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The 19th century volume demonstrates the variety of English literature in an age of social, intellectual, religious and scientific ferment. The shift to Romanticism is portrayed with extracts from major figures such as Blake, Wordsworth and Coleridge and the contribution of women writers is fully recognised, with selections from Jane Austen, the Bronte sisters, and Elizabeth Gaskell. The anthology concludes with selections of Victorian poetry and extracts from Wilde and Stevenson and altogether offers a comprehensive sample of the vast treasure-house of 19th century literature.
The selection of writing in this anthology brings alive the excitement, wit, and exuberance of the Restoration and eighteenth century.
This volume illustrates the strength and variety of 20th century literature, and provides a stimulating collection to which readers will return time and again.
British fictions of the early twentieth century appear obsessed with Europe. Various texts from E.M. Forster and D.H. Lawrence to Bram Stoker and the period's travel writing explore European spaces, constructing the European as an Other threatening the position of the English. What they constantly repeat is England's difference and the secondary role of European spaces, whose representation resembles that of colonial lands. By reading selected texts, both canonized and popular, published between 1894 and 1916, this study argues that this xenophobic construction is a sign of the pervading presence of concerns related to the maintenance of English national identity, Englishness, allegedly threatened by the European Other. By drawing on current postcolonial theory, the case studies in the volume show that the discourse on the Other produced in British writings on Europe contributes more than has been understood to the making and promoting of Englishness. The authors studied include D.H. Lawrence, Katherine Mansfield, Anthony Hope, Arnold Bennett, Mrs Alec Tweedie, Erskine Childers, and Joseph Conrad. The study will renew our understanding of the role of Europe in the period's cultural imagination, showing that the identities of the English are formed in encounters with different internal and external Others.
This volume starts with the writings of Bede and covers the range of Medieval literature up to the time of Thomas More. The Old English selections which include extracts from Beowulf and well-known riddles and elegies, are in modern English translation. The Middle English writings, from Langland, Chaucer, Malory and many others, are presented in the original language with marginal notes, or with a full translation where appropriate. This anthology contains new translations of some well-known works, and provides an illuminating insight into this fascinating period.
Margaret Atwood's novels are photographs of her characters' lives: while words only ever describe her protagonists’ blurred visions of their pasts, their 'true' stories are told in subtexts which run parallel or even contrary to the main story line and which depict the unseen, the buried, the 'untrue'. Replete with intertextual references, her fiction illuminates that and why "[w]hat isn’t there has a presence, like the absence of light" (The Blind Assassin). She plays with our conventional modes of perception to make us aware of the way we frame reality in our minds. Andrea Strolz discusses in her book the interrelation between metafictional and intertextual features in two of Atwood's novels that share many similarities, even though written in different decades. She examines how Atwood weaves intertextual references into her fiction, how she facilitates a reader's recognition of the intertexts, and she shows that Atwood's narrator-protagonists also reflect on our age as one of intertextuality.
American national trade bibliography.