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Describes the techniques and the reasons for the use of mummification in ancient Egypt.
For many Egyptians in the early twentieth century, the biggest national problem was not British domination or the Great Depression but a "marriage crisis" heralded in the press as a devastating rise in the number of middle-class men refraining from marriage. Voicing anxieties over a presumed increase in bachelorhood, Egyptians also used the failings of Egyptian marriage to criticize British rule, unemployment, the disintegration of female seclusion, the influx of women into schools, middle-class materialism, and Islamic laws they deemed incompatible with modernity. For Better, For Worse explores how marriage became the lens through which Egyptians critiqued larger socioeconomic and political concerns. Delving into the vastly different portrayals and practices of marriage in both the press and the Islamic court records, this innovative look at how Egyptians understood marital and civil rights and duties during the early twentieth century offers fresh insights into ongoing debates about nationalism, colonialism, gender, and the family.
The first time Melanie Ross meets April Hall, she’s not sure they have anything in common. But she soon discovers that they both love anything to do with ancient Egypt. When they stumble upon a deserted storage yard, Melanie and April decide it’s the perfect spot for the Egypt Game. Before long there are six Egyptians, and they all meet to wear costumes, hold ceremonies, and work on their secret code. Everyone thinks it’s just a game until strange things start happening. Has the Egypt Game gone too far?
The launching of this hitherto unpublished book by the great nineteenth-century British traveler Edward William Lane (1801-76), a name known to almost everyone in all the many fields of Middle East studies, is a major publishing event. Lane was the author of a number of highly influential works: An Account of the Manners and Customs of the Modern Egyptians (1836), his translation of The Thousand and One Nights (1839-41), Selections from the Kur-an (1843), and the Arabic-English Lexicon (1863-93). Yet one of his greatest works was never published: after years of labor and despite an enthusiastic reception by the publishing firm of John Murray in 1831, publication of his first book, Description of Egypt, was delayed and eventually dropped, mainly for financial reasons. The manuscript was sold to the British Library by Lane's widow in 1891, and has only now been salvaged for publication by Dr. Jason Thompson, nearly 170 years after its completion. This enormously important book, which takes the form of a journey through Egypt from north to south, with descriptions of all the ancient monuments and contemporary life that Lane explored along the way, will be of immense interest to both ancient and modern historians of Egypt, and will become an essential companion to his Manners and Customs. ''Jason Thompson's exact and dedicated edition deserves much praise.''-Astene Newsletter, June 2002. ''Thompson, a historian at AUC, has done signal service in taking a manuscript dating from 1831 and preparing it for publication so many years later; AUC Press deserves praise for making so major a work available, and at so reasonable a price.''-Daniel Pipes, Middle East Quarterly, June 2001. ''In all, the appearance of this major work of scholarship at this late date is a major boon to the study of Egypt's history between the pharaohs and 18280.''-Daniel Pipes, Middle East Quarterly, June 2001.
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.
In this innovative history of reading and writing, Hoda Yousef explores how the idea of literacy and its practices fundamentally altered the social fabric of Egypt at the turn of the twentieth century. She traces how nationalists, Islamic modernists, bureaucrats, journalists, and early feminists sought to reform reading habits, writing styles, and the Arabic language itself in their hopes that the right kind of literacy practices would create the right kind of Egyptians. The impact of new reading and writing practices went well beyond the elites and the newly literate of Egyptian society, and this book reveals the increasingly ubiquitous reading and writing practices of literate, illiterate, and semi-literate Egyptians alike. Students who wrote petitions, women who frequented scribes, and communities who gathered to hear a newspaper read aloud all used various literacies to participate in social exchanges and civic negotiations regarding the most important issues of their day. Composing Egypt illustrates how reading and writing practices became not only an object of social reform, but also a central medium for public exchange. Wide segments of society could engage with new ideas about nationalism, education, gender, and, ultimately, what it meant to be part of "modern Egypt."
Mohy Taha MBBCh, MD, FMH, is a fellowship-trained orthopedic surgeon. The Swiss-Made Egyptian tells the story of his own medical career success path, one that started in Cairo, Egypt and has taken him to multiple other continents along the way—Europe, Australia, North America, and South America. Why did he pursue medical training in so many places? Because as he saw it, no matter where you are at in your medical career path, to truly serve patients with the best quality care, you must always be on the lookout for opportunities to grow your skills, increase your expertise, learn new methods and technologies, and connect with medical mentors. No matter the stage you find yourself in your medical career path—whether an aspiring medical student, a medical student, an intern, a resident/registrar, a prospective fellow, a consultant, or a fellowship-trained consultant—in The Swiss-Made Egyptian, he shares stories to inspire you to seize opportunities to expand your medical horizons. You’ll learn too how the platform he created, called MY-FELLOWSHIP, is key in helping you locate and seize these opportunities. After all, a medical career path isn't enough. Mohy wants you to experience a medical career success path, and seizing international medical opportunities is instrumental in bringing in that success element. The medical field is a global community offering learning possibilities no matter your location. This model of medical career success path acts as a testament to the awesome opportunities available to those in the medical field, who are willing to keep their heads up and seize unique opportunities that present themselves, even amidst the challenges of studying and training in medicine.
This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.
Throughout its long history, stretching from the 25th Dynasty (c. 752-656 BC) to the Ottoman Period (c. 1500-1811 AD), Qasr Ibrim was one of the most important settlements in Egyptian Nubia. The site has produced an unprecedented wealth of material and due to the - even for Egypt - extraordinary preservation circumstances, includes objects that are made of perishable organic materials, such as wood, leather, and flax. The present volume focuses on one of these groups: footwear that is made from leather and dated to the Ottoman Period. The footwear, recovered during the years that the Egypt Exploration Society worked at the site, is described in detail, including a pictorial record consisting of photographs and drawings (both technical and artist's impressions). This is the first time that Ottoman footwear from Egypt (and outside of Egypt) has been analyzed in detail. The preliminary analysis focuses on footwear technology, within the framework of the Ancient Egyptian Footwear Project (AEFP; see www.leatherandshoes.nl). A broader interpretation will be combined with the results of the analyses of the finds from the other epochs of Qasr Ibrim's history, such as the age of Christianity and the Meroitic Period.
This book is a comprehensive portrait of the British colony in Egypt, which also takes a fresh look at the examples of colonial cultures memorably enshrined in Edward W. Said’s classic Orientalism. Arguing that Said’s analysis offered only the dominant discourse in imperial and colonial narratives, it uses private papers, letters, memoirs, as well as the official texts, histories and government reports, to reveal both dominant and muted discourses. While imperial sentiment certainly set the standards and sealed the image of a ruling caste culture, the investigation of colonial sentiment reveals a more diverse colony in temperament and lifestyles, often intimately rooted in the Egyptian setting. The method involves providing biographical treatments of a wide range of colonials and the sometimes contradictory responses to specific colonial locations, historical junctures and seminal events, like invasion and war or grand imperial projects including the Alexandria municipality.