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Mac, over sixty and recently unemployed, lives on his wife's earnings from her furniture restoration business. An avid reader, he decides at the age of sixty to keep a diary. Mac's wife, Carmen, a dyslexic born of dyslexic parents, thinks he is simply wasting his time and risking sliding further into depression-but Mac persists, and is determined that this diary will not turn into a novel. However, one day, he has a chance encounter with a near neighbour, a highly successful author who once wrote a collection of enigmatic, wilfully obscure stories..
Enrique Vila-Matas’s new novel is perhaps his greatest: “playful and funny and among the best Spanish novelists” (Colm Tóibín) Mac is currently unemployed and lives on his wife’s earnings from her furniture restoration business. An avid reader, he decides at the age of sixty to keep a diary. Mac’s wife, Carmen, a dyslexic born of dyslexic parents, thinks he is simply wasting his time and risking sliding further into depression—but Mac persists, and is determined that this diary will not turn into a novel. However, one day, he has a chance encounter with a near neighbor, a highly successful author who once wrote a collection of enigmatic, willfully obscure stories. Mac decides that, while he will not write his own stories, he will read, revise, and improve his neighbor’s, which are mostly narrated by a ventriloquist who has lost the ability to speak in different voices. As Mac embarks on this task, he finds that the stories have a strange way of imitating life. Or is life imitating the stories? As the novel progresses, Mac becomes stranger and more adrift from reality, and both he and we become ever more immersed in literature: a literature haunted by death, but alive with the sheer pleasure of writing.
A blue whale is longer than thirty dogs lined up nose to tail. Its tongue weighs as much as four hundred cats. Blue whales make terrible pets....Just ask Billy Twitters.
An album-by-album celebration of the life and music of Mac Miller through oral histories, intimate reflections, and critical examinations of his enduring work. “One of my most vivid memories of him is the way he would look at you while he was playing you a song. He tried to look you right in the eyes to see how you were feeling about it.” —Will Kalson, friend and first manager Following Mac Miller’s tragic passing in 2018, Donna-Claire Chesman dedicated a year to chronicling his work through the unique lens of her relationship to the music and Mac’s singular relationship to his fans. Like many who’d been following him since he’d started releasing mixtapes at eighteen years old, she felt as if she’d come of age alongside the rapidly evolving artist, with his music being crucial to her personal development. “I want people to remember his humanity as they’re listening to the music, to realize how much bravery and courage it takes to be that honest, be that self-aware, and be that real about things going on internally. He let us witness that entire journey. He never hid that.” —Kehlani, friend and musician. The project evolved to include intimate interviews with many of Mac’s closest friends and collaborators, from his Most Dope Family in Pittsburgh to the producers and musicians who assisted him in making his everlasting music, including Big Jerm, Rex Arrow, Wiz Khalifa, Benjy Grinberg, Just Blaze, Josh Berg, Syd, Thundercat, and more. These voices, along with the author’s commentary, provide a vivid and poignant portrait of this astonishing artist—one who had just released a series of increasingly complex albums, demonstrating what a musical force he was and how heartbreaking it was to lose him. “As I’m reading the lyrics, it’s crazy. It’s him telling us that he hopes we can always respect him. I feel like this is a message from him, spiritually. A lot of the time, his music was like little letters and messages to his friends, family, and people he loved, to remind them of who he really was.” —Quentin Cuff, best friend and tour manager
A quirky, cosmopolitan novel about life and literature by the prize-winning Spanish writer Enrique Vila-Matas, author of Bartleby & Co. The narrator of Montano’s Malady is a writer named Jose who is so obsessed with literature that he finds it impossible to distinguish between real life and fictional reality. Part picaresque novel, part intimate diary, part memoir and philosophical musings, Enrique Vila-Matas has created a labyrinth in which writers as various as Cervantes, Sterne, Kafka, Musil, Bolano, Coetzee, and Sebald cross endlessly surprising paths. Trying to piece together his life of loss and pain, Jose leads the reader on an unsettling journey from European cities such as Nantes, Barcelona, Lisbon, Prague and Budapest to the Azores and the Chilean port of Valparaiso. Exquisitely witty and erudite, it confirms the opinion of Bernardo Axtaga that Vila-Matas is "the most important living Spanish writer."
Curious minds are rewarded with curious answers in a fantastical bedtime book by Mac Barnett and Isabelle Arsenault. Why is the ocean blue? What is the rain? What happened to the dinosaurs? It might be time for bed, but one child is too full of questions about the world to go to sleep just yet. Little ones and their parents will be charmed and delighted as a patient father offers up increasingly creative responses to his child’s nighttime wonderings. Any child who has ever asked “Why?” — and any parent who has attempted an explanation — will recognize themselves in this sweet storybook for dreamers who are looking for answers beyond “Just because.”
King Duncan is terribly handsome, but a terrible king. His kingdom is in ruins, and when his subjects appeal for help, he only builds more tributes to his handsome face. His subjects are finally ready to stand up for themselves, and they have just the plan to get out of this hairy situation. A mustache....because sometimes good looks alone just aren't enough.
The humor of Diary of a Wimpy Kid meets a Godfather-like tale of crime and betrayal in this first book in Chris Rylander's The Fourth Stall Saga. Do you need something? Mac can get it for you. He and his best friend and business manager, Vince. Their methods might sometimes run afoul of the law, or at least the school code of conduct, but if you have a problem, if no one else can help, and if you can pay him, Mac is on your side. His office is located in the East Wing boy's bathroom, fourth stall from the high window. And business is booming. Or at least it was, until this particular Monday. Because this Monday is when Mac and Vince find out that the trouble with solving everyone else's problems is there's no one left to solve yours. The school setting; fast-paced, cinematic, and funny story; and engaging voice make The Fourth Stall a perfect classroom read. Supports the Common Core State Standards
Miles Murphy is not happy to be moving to Yawnee Valley, a sleepy town that’s famous for one thing and one thing only: cows. In his old school, everyone knew him as the town’s best prankster, but Miles quickly discovers that Yawnee Valley already has a prankster, and a great one. If Miles is going to take the title from this mystery kid, he is going to have to raise his game. It’s prankster against prankster in an epic war of trickery, until the two finally decide to join forces and pull off the biggest prank ever seen: a prank so huge that it would make the members of the International Order of Disorder proud. In The Terrible Two, bestselling authors and friends Mac Barnett and Jory John have created a series that has its roots in classic middle-grade literature yet feels fresh and new at the same time. Advance Praise for The Terrible Two “A double helping of fun and mischief!” —Jeff kinney, author of the Diary of a Wimpy Kid Series “The pranks, the brotherhood, the art, the heart! What’s not to love about the Terrible Two?” —Sara Pennypacker, author of the Clementine series “You don’t have to be a cow, like cows, or even know a cow to love the Terrible Two.” —Dave Eggers “This book is terrible! Terribly funny, terribly full of pranks, and terribly wonderful.” —Jon Scieszka, author of The Stinky Cheese Man and the Frank Einstein series “The Terrible Two are my kind of kids. And what’s more, they’re kids’ kind of kids.” —Annie Barrows, author of the Ivy & Bean series “Hilarious.” —Dav Pilkey, author of the Captain Underpants series