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'Wonderfully romantic’ Sandy Barker Escape to the breath-taking beauty of Venice – The City of Love. When pragmatic, sensible and resolutely single Deirdre York (Didi to her friends) is sent to Venice for work she is determined not to be taken in by the romantic clichés. Winter in the floating city may be breathtakingly beautiful, but she’s here with a clear purpose and will not let the magic of Venice distract her. Piero Zanetti is the epitome of the handsome yet tortured artist. Heart-broken by the end of his love affair with a glamorous opera singer, he has lost his ability to work, and his inspiration has drained away, along with his zest for life. But Didi needs Piero working – she has been tasked with commissioning him to do a glass centrepiece for a luxury department store display – some how Didi has to cheer Piero up or at least find him a new muse... As Didi and Piero slowly become friends, and as Venice starts to melt Didi’s heart and gently nudge Piero out of the blues, something special begins to happen. Can Venice – the City of Love – work a miracle and help Didi and Piero to find their happiness at last... Leonie Mack is back with the most gloriously romantic escape, perfect for all fans of Mandy Baggot, Jo Thomas and Carole Matthews. 'Leonie has written another gorgeous love letter to Italy. She’s fast becoming a favourite of mine with her warm, relatable heroines, beautiful settings and brooding romantic heroes. I cannot wait to return to Venice for Norah’s story.' Sarah Bennett What readers are saying about Leonie Mack: 'I read a lot of romance books and I have to say this book is one of the best in terms of chemistry. Readers - we’re talking red hot!' 'A hot and sizzling read!' 'An uplifting, intelligent novel with a lot of substance and of course, plenty of romance' 'I can't stop thinking about this book!' 'Beautifully written, this is a great take on the opposites attract theme.' 'A delight to read with lots of fun, romance and funny bits along the way.'
One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.
Poet Gary Lawless takes us on a journey to discover the answers to the question of how the stones came to Venice, and in the process creates a work that is marvelous, lucid and stunningly new. How the Stones Came to Venice draws on history, philosophy, mineralogy, alchemy, and hagiography to tell the story of stone. In the process Lawless offers us a treasure trove of other stories, of anarchists, stonemasons and saints; he offers prayers and meditations on man's stewardship of the earth; he shares the story of his own journey from the quarries of Prospect, Maine, to the stone streets and churches of Venice, the islands of Greece, the mountains of Turkey and the forests of Lithuania, to return at last to the stones and waters of Maine, his home state.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
The noted historian explores the mysterious origins and surprising adventures of four iconic bronze statues as they appear and reappear through the ages. In July 1798, a triumphant procession made its way through the streets of Paris. Echoing the parades of Roman emperors many years before, Napoleon Bonaparte was proudly displaying the spoils of his recent military adventures. There were animals—caged lions and dromedaries—as well as tropical plants. Among the works of art on show, one stood out: four horses of gilded metal, taken by Napoleon from their home in Venice. The Horses of St Mark's have found themselves at the heart of European history time and time again: in Constantinople, at both its founding and sacking in the Fourth Crusade; in Venice, at both the height of its greatness and fall in 1797; in the Paris of Napoleon, and the revolutions of 1848; and back in Venice, the most romantic city in the world. Charles Freeman offers a fascinating account of both the statues themselves and the societies through which they have travelled and been displayed. As European society has developed from antiquity to the present day, these four horses have stood and watched impassively. This is the story of their—and our—times.
Monkey can't wait to use his new camera in Venice... but along the way he discovers something more precious than sight-seeing! Monkey, an endearing soft toy finds himself in all sorts of scrapes in which he learns all manner of things about himself and the world around him. Imaginative, nostalgic and quirky, the 'Monkey's Great Adventures' series by Tina Wilson, with bespoke hand knitted toys, is beautifully photographed in locations all around the world. In the first book, 'Afloat in Venice', Monkey finds himself entranced by a "magical floating city that seems to grow straight out of the sea." This work includes original music composed by the multi-award winning and highly acclaimed, Matt Ottley, with two versions narrated by the author ensuring the story can be enjoyed by the visually impaired, or anyone with or without the book. Heartwarming and unique this series brilliantly captures the innocence of childhood and will be enjoyed by all ages.
Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
De Blasi, a chef and food writer from St. Louis, begins a whirlwind romance with a man in Venice.