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The famous detective Lionel Payne was murdered when his daughter was only six months old. Years later, Madeline adopts her father’s career when she comes of age...and plots revenge on her scheming stepfather—who only married her mother to steal her inheritance!
Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound.
Traditionally, the history of detective stories as a literary genre begins in the 19th century with the works of Edgar Allan Poe, Charles Dickens, Wilkie Collins, Emile Gaboriau and a handful of other writers. The 19th century was actually awash in detective stories, though many, like the so-called detective notebooks, are so rare that they lay beyond the reach of even the most dedicated readers. This volume surveys the first 50 years of the detective story in 19th century America and England, examining not only major works, but also the lesser known--including contemporary pseudo-biographies, magazines, story papers, and newspapers--only recently accessible through new media. By rewriting the history of the mystery genre, this study opens up new avenues for literary exploration. Instructors considering this book for use in a course may request an examination copy here.
Edgar- and Agatha-nominated author Colleen Barnett here updates her essential reference for readers and writers of mystery, examining women who detect, women as sleuths, and the evolving roles of women in professions and in society.
Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre. This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.