Download Free Madame Sadayakko Book in PDF and EPUB Free Download. You can read online Madame Sadayakko and write the review.

The author of Women of the Pleasure Quarters shares the story of the famous geisha whose life inspired Puccini's Madame Butterfly, from her training and participation in secret geisha traditions to her defection from her lucrative career to marry the penniless actor and political maverick Otojiro Kawakami and her rise to international celebrity. Reprint.
"Imperial Masquerade: The Legend of Princess Der Ling, the first biography of one of the twentieth century's most intriguing cross-cultural personalities, traces not only the life of Princess Der Ling, in all its various transformations, but offers a fresh look at the woman she lionized and, ultimately, betrayed - the Empress Dowager Cixi, to whom, like Der Ling, many legends have been affixed over the past century. The book also depicts the changing worlds of Paris, Tokyo and the other international stages of Der Ling's development as woman and as mystery, and deals with the many teachers who made her who she was." --Book Jacket.
Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century.
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Japan, and the year is 1853. Growing up among the samurai of the Satsuma Clan, in Japan's deep south, the fiery, beautiful and headstrong Okatsu has like all the clan's women been encouraged to be bold, taught to wield the halberd, and to ride a horse. But when she is just seventeen, four black ships appear. Bristling with cannon and manned by strangers who to the Japanese eyes are barbarians, their appearance threatens Japan's very existence. And turns Okatsu's world upside down. Chosen by her feudal lord, she has been given a very special role to play. Given a new name Princess Atsu and a new destiny, she is the only one who can save the realm. Her journey takes her to Edo Castle, a place so secret that it cannot be marked on any map. There, sequestered in the Women's Palace home to three thousand women, and where only one man may enter: the shogun she seems doomed to live out her days.
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer. Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new associations and came to symbolize an exotic culture and an alluring female form. In the aftermath of the Second World War, the kimono industry was sustained through government support. The line between fashion and art became blurred as kimonos produced by famous designers were collected for their beauty and displayed in museums, rather than being worn as clothing. Today, the kimono has once again taken on new dimensions, as the Internet and social media proliferate images of the kimono as a versatile garment to be integrated into a range of individual styles. Kimono: A Modern History, the inspiration for a major exhibition at the Metropolitan Museum of Art in New York,not only tells the story of a distinctive garment’s ever-changing functions and image, but provides a novel perspective on Japan’s modernization and encounter with the West.
An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York
This title studies the creation of an 'Empire of Love' in the Pacific and the interconnections between culture and imperial power in the 19th and 20th centuries. It examines the European presence in such contested territories as New Caledonia, and Tahiti, and encounter and conflict in Panama and Indochina.
The fourteen chapters in this book examine various topics and contexts of travel writings on China, Japan and Southeast Asia. From the first Colombian on a trade mission to China, to French women travellers in Asia, and the opening of "Japan Fairs" in the US during the latter half of the nineteenth century, this book offers a kaleidoscopic glimpse of the various cultures in the eyes of their beholders coupled with insightful understanding of the various politics and relationships that are involved. While this book will appeal to expert scholars and students of travel literature and Asian studies, as well as those working on cultural studies, general readers will also find it an interesting and accessible addition to their collections.
From the demon-killing Minamoto no Yorimitsu to the immortal poet Ono no Komachi, find out about the fascinating world of Japanese warriors and folk-heroes. Japanese mythology is filled with stories of larger-than-life characters that shaped the landscape of Japan. They are the folk heroes who slayed monsters, fought in epic battles and reflected the most complicated emotions of the people who created them. Through a mix of essays, short stories and anecdotes, Japanese Fighting Heroes follows the lives of samurai, warriors, outliers and iconoclasts who forged their own paths. Legendary fighters like the demon-killing Minamoto no Yorimitsu, philosophising samurai Miyamoto Musashi, and the One-Eyed Dragon Date Masamune. Creative heroes like the father of Japanese short stories Ryunosuke Akutagawa, the immortal poet Ono no Komachi, the hilarious Sei Shonagon and her insight into human nature. Trailblazers who broke down barriers like the feminist Hiratsuka Raicho, the statesman Fukuzawa Yukichi, the photographic genius Hiroshi Hamaya. These Japanese folk heroes led fascinating lives that provide insight into our own through the principles and practices they lived by. They struggled with universal ideals of honor, duty, courage and kindness, helping them transcend their culture. Whether you’re looking to learn about Japanese history, fall down a philosophy rabbit hole or pick up new mental health habits, these heroes can teach us timeless lessons. Japanese Fighting Heroes captures the essence of what it means to be human in any culture.