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Intro -- Contents -- Preface -- Ralph Adamo -- Betty Adcock -- Claudia Emerson Andrews -- James Applewhite -- Alvin Aubert -- Gerald Barrax -- John Bensko -- Wendell Berry -- David Bottoms -- Cathy Smith Bowers -- Van K. Brock -- Jack Butler -- Turner Cassity -- Fred Chappell -- Stephen Corey -- Kate Daniels -- James Dickey -- R.H.W. Dillard -- Maudelle Driskell -- George Garrett -- Margaret Gibson -- R.S. Gwynn -- Jim Hall -- Andrew Hudgins -- T.R. Hummer -- Mark Jarman -- Rodney Jones -- Donald Justice -- Etheridge Knight -- Yusef Komunyakaa -- Rick Lott -- Susan Ludvigson -- Everette Maddox -- Cleopatra Mathis -- Walter McDonald -- Jo McDougall -- Heather Ross Miller -- Jim Wayne Miller -- Vassar Miller -- William Mills -- Judson Mitcham -- Robert Morgan -- Delisa Mulkey -- Naomi Shihab Nye -- Brenda Marie Osbey -- Paula Rankin -- Pattiann Rogers -- Gibbons Ruark -- Larry Rubin -- James Seay -- Charlie Smith -- Dave Smith -- A.E. Stallings -- Frank Stanford -- Leon Stokesbury -- John Stone -- Henry Taylor -- Richard Tillinghast -- Ellen Bryant Voigt -- Alice Walker -- Robert Penn Warren -- John Warwick -- James Whitehead -- Miller Williams -- C.D. Wright -- Charles Wright -- Index of Titles
Mississippi has produced outstanding writers in numbers far out of proportion to its population. Their contributions to American literature, including poetry, rank as enormous. Mississippi Poets: A Literary Guide showcases forty-seven poets associated with the state and assesses their work with the aim of appreciating it and its place in today’s culture. In Mississippi, the importance of poetry can no longer be doubted. It partakes, as Faulkner wrote, of the broad aim of all literature: “to uplift man’s heart.” In Mississippi Poets, author Catharine Savage Brosman introduces readers to the poets themselves, stressing their versatility and diversity. She describes their subject matter and forms, their books, and particularly representative or striking poems. Of broad interest and easy to consult, this book is both a source of information and a showcase. It highlights the organic connection between poetry by Mississippians and the indigenous music genres of the region, blues and jazz. No other state has produced such abundant and impressive poetry connected to these essential American forms. Brosman profiles and assesses poets from the twentieth and twenty-first centuries. Grounds for selection include connections between the poets and the state; the excellence and abundance of their work; its critical reception; and both local and national standing. Natives of Mississippi and others who have resided here draw equal consideration. As C. Liegh McInnis observed, “You do not have to be born in Mississippi to be a Mississippi writer. . . . If what happens in Mississippi has an immediate and definite effect on your work, you are a Mississippi writer.”
A Study Guide for Ellen Bryant Voigt's "The Lotus Flowers," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Drawing upon literary criticism, cultural studies, and social history, this book examines the canonizing assumptions (and compulsions) that have fabricated an image of American poetry since World War II, foremost of which is the enshrinement of the self-expressive subject. The tone of the book oscillates between documentary and polemic in an attempt to preserve the tensions that underlie the field of American poetry and which are typically subdued by anthologists and glossed over by commentators. The first chapter offers a theoretical scaffolding intended to contextualize following chapters and to invite other poets and critics to consider what it means to assemble and police a national canon of poetry. Subsequent chapters examine scholarship on contemporary American poetry; the cultural politics of publication and reviewing (which excludes, women, people of color, and gays and lesbians from many poetry anthologies); and poetry in the academy and the role of the poetry workshop. Ten appendixes list American poetry anthologies, most anthologized poets, number of anthology appearances, poets by birthdate, first anthology appearances, anthologies in translation, prizes and awards, results of a search of the MLA bibliography on CD-ROM, critical discussions of American poets, and interviews/collections of poets' essays. (RS).
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
An anthology of the best poetry ever written contains more than sixteen hundred poems, spanning more than four millennia, from ancient Sumer and Egypt to the late twentieth century