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The secret behind a kidnapping and a murder lies hidden in McKenzie's own difficult past, in the latest work from the Edgar Award-winning author.
Mac McKenzie is rich. So rich that he's left his job as a Twin Cities police officer and spends his time doing favors large and small for friends. So when an old Marine buddy of his father's calls with a request Mac takes the time to help him out. And it is one of the stranger favors he's ever been asked: the elderly Mr. Mosley, a beekeeper, wants Mac to find out why his bees are suddenly dying in droves. Mac does some digging and before long turns up a hornet's nest of trouble in the person of Frank Crosetti, a new neighbor on the property abutting Mosley's bees. What started out as an innocent investigation into some unregulated pesticide quickly turns lethal. Crosetti sticks around long enough to make some very specific threats, then disappears into the wind leaving behind a vicious rape, a lifeless body, and a very angry McKenzie bursting for someone to blame. With only the faintest of trails to follow and a suspicious group of federal agents gunning for him, Mac dives underground, taking only a stash of cash and a small arsenal with him on his undercover mission. Before long Mac's deep in the forgotten corners of Minneapolis sniffing for any sign of Crosetti, unable to rest until he gets results. Combining engaging humor and wit with action-packed storytelling, Edgar Winner David Housewright's second Mac McKenzie novel is clever, compelling, and thoroughly enjoyable.
Wednesday, September 5, 1973: The first day of Karl Shoemaker's senior year in stifling Lightsburg, Ohio. For years, Karl's been part of what he calls "the Madman Underground" - a group of kids forced (for no apparent reason) to attend group therapy during school hours. Karl has decided that senior year is going to be different. He is going to get out of the Madman Underground for good. He is going to act - and be - Normal. But Normal, of course, is relative. Karl has five after-school jobs, one dead father, one seriously unhinged drunk mother . . . and a huge attitude. Welcome to a gritty, uncensored rollercoaster ride, narrated by the singular Karl Shoemaker.
Rushmore McKenzie, a retired St. Paul policeman and unexpected millionaire, often works as an unlicensed P.I., doing favors as it suits him. When graduate students Ivy Flynn and Josh Berglund show up with a story about $8 million in missing stolen gold from the ‘30s, McKenzie is intrigued. In the early 20th century, St. Paul, Minnesota was an open city —a place where gangsters could come and stay unmolested by the local authorities. Frank "Jelly" Nash was suspected of masterminding a daring robbery of gold bars in 1933, but, before he could unload it, he was killed in the Kansas City Massacre. His gold, they believe, is still somewhere in St. Paul. But they aren't the only ones looking. So are a couple of two-bit thugs, a woman named Heavenly, a local big-wig, and others. When Berglund is shot dead outside of Ivy's apartment, the treasure hunt turns unexpectedly deadly. In this hard-boiled mystery from David Housewright, Mac McKenzie is looking for more than a legendary stash from seventy-five years ago---he's looking for a killer and the long hidden truth behind Jelly's gold.
Right up until they put him in jail, McKenzie thought the cops were kidding. After all, he did them a favor by stopping a rookie cop from roughing up a distraught woman at a murder scene. But the next thing Mac knows he's in jail, missing an important date with his girlfriend and reliving nightmares he thought he'd finally left behind – and he's vowing payback for all of it. If that means sticking his nose into a crime investigation, well, he's done it before. Only, what appears to be a straightforward case of a cheating boyfriend, his alcoholic girlfriend and an opportune baseball bat proves far more complicated than the police are willing to accept. More disconcerting, as he investigates, Mac finds himself again fighting the influence of a shadowy figure who controls more of what goes on in the Twin Cities than a rational voter would believe. And then there are the unidentified thugs who kill a witness and rough up him and his female lawyer-ally. Soon Mac realizes that the truth of this sordid crime may be as hard to find – and as hard to live with – as the justice he seeks.
(Play Like). Study the trademark songs, grooves, solos, and techniques of the madman drum god, Keith Moon. This comprehensive book and audio teaching method provides detailed analysis of Moon the Loon's kit, style, songs, grooves, fills, solos, and much more. You'll learn everything you need to know about Moon's groundbreaking drumming. Each book also includes a unique code that gets you access to online audio samples of all the music in the book. Songs covered include: Baba O'Riley * I Can't Explain * The Kids Are Alright * Pinball Wizard * Substitute * Who Are You * Won't Get Fooled Again * and more.
Ex-St. Paul cop Rushmore McKenzie has more time, and more money, than he knows what to do with. In fact, when he's willing to admit it to himself (and he usually isn't), Mac is downright bored. Until he decides to do a favor for a friend facing a family tragedy: Nine-year-old Stacy Carlson has been diagnosed with leukemia, and the only one with the matching bone marrow that can save her is her older sister, Jamie. Trouble is, Jamie ran away from home years ago. Mac begins combing the backstreets of the Twin Cities, tracking down Jamie's last known associates. He starts with the expected pimps and drug dealers, but the path leads surprisingly to some of the Cities' most respected businessmen, as well as a few characters far more unsavory than the street hustlers he anticipated. As bullets fly and bodies drop, Mac persists, only to find that what he's looking for, and why, are not exactly what he'd imagined. David Housewright's uncanny ability to turn the Twin Cities into an exotic, brooding backdrop for noir fiction, and his winning, witty hero Rushmore McKenzie, serve as a wicked one-two punch in A Hard Ticket Home, a series debut that reinforces Housewright's well-earned reputation as one of crime fiction's rising stars.
Rushmore "Mac" McKenzie has a lot of old girlfriends, but only one went on to marry the current governor of the state of Minnesota. And only one is calling him with a desperate request to meet in secret. First Lady Lindsay Barrett is carrying an anonymous e-mail that contains the makings of an ugly rumor about her husband, the man about to run for higher office---perhaps even the highest office. Someone says they have evidence that Jack Barrett killed his high school sweetheart. Lindsay says it's an outright lie, but the truth lies buried decades in the past in the small town where the governor grew up. Of course, Mac, who's richer than he needs to be and always has plenty of time on his hands, is in the business of handling such matters for his friends. So he packs up and drives straight into the governor's past with the brilliantly conceived plan to poke around and see if he can stir up a little information. He's soon got goons of all sorts poking him back, including a nasty little group of political movers and shakers who aren't above kidnapping and murder to protect their interests. It's clear that his little plan has stirred up nothing but trouble. With no choice but to stick to it, he continues shifting through a complex web of interlocking secrets and lies, some decades old and some rooted violently in the present day. It's up to Mac to sort truth from untruth before a vicious rumor becomes a political nightmare---or worse, before the "outright lie" is proved a solid, irrefutable fact.
Wordlessly tells the story of a man trapped in an industrial world, struggling between the grim reality around him and the fantasies his imagination creates.--From publisher description.
Edited by Art Spiegelman, author of the Pulitzer Prize-winning graphic novel Maus A wordless novel in woodcuts from Lynd Ward, a pioneering artist/novelist who was “an unmistakable soul-companion to . . . Frank Capra and John Steinbeck, but also Fritz Lang and Franz Kafka” (Jonathan Lethem) From the Great Depression to WII, America’s first great graphic novelist bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. In this, the first of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s earliest books, published when the artist was still in his twenties. Gods’ Man (1929), the audaciously ambitious work that made Ward’s reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman’s Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock in trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by five essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms.