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A dead body turns up in the East Asian wing of the fictional Dowager Museum of Art. Madame Li – an intelligent and aristocratic Chinese-American art specialist – gets called in by her former colleague at the museum to examine the art displays around the crime scene. When this dear colleague and friend becomes the prime suspect in the murder investigation, Madame Li is roped into investigating the crime herself in a race to find the true killer before the authorities can arrest her friend. As she investigates the interconnected suspects with the help of her colorful friends and acquaintances, she unravels buried secrets in New York’s exclusive art market that ultimately lead her to the murderer. Madame Li and The Mystery at the Dowager Museum is an upmarket cozy mystery set in contemporary New York. It features classic elements of the cozy genre – a female sleuth, off-stage crime, and eccentric supporting characters – but offers an international and cosmopolitan twist. If you prefer a quick and amusing read with refreshing characters, then this is the mystery for you.
After spending an eventful day at the fair held on New Year's Eve, Mei Li arrives home just in time to greet the Kitchen God.
Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.
The work covers three major areas: 1) descriptions of Chinese characters and their components, including stroke types, layout patterns, and indications of sound and meaning; 2) basic brush techniques; and 3) the social, cultural, historical, and philosophical underpinnings of Chinese calligraphy---all of which are crucial to understanding and appreciating this art form. --
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Nowadays, plenty of factories from Europe and other developed countries have been relocated to this country, considering its tremendous economic scale and rapid growth rate during the past three decades.But most of what happens inside the China nowadays is deeply hidden from the outside world (¿the foreigners¿ as China people would call). This fact is partly because most reports on China were written by the so-called fly-high experts who are busy completing their reports despite a busy schedule. Very few books or reports were written by people inside, or at least ¿foreigners¿ who spent a few years in China. Therefore in this book, we took a different approach, by inviting local scientists and other writers to describe what happens surround them.It is the purpose of this book to bring these cultural advantages into more focus, in order to bring into light some 'human¿ aspects of the country, and how these can be integrated into the broader context of economics development. At the end of the day, their achievements cannot be measured by economic progress alone, but also how the people can have the proper sense of meaning (i.e. 'feel¿ at home) in their own homeland, instead of being just another 'bolt¿ in the obsolete industrial engine of economics. As shown in history that China/Eastern cultures can shed some light into modern science (cf. Fritjof Capra etc.), it is of our belief that both cultures can learn from each other, rather than suppressing the Eastern cultures under the spell of modernization.As with other books on development economics, it is beyond the objective of this book to give the final word. We would rather see the purpose of this book is to invite further dialogue over a long-time issue on how the modernization can be given a more humanized interpretation. This perhaps will include rethinking on the meaning of modernization and development themselves, beyond classical debates between inward-outward looking development programs.