and comprehensive reception study of what has been written about Plath from 1960 to 2010. Academic and popular interest in her seems incessant, verging on a public obsession. The story of Sylvia Plath is not only the story of a writer and her texts, but also of the readers who have tried to make sense of her life and work. A religious tone and a rhetoric of accountability dominate among the devoted. Questing for the real or true Sylvia, they share a sense of posessiveness towards outsiders or those who deviate from what they see as a correct approach to the poet. In order to offer a new and more nuanced perspective on Plath’s public image, the reception has been organized into interpretive communities composed of critics, feminists, biographers, psychologists, and friends. Pertinent questions are raised about how the poet functions as an excemplary figure, and how – and by whom – she is used to further theories, politics, careers, and a number of other causes. Ethical issues and rhetorical strategies consequently loom high in Claiming Sylvia Plath. The book may be employed both as a guide to the massive body of Plath literature and as a history of a changing critical doxa. Why Sylvia Plath has been serviceable to so many and open to colonization is another way of asking why she keeps on fascinating all kinds of readers worldwide. Claiming Sylvia Plath suggests a host of possible answers. It includes an extensive Plath bibliography.
'To write about suicide . to transform the subject into something beautiful - this is the foreboding task that Alvarez set for himself . he has succeeded.' The New York Times
A brilliant collection of poetry by Sylvia Plath, one of America’s most famous and significant female authors. It is characterized by deep, psychological introspection paired with ambiguous scenes and narratives. This edition restores Plath’s selection and order of poems, eschewing her husband’s revisions in favour of the author’s pure, unmodified vision. Random House of Canada is proud to bring you classic works of literature in ebook form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
A woman encounters a life filled with desires and emotions when she returns to Paris after suffering from a bout of depression and alcoholism in London.
Its landscaped ground, chosen by Frederick Law Olmsted and dotted with Tudor mansions, could belong to a New England prep school. There are no fences, no guards, no locked gates. But McLean Hospital is a mental institution-one of the most famous, most elite, and once most luxurious in America. McLean "alumni" include Olmsted himself, Robert Lowell, Sylvia Plath, James Taylor and Ray Charles, as well as (more secretly) other notables from among the rich and famous. In its "golden age," McLean provided as genteel an environment for the treatment of mental illness as one could imagine. But the golden age is over, and a downsized, downscale McLean-despite its affiliation with Harvard University-is struggling to stay afloat. Gracefully Insane, by Boston Globe columnist Alex Beam, is a fascinating and emotional biography of McLean Hospital from its founding in 1817 through today. It is filled with stories about patients and doctors: the Ralph Waldo Emerson prot'g' whose brilliance disappeared along with his madness; Anne Sexton's poetry seminar, and many more. The story of McLean is also the story of the hopes and failures of psychology and psychotherapy; of the evolution of attitudes about mental illness, of approaches to treatment, and of the economic pressures that are making McLean-and other institutions like it-relics of a bygone age. This is a compelling and often oddly poignant reading for fans of books like Plath's The Bell Jar and Susanna Kaysen's Girl, Interrupted (both inspired by their author's stays at McLean) and for anyone interested in the history of medicine or psychotherapy, or the social history of New England.
A re-release of a volume of essays on the psychotherapy founder's famous themes includes coverage of a range of his intellectual and theoretical concepts, from the unconscious and the Oedipus complex to defense mechanisms and dream symbolism. Reprint. 15,000 first printing.